Sarah Mccarron

Sarah McCarron is a queer Los Angeles-based writer and performer in the tradition of Jacques Lecoq. She works in theatre, film, and television. Sarahs one-hour television drama, Crude, is currently in development with Participant Media and Executive Producer Uzodinma Iweala. Other television writing experience includes writing for David Milchs Redb... oard Productions on the HBO drama Luck starring Dustin Hoffman; the upcoming dark satire MADE FOR LOVE with HBOMax starring Ray Romano; STATION ELEVEN with Patrick Somerville, HBOMax, directed by Hiro Murai. Sarah is currently writing for Apple TVs LURE starring Robert Downey, Jr. Sarah is a writer and performer with an MFA in Ensemble Devised Physical Theatre from the London International School of the Performing Arts, in the pedagogy of Jacques Lecoq. She has been commissioned to develop new plays in both Europe and the United States, including with Obie Award-winning Pig Iron Theatre Company. Sarah was featured in collaboration with Emily Mast's Hold Your Tension at the Roy & Edna Disney Cal Arts Theatre (REDCAT), and Sorority, a queer performances salon in Los Angeles curated by Gina Young, sponsored by the Hammer. Sarah recently collaborated on a developmental workshop through UCLA for trans playwright Sylvan Oswald's Trainers. Sarah was the 2017 Writer in Residence at the prestigious William Inge Center for the Arts, in collaboration with Otis Guernsey Award-winner Lauren Gunderson and Pulitzer Prizer-winner Beth Henley. Sarahs comedy feature, D.I.Y., received a production grant from the Duplass Brothers in partnership with Seed&Spark, and looks at the institution of marriage from a queer perspective. Sarah was an Artist Fellow for the Dalai Lamas Mind & Life Institute, researching the relationship between the physical body, psychological states of mind, and narrative subjectivity. She teaches Writing From The Body and Developing An Idea Through Movement in the Experimental Animation Program at CalArts, and is developing a class called WRITING DIFFERENCE with ...Read More