www.foliomag.com/2008/production-versus-edit-how-bridge -
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Published on: 10/30/2008
Last Visited: 11/1/2008
"Most production departments are responsible for seeing that the contractual obligations with the printer are met; the first of these is the schedule deadline," says Dedra Smith, president of Printmark West, Inc.
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Smith suggests finding "different ways of prioritizing the way editorial works," which can "bring relief to both departments by closing in forms, for example."
Prior to joining Printmark West, Smith directed manufacturing for Pactel, Murdoch Magazines and Reed Elsevier, and boasts more than 30 years of experience working to find scheduling solutions.
Interim sign-offs, Smith says, not only help keep printers on schedule, but ensure that the production staff meets its deadlines without any contractual consequences (of which, she says, editorial may be completely unaware).
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Issue: "Many editorial decisions that could be made earlier are deferred until page proof," says Smith.
When editorial is late, it can require late correction rounds that ultimately compromise the production function of creating final PDFs and releasing the page to the printer on time.
Once pages have been released by editorial to production for final output, a good editorial workflow will make almost no corrections at page proof.
"It's a sign of poor management of the internal editorial workflow, because generally, any mistake caught after the page's release probably could have been caught further upstream," says Smith.
When editorial lateness begins to affect print schedules, a common response is for printers to impose heavy penalties for these late corrections.
If a publication is subscriber-based and trying to hit co-mail pools at the printer, failure to make their pool can result in penalties and loss of savings.
"As postage approaches 50 percent of manufacturing costs, the loss of a 7 to 20 percent discount can be a blow to the budget that publishers are unwilling to risk on an ad, much less late editorial," says Smith.