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Published on: 7/1/2007
Last Visited: 7/28/2007
Curators Nora Heimann and Laura Coyle have been living with Joan for a couple of years now, first as curators for the exhibit at the Corcoran Museum in Washington, D.C., then as guest curators for this exhibit, which is an expanded version of the first, both in space and items , more than 200.
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Some of the most striking images are the beautