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Mr. Brian Walton

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Loyola Law School
Los Angeles, California
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    www.hirshbrothers.com/archives.html - [Cached Version]
    Published on: 3/31/2007    Last Visited: 5/26/2007  

    Matt was interviewed by Brian Walton, a writer for the website.

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    "The Conservative Mind….The Conservative... - [Cached Version]
    Last Visited: 12/19/2006  

    Brian Walton, President of the Writers Guild of America, Member of the Wednesday Morning Club.

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    1997 WGA REPORT TO WRITERS - [Cached Version]
    Published on: 12/25/2003    Last Visited: 12/25/2003  

    Brian Walton Executive Director

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    3rd Amended Complaint - [Cached Version]
    Published on: 7/27/2002    Last Visited: 11/8/2002  

    COLUMBIA BROADCASTING SYSTEM, INC., a California corporation; CBS BROADCASTING INC., a New York corporation, formerly known as CBS INC.; WRITERS GUILD OF AMERICA, WEST, INC., a California corporation; FRANK PIERSON, an individual; JEFF SAGANSKY, an individual; CHARLES D. SEGARS, an individual; BRIAN WALTON, an individual; and DOES 1 through 10, inclusive, Defendants.
    ...
    WALTON is a Caucasian male and was acting at least in part within the course and scope of his employment and agency with WGA.WALTON is sued herein in both his official capacity and personally.6. The true names and capacities of defendants named herein as DOES 1 to 10, inclusive, are unknown to Plaintiff, who therefore sues such Defendants by fictitious names.Plaintiff is informed and believes and thereon alleges that each of these fictitiously named defendants is responsible in some manner for the occurrences, events, harassment, discrimination, retaliation and damages herein alleged, and that Plaintiff's injuries as herein alleged were proximately caused by the aforementioned defendants.Plaintiff will amend this complaint to show such true names and capacities when the same have been ascertained.7. Plaintiff is informed and believes and thereon alleges that at all times mentioned herein, each of the defendants was the agent and/or employee of each of the remaining defendants, and in doing the things hereinafter alleged, was acting at least in part within the course and scope of such agency and employment.8. Plaintiff, MIGDIA CHINEA-VARELA, aka MIGDIA C. VARELA, (hereinafter, referred to as "Plaintiff"), is an adult person of Hispanic national origin and a resident of the County of Los Angeles, State of California.At all times mentioned in this Complaint, Plaintiff was and is a professional screenwriter and member of the WGA, including at all times material to this action and at the present time was and is a WGA member.
    ...
    a. On July 6, 1994, and within 300 days of the date of discrimination herein alleged against Plaintiff by Defendants, Plaintiff filed a charge of discrimination against the WGA, CBS and WALTON, with the EEOC.A copy of this charge is appended hereto, marked "Exhibit A," and is incorporated by this reference as though fully set forth, which will hereinafter be referred to as the "First Charge."On or about July 6, 1994 and on or about July 11, 1994, the DFEH issued to Plaintiff a notices of right to sue based on the First Charge.Then on or about September 22, 1998, the EEOC issued the Plaintiff a notice of right to Sue based on the First Charge.b. On February 21, 1995, and within 300 days of the date of discrimination herein alleged against Plaintiff by Defendants, Plaintiff filed a charge of discrimination against the CBS with the EEOC.A copy of this charge is appended hereto, marked "Exhibit B," and is incorporated by this reference as though fully set forth, which will hereinafter be referred to as the "Second Charge."On or about February 21, 1995, the DFEH issued to Plaintiff a notice of right to sue based on the Second Charge.
    ...
    b. On or about November 22, 1993, the Plaintiff had a conversation with WALTON in which the Plaintiff complained about the Half-Pay Program and the fact that it paid only about fifty percent (50%) of the MBA and was therefore discriminatory against Hispanics.WALTON responded to the effect that fifty percent (50%) of something is better than one-hundred percent (100%) of nothing.
    ...
    d. The Defendants WGA, PIERSON and WALTON failed to communicate with complaining Hispanics after they protested and complained about the Program.
    ...
    d. Defendant WALTON told Plaintiff that Latinos can work for half the pay as compared to non-Hispanics, when the Plaintiff on or about November 22, 1993, complained to the WGA Executive Director, WALTON, and he told her that "Latinos can work for half, because fifty-percent (50%) of something is better than One-hundred-percent (100%) of nothing," in utter disregard of the fact that Plaintiff previously been making "One-hundred-percent (100%)" of the Minimum Basic Agreement (MBA) on numerous projects. e. In or about the beginning of August 1994, the Plaintiff contacted a producer at Defendant CBS in order to apply for either a staff writing assignment and/or special writing assignments.However, when the Plaintiff attempted to apply for these writing positions and writing assignments, she was told on or about August 12, 1994, by both this producer at CBS and the producer's assistant words to the effect "CBS wants nothing to do with you" and "You have been labeled a 'trouble-maker'."f. Plaintiff has submitted sample screenplays/scripts to agents and producers, who have stated that the Plaintiff's screenplays/scripts are "excellent."However, on at least one occasion, CBS directed an independent production company to reject the Plaintiff's application for a particular writing assignment project.Up until said production company sought the approval of CBS, said production company expressed great interest in the Plaintiff's work; however, after contact with CBS, the production company ceased all contact with the Plaintiff. 44. Defendants' retaliatory actions against Plaintiff, as alleged above, constituted unlawful discrimination and retaliation employment on account of national origin and protected activities, in violation of Title VII and the FEHA, including Government Code ยง12940, and proximately caused the damage and injury to Plaintiff set forth below.WHEREFORE, Plaintiff requests relief as hereinafter provided.

