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Eduardo Navas

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    newmediafix.net/daily/?p=1105#respond - [Cached Version]
    Published on: 9/7/2008    Last Visited: 9/7/2008  

    SPECIAL TEXT SERIES:"3 X 3: New Media Fix(es) on Turbulence" Essays by Josphine Bosma, Belén Gache, and Eduardo Navas
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    by Belén Gache; and "Turbulence: Remixes + Bonus Beats" by Eduardo Navas.
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    EDUARDO NAVAS is an artist, historian and critic specializing in new media; his work and theories have been presented in various places throughout the United States, Latin America and Europe.He has been a juror for Turbulence.org in 2004 and for Rhizome.org in 2006-07, New York.Navas is founder and was contributing editor of "Net Art Review" (2003-05), is co-founder of "newmediaFIX" (2005 to present) and is co-founding member of "acute.cc", an international group of artists and academics who organize event and publications periodically.Currently, Navas is a Ph.D. Candidate in the Department of Art and Media History, theory and Criticism at the University of California San Diego. http://www.navasse.net

    This entry was posted on Friday, January 26th, 2007 at 4:14 am and is filed under Collaborator: Turbulence, Contributed Texts, Contributor: Belén Gache, Contributor: Eduardo Navas, Contributor: Francesca de Nicolò, Contributor: Ignacio Nieto, Contributor: Lucrezia Cippitelli, Contributor: Raquel Herrera, Criticism, History, Theory, Uncategorized, [3]texts & Interviews, net art.

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    www.soccas.org/node/view/491/66 - [Cached Version]
    Published on: 6/17/2006    Last Visited: 12/1/2007  

    Eduardo NavasUCSD - VisArts -
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    Eduardo Navas

    eduardo@navasse.net
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    Eduardo Navas specializes in New Media and Contemporary Art, and has presented his research and art in various places throughout the Americas and Europe.Navas has been a juror for Turbulence.org (Boston) in 2004, Rhizome.org (NYC) in 2006-07, and currently is consultant for Creative Capital (NYC).He is founder and was contributing editor of Net Art Review (2003-05), and is co-founder of newmediaFIX (2005 to present).Currently, Navas is adjunct faculty of multimedia practice at San Diego State University, while working on his Ph.D. in the Department of Art and Media History, theory and Criticism at the University of California in San Diego. http://www.navasse.net
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    Texts about, or by Eduardo Navas
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    Remediative and Reflexive Mashups in Sampling Culture, by Eduardo Navas.
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    The Blogger as Producer, by Eduardo Navas.This essay was revised for publication in the book Instalando/Installing released on April 2007, by the Chilean Collective Troyano.It was originally released on Netartreview in March 2005.Also available in Spanish.

    The Latency of the Moving Image in New Media, by Eduardo Navas.Essay written for an exhibition by the same name, shown at Telic Arts Exchange, Los Angeles, May 25 to June 16, 2007.Also archived in remixtheory as post 190

    Three Basic Forms of Remix: a Starting Point of Entry, by Eduardo NavasContains revisions from "Turbulence: Remixes + Bonus Beats" as well as excerpts from an upcoming text.Also available at Noemalab, based in Milan, Italy: http://www.noemalab.org/sections/ideas/ideas articles/navas remix.html

    Turbulence: Remixes + Bonus Beats by Eduardo Navas
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    A Critical Reflection on Four a minima:: Texts for the Exhibition NOW 2006, by Eduardo Navas
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    Una reflexión critica sobre cuatro textos de la revista a minima:: para la exhibición NOW 2006, por Eduardo NavasThis text was written to be part of a curatorial participation by a minima:: magazine in the exhibition NOW 2006, which took place at the CCCB, Barcelona, Spain.

    Summary of Seminar on Remix by Eduardo Navas

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    blog.jettisonhigh.com/2008/04/beatbox360-discussed-at-c - [Cached Version]
    Published on: 4/7/2008    Last Visited: 8/29/2008  

    Below is a clip of Eduardo Navas' commentary on Beatbox360.

    Eduardo studies Remix Theory and is pursuing his Ph.D at UCSD, in addition to holding a Curator position at Gallery@CALIT2.

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    redesign.rhizome.org/digest/ - [Cached Version]
    Published on: 8/2/2007    Last Visited: 8/13/2007  

    10. Eduardo Navas: [NMF] Review: Second Person
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    From: Eduardo Navas

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    www.cinegrid.org/index.php?option=com_content&view=arti - [Cached Version]
    Published on: 12/5/2007    Last Visited: 10/1/2008  

    Eduardo Navas , Ph.D. Graduate Fellow, UCSD, Art History, Theory and Criticism Program

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    vagueterrain.net/users/eduardo-navas - [Cached Version]
    Published on: 10/11/2008    Last Visited: 9/4/2008  

    Eduardo Navas
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    Eduardo Navas specializes in New Media and Contemporary Art; he has presented his research and art in various places throughout the Americas and Europe.Navas has been a juror for Turbulence.org (Boston) in 2004, Rhizome.org (NYC) in 2006-07, and currently is consultant for Creative Capital (NYC).He is founder and was contributing editor of Net Art Review (2003-05), and is co-founder of newmediaFIX (2005 to present).Currently, Navas is Coordinator for the gallery@calit2, and is adjunct faculty of multimedia practice at San Diego State University, while working on his Ph.D. in the Department of Art and Media History, theory and Criticism at the University of California in San Diego.

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    onajide.com/blog/2007/08/ - [Cached Version]
    Published on: 8/1/2007    Last Visited: 10/30/2007  

    You might consider adding Remix Theory, a relatively new blog maintained by media artist, writer, and curator Eduardo Navas.While Navas has written on the contemporary climate in essays such as 'Regressive and Reflexive Mashups in Sampling Culture,' he makes a distinction between remix culture, and remix proper, and focuses directly on the latter creative act.
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    Navas insists that this effort must begin with the study of remixed music, before branching out.

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