Leadership Overview
Seattle Theatre Group has 5 executives leading key functions including financial management, operational oversight, and marketing communications.
Dedicated to fostering community engagement through the performing arts, Seattle Theatre Group prioritizes accessibility and educational enrichment across its historic venues to ensure a vibrant cultural landscape for all audiences.
Dedicated to fostering community engagement through the performing arts, Seattle Theatre Group prioritizes accessibility and educational enrichment across its historic venues to ensure a vibrant cultural landscape for all audiences.
Leadership Roles at Seattle Theatre Group
Gary Corrington - Chief Financial Officer
Gary Corrington, the Chief Financial Officer at Seattle Theatre Group, manages the fiscal health and long-term economic sustainability of the organization. Corrington oversees complex budgeting processes, financial reporting, and resource allocation across the Paramount, Moore, Neptune, and 5th Avenue Theatre venues. By directing capital investments and monitoring revenue streams from diverse performing arts events, the Chief Financial Officer ensures the nonprofit maintains the necessary liquidity to support artistic programming and educational initiatives. Gary Corrington collaborates with the Board to align financial strategies with the broader mission of community accessibility. This leadership role involves rigorous oversight of tax-deductible donation management and operational expenditures. Through precise financial planning, the Chief Financial Officer secures the stability required for the organization to continue presenting Broadway productions and silent movie nights while expanding outreach programs for students and educators throughout the Pacific Northwest region.
David Allen - Chief Operating Officer
David Allen, the Chief Operating Officer at Seattle Theatre Group, directs the daily logistical functions and venue management protocols across the organization's portfolio of historic theaters. Allen coordinates facility maintenance, safety standards, and event execution to provide seamless experiences for diverse audiences attending Broadway shows and community workshops. The Chief Operating Officer optimizes operational workflows to maximize the utility of the Paramount, Moore, Neptune, and 5th Avenue Theatre spaces. David Allen manages cross-departmental teams to ensure that every performance and educational program aligns with the nonprofit's commitment to accessibility. By streamlining venue operations and vendor relationships, the Chief Operating Officer supports the delivery of high-quality arts programming. This role requires constant attention to infrastructure needs and logistical efficiency to sustain the organization's reputation as a premier cultural hub. Allen maintains operational excellence to facilitate the broad calendar of events that defines the organization's impact on the local arts community.
Alvin Henry - Chief Marketing & Communications Officer
Alvin Henry, the Chief Marketing & Communications Officer at Seattle Theatre Group, architects the brand strategy and audience engagement initiatives for the organization's diverse performing arts calendar. Henry focuses on digital outreach and community-based campaigns to increase attendance for Broadway productions and silent movie nights. The Chief Marketing & Communications Officer drives growth by identifying new audience segments and strengthening relationships with existing patrons. Alvin Henry oversees the messaging for educational programs, including camps and masterclasses, ensuring that the nonprofit's mission of accessibility reaches students and educators effectively. By managing public relations and promotional partnerships, the Chief Marketing & Communications Officer elevates the visibility of the Paramount, Moore, Neptune, and 5th Avenue Theatre venues. This leadership role involves analyzing market trends to refine communication strategies. Through targeted outreach, Henry ensures that the organization remains a central pillar of the regional cultural scene while fostering deep connections with the community.
Alex Arthur - Chief Marketing & Communications Officer
Alex Arthur, the Chief Marketing & Communications Officer at Seattle Theatre Group, manages the strategic positioning and promotional execution for the organization's extensive educational and community-focused programming. Arthur directs the development of content and outreach materials designed to highlight the value of workshops and student-centered arts initiatives. The Chief Marketing & Communications Officer coordinates with internal teams to ensure that the nonprofit's commitment to accessibility remains a core component of all public-facing messaging. Alex Arthur analyzes engagement metrics to optimize the impact of marketing efforts across various digital and traditional platforms. By fostering partnerships with local schools and community organizations, the Chief Marketing & Communications Officer expands the reach of the organization's artistic mission. This role requires a focus on storytelling that resonates with diverse audiences, ensuring that the unique offerings at the Paramount, Moore, Neptune, and 5th Avenue Theatre venues receive consistent and compelling promotion to sustain long-term community support.
