Naima

Naima J. Keith is the Vice President of Education and Public Programs at LACMA. Within her role, she oversees all aspects of and sets the vision for LACMAs innovative and exhibition-driven educational programming that serves more than 650,000 community members annually. Under her purview, LACMA has constructed strategic goals and launched initiativ... es to successfully pivot to virtual programming throughout the 2020 pandemic. Keith leads 20 staff members, 60 freelance educators and interns, and 200 volunteer docents. Prior to her position at LACMA, Keith was the Deputy Director and Chief Curator at the California African American Museum where she guided the curatorial and education departments as well as marketing and communications. During her tenure at CAAM, Keith curated several exhibitions including Genevieve Gaignard: Smell the Roses (2016), Kenyatta A.C. Hinkle: The Evanesced (2017), and Gary Simmons: Fade to Black (20179). She was the 2017 recipient of the David C. Driskell Prize in recognition of her contributions to the field of African American art history and is co-artistic director of Prospect.5 in New Orleans in 2021. Previously an associate curator at the Studio Museum in Harlem (201116), Keiths notable exhibitions there include: Rodney McMillian: Views of Main Street (2016), Artists in Residence 20142015 (2015), Titus Kaphar (2014), Glenn Kaino (2014), and Robert Pruitt (2013), The Shadows Took Shape (co-curated with Zoe Whitley, 2013), Fore (co-curated with Lauren Haynes and Thomas J. Lax, 2012). Her historical survey, Charles Gaines: Gridwork 19741989 (2014), traveled to the Hammer Museum in spring 2015 and was nominated in 2014 for a "Best Monographic Museum Show in New York" award by the International Association of Art Critics (AICA-USA). Keith has also held a curatorial position at the Hammer Museum, serving as the primary contact for the groundbreaking exhibition Now Dig This! Art and Black Los Angeles 19601980, organized by guest curator Kellie Jones. She has lectured extensively and her ...Read More