401 Richmond: Tenants -
[Cached Version]
Published on: 10/1/2005
Last Visited: 9/16/2007
Marian Wihak (Studio 278)
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Looking around artist Marian Wihak's studio (Studio 278) it's clear she has been here for a long time , it feels like home, settled, worn in, and full of creative memories.There is an intriguing collection of oil paintings in various stages of completion; more often than not they are somewhat haunting images that evade detection of beginning and end.They are what Marian refers to as nocturnes, lightscapes, and captured movement; " an experiential collection of remembered images, sensations, moments, which by their nature are ephemeral."Marian is nestled in the east corner of the second floor in a lovely little micro-community.She has been in her studio, which started out as essentially a storage space in a large open studio, for almost eight years and over the years it has expanded as others have grown up around her.
Other than the tangible evidence of her creativity, there are few clues in Marian's studio as to the second hat she wears as a designer.She has been working as a production designer in film and television for twenty years, with a couple of Gemini awards under her belt as an acknowledgement of her talent.However, her studio is a painting studio and she has worked to keep it quite separate from her other artistic world.Marian acknowledges that she, in some ways, made a conscious decision to keep her work as a designer separate from her more personal work as a painter.This is not to say they are not closely connected, influencing each other on many levels, but she felt the space should be reserved for Marian the painter with only very occasional crossovers like building the model for the stage play The Leisure Society.Marian's dual endeavours are not so unlike those of many artists who are forced to seek out other professional avenues to support themselves and their artistic practice.She feels that there is a very comfortable balance between her two worlds; luckily she enjoys being a designer as much as she flourishes as a painter."They certainly feed back and forth, and when I design films or theatre it's probably in a painterly fashion, and when I paint, people often say you can tell that I design for film and theatre.They influence each other that way."
As a child Marian always enjoyed drawing and painting and there was never any doubt that she would pursue this as she grew up.How she ended up in theatre design was kind of a "happy accident."She was attending the University of Regina where and it was suggested to her that she might be right for theatre design.So she moved to Nova Scotia to finish her degree at the Nova Scotia College of Art and Design (NSCAD).After graduating from university Marian worked at the Shaw Festival and the National Ballet, making props and doing other design work.She then moved into film and television, designing at the CBC and eventually moved into the freelance industry."I really enjoyed it and it suited me very well.But I was envious of my visual arts friends as I'd never really followed that as much as I thought I would."So Marian began taking classes at the Ontario College of Art and Design (OCAD), studied in Florence for a summer, and gradually started renting studios to explore being a painter.
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After being part of the inaugural group show at The Oneo Gallery in Prince Edward County last fall, Marian is continuing to expand a new series of paintings as she works towards her first solo show.
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Marian Wihak