Mikhael Williams - Chief Marketing & Communications Officer
Mikhael Williams, the Chief Marketing & Communications Officer at Seattle Theatre Group, leads the revenue-generating marketing efforts and ticket sales strategies for the organization's high-profile Broadway productions and special events. Williams oversees the implementation of dynamic pricing models and promotional campaigns to maximize attendance across the Paramount, Moore, Neptune, and 5th Avenue Theatre venues. The Chief Marketing & Communications Officer drives the organization's commercial success by aligning ticket sales initiatives with the broader artistic calendar. Mikhael Williams manages the customer experience journey, from initial awareness to final purchase, ensuring that all communications reflect the nonprofit's dedication to accessibility. By leveraging data analytics to understand audience behavior, the Chief Marketing & Communications Officer refines promotional tactics to maintain high occupancy rates. This leadership role involves constant collaboration with programming teams to ensure that marketing efforts effectively support the financial goals necessary to sustain the organization's mission of providing world-class performing arts experiences.
Explore Leadership Teams in Media & Internet
Live Nation Entertainment, Inc. operates as a live entertainment company worldwide. It operates through Concerts, Ticketing, and Sponsorship & Advertising segments. The Concerts segment promotes live music events in its owned or operated venues, and in rented third-party venues. This segment operates and manages music venues; produces music festivals; creates and streams associated content; and offers management and other services to artists. The Ticketing segment manages the ticketing operations, including the provision of ticketing software and services to clients and consumers with marketplace for tickets and event information through mobile apps, other websites, retail outlets, and its primary websites, such as livenation.com and ticketmaster.com; and provides ticket resale services. This segment sells tickets for its events and third-party clients in various live event categories. This segment offers ticketing services for arenas, stadiums, amphitheaters, music clubs, concert promoters, professional sports franchises and leagues, college sports teams, performing arts venues, museums, and theaters. The Sponsorship & Advertising segment sells international, national, and local sponsorships and placement of advertising, including signage, online, and promotional programs; rich media offering that comprises advertising related with live streaming and music-related content; and ads across its distribution network of venues, events, and websites. This segment also manages the development of strategic sponsorship programs, as well as develops, books, and produces custom events or programs for specific brands. It owns, operates, or leases entertainment venues. The company was formerly known as Live Nation, Inc. and changed its name to Live Nation Entertainment, Inc. in January 2010. Live Nation Entertainment, Inc. was incorporated in 2005 and is based in Beverly Hills, California.
Company Leadership EH
DA
JT
GW
AEG Presents is a live entertainment company, promoting UK tours for the world's legends and new artists, as well as finding emerging and growing new talent. Also, promote festivals and outdoor events. The company is a subsidiary of AEG Worldwide and headquartered in London, The United Kingdom.
Company Leadership BF
AH
JG
Sports Illustrated Tickets is a fan-first primary and secondary ticketing marketplace, offering access to more than $2.5 billion in inventory and over 50 million tickets to sports, concerts and theater events worldwide. A proud member of the NFL Ticket Network, Sports Illustrated Tickets is your trusted source for unforgettable live experiences featuring the same seats, better prices, and a 100% refund guarantee if an event is canceled for any reason. Its primary ticketing platform, Box Office, is an innovative event management and blockchain-based solution that supports both free and paid events of any size. Box Office delivers NFT ticketing alongside traditional tickets, giving event organizers powerful tools and fans a seamless, secure entry experience at the biggest events around the globe.`
Company Leadership
Founded in 1956 and headquartered in New York City, New York, Lincoln Center for the Performing Arts is a 16.3-acre complex of buildings in the Lincoln Square neighborhood of Manhattan in New York City. Presenting music, theater, dance, film, opera, and more.
Company Leadership
JO
RC
Frequently Asked Questions Regarding Seattle Theatre Group Top Executives and Leadership Team