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    AFTRA - [Cached Version]
    Published on: 1/21/2001    Last Visited: 2/25/2004  

    LOS ANGELES, May 14, 2001 - Given the impending and important news blackout and keen interest of all our respected colleagues in the entertainment industry, the media and our fellow citizens within the general public regarding the upcoming talks between the Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA) and the Alliance of Motion Picture and Television Producers (AMPTP) and TV networks, the chairs of the member negotiating team, Tom LaGrua (SAG) and John Connolly (AFTRA)--- and chief negotiators---Brian Walton (SAG) and Stephen Burrow (AFTRA)---today issued the following statement: 1.
    ...
    Stephen Burrow, AFTRA's Chief Negotiator (left), Brian Walton, SAG's Chief Negotiator (right)

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    AMPTP - LA Iimes 10/20/07 - [Cached Version]
    Published on: 10/20/2007    Last Visited: 6/25/2008  

    "You can't make an agreement sitting across from each other in that huge room; you just can't," said Brian Walton, a labor lawyer who was executive director of the Writers Guild of America West for 13 years before being ousted in 1998 by the guild to toughen its approach to negotiations.

    Even during the 1988 strike, Mr. Walton, who teaches a class about law and the Hollywood guilds at Loyola Law School in Los Angeles, met frequently with Mr. Counter, sometimes in one-on-one chats that kept the sides engaged.

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    Above & Below, March 2001 - [Cached Version]
    Published on: 11/28/2000    Last Visited: 4/24/2002  

    One name in the hat for the position is Brian Walton.During his 13 year tenure as executive director for WGA West, Walton negotiated all of its major contracts, including four film and TV pacts.Representatives for the two thespian unions met late last year with officials from the major studios and networks in what was described as informal talks.

    During 1998 negotiations with both writers and actors, the producers agreed the unions would have access to information on foreign and cable income to have a base for negotiating a new residual formula.The information was delivered to SAG in December 2000.

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    Actors Contract Talks Near Deadline - [Cached Version]
    Published on: 5/4/2001    Last Visited: 6/30/2001  

    But in this week's edition of the Screen Actors Guild ( news - web sites ) ( SAG ) Hollywood newsletter , chief negotiator Brian Walton said he was ''cautiously optimistic'' about making a deal by the deadline , adding , ``If it is made a few long days and nights thereafter , no matter.''.

    Leaders of SAG and the American Federation of Television and Radio Artists ( AFTRA ) said at the outset of talks they would focus on getting more money for ``working-class'' actors -- the unsung performers who make up the bulk of the unions' membership and earn less than $70 , 000 a year when employed.

    Fears of a potentially devastating strike have all but evaporated since the Writers Guild of America settled its contract with the TV and film industry May 4. But studios , represented by the Alliance of Motion Picture and Television Producers , reportedly remain hesitant to start production of new films until the actors' contract is settled.

    After getting off to a seemingly casual pace last month , with several lengthy breaks between bargaining sessions , the SAG/AFTRA talks shifted into high gear last Sunday , and the two sides have since met late into the night on a daily basis.

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    Actors contract talks near deadline (6/29/2001) - [Cached Version]
    Published on: 2/9/2001    Last Visited: 7/5/2001  

    But in this week's edition of the Screen Actors Guild ( SAG ) Hollywood newsletter , chief negotiator Brian Walton said he was ''cautiously optimistic'' about making a deal by the deadline , adding , ``If it is made a few long days and nights thereafter , no matter.''.

    Leaders of SAG and the American Federation of Television and Radio Artists ( AFTRA ) said at the outset of talks they would focus on getting more money for ``working-class'' actors -- the unsung performers who make up the bulk of the unions' membership and earn less than $70 , 000 a year when employed.

    Fears of a potentially devastating strike have all but evaporated since the Writers Guild of America settled its contract with the TV and film industry May 4. But studios , represented by the Alliance of Motion Picture and Television Producers , reportedly remain hesitant to start production of new films until the actors' contract is settled.

    After getting off to a seemingly casual pace last month , with several lengthy breaks between bargaining sessions , the SAG/AFTRA talks shifted into high gear last Sunday , and the two sides have since met late into the night on a daily basis.

  • View Online Source
    Allysite.com: Writing Samples - [Cached Version]
    Published on: 12/27/2003    Last Visited: 10/26/2004  

    Some of these included: Jack Shea and Jay Roth, Directors Guild of America; Dan Petrie, Jr. and Brian Walton, Writers Guild of America, west; George Spiro Dibie, International Photographers Guild; Woody Omens, American Society of Cinematographers; Richard Masur, Screen Actors Guild; Charles Bernstein, Society of Composers & Lyricists; Scott Roth, Society of Motion Picture & Television Art Directors; Jack Tucker, American Cinema Editors.

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