www.realchangenews.org/2008/2008_04_16/day_v15n17.html -
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Published on: 4/2/2008
Last Visited: 4/18/2008
"Day: A Nove" by A. L. Kennedy, Knopf, Hardcover, 2008, 288 pages, $24
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It is within such a parenthesis , the action and aftermath of WWII , that Scottish writer, A. L. Kennedy, settles her newest novel, Day.
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Kennedy blindly immerses readers into the narrative with little, if any, clues for place or time.
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As the reader gropes for context, Kennedy complicates things further by employing a second-person narrative.
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Because the reader is inside his thoughts, it's clearly not necessary for Kennedy to provide a full-bodied background for him.Thus, Alfie never quite takes complete form, which leads to little, if any, emotional connection to him.When Alfie, early on, reveals that he decided to kill his abusive father, the revelation falls flat because, for him, the deed is already done.And then, when the act finally takes place (in Alfie's memory), it's with a sense of dull detachment.He's simply hurling bricks at his drunk father in a slow-motion, dream-like fashion that's more lackluster than artistic.
Alfred lacks shape, definition, or even a reason for being.In fact, it's not his present life, but his flashbacks, which are the most vibrant part of the novel.Although the other characters seem, even more so than Alfie, like cardboard caricatures, Kennedy succeeds at least in hinting at a parade of personalities.Her crowning accomplishment is that she effortlessly conveys daily life for 1940s RAF airmen as if she's writing from experience.In addition, the dialogue and interaction between the flight crew, for the most part, is superbly done.