Please Note:
This profile was automatically generated using 4 references found on the Internet. This information has not been verified. Learn more...
This profile was automatically generated using 4 references found on the Internet. This information has not been verified. Learn more...
Web References
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1. Cuba Solidarity Campaign : Cuba Si : Heart strings
www.cuba-solidarity.org.uk/cub - [Cached]Last Visited: 1/4/2008
With the very professional musicological expertise of Miriam Escudero, and with help from abroad, beautiful editions of Salas' music were prepared and published, and the first concerts were given in Havana under the skilful guidance of Ars Longa's founder Teresa Paz.
...
Herself a soprano, Paz had gathered around her talented singers who were conservatory trained, and then found a handful of musicians who wanted to join in the experiment: two baroque violins and two viola da gambas were imported, paid for by the State, and somehow these talented people learned how to play. A guitarist was given a theorbo (a large lute) and he too taught himself.
...
I was met at Havana airport by Linda and Teresa with the news that it was not yet at all certain how many violins or violas there would be, that there was no cello but only a gamba, and that the harpsichordist, who was actually a pianist, had double-booked himself and might not be able to play at all. -
2. Cuba Solidarity Campaign : Cuba Si : Heart strings
www.cuba-solidarity.org/cubasi - [Cached]Last Visited: 1/28/2008
With the very professional musicological expertise of Miriam Escudero, and with help from abroad, beautiful editions of Salas' music were prepared and published, and the first concerts were given in Havana under the skilful guidance of Ars Longa's founder Teresa Paz.
...
Herself a soprano, Paz had gathered around her talented singers who were conservatory trained, and then found a handful of musicians who wanted to join in the experiment: two baroque violins and two viola da gambas were imported, paid for by the State, and somehow these talented people learned how to play. A guitarist was given a theorbo (a large lute) and he too taught himself.
...
I was met at Havana airport by Linda and Teresa with the news that it was not yet at all certain how many violins or violas there would be, that there was no cello but only a gamba, and that the harpsichordist, who was actually a pianist, had double-booked himself and might not be able to play at all. -
3. Cuba Solidarity Campaign : Cuba Si : Heart strings
cuba-solidarity.org.uk/cubasi_ - [Cached]Last Visited: 1/4/2008
With the very professional musicological expertise of Miriam Escudero, and with help from abroad, beautiful editions of Salas' music were prepared and published, and the first concerts were given in Havana under the skilful guidance of Ars Longa's founder Teresa Paz.
...
Herself a soprano, Paz had gathered around her talented singers who were conservatory trained, and then found a handful of musicians who wanted to join in the experiment: two baroque violins and two viola da gambas were imported, paid for by the State, and somehow these talented people learned how to play. A guitarist was given a theorbo (a large lute) and he too taught himself.
...
I was met at Havana airport by Linda and Teresa with the news that it was not yet at all certain how many violins or violas there would be, that there was no cello but only a gamba, and that the harpsichordist, who was actually a pianist, had double-booked himself and might not be able to play at all.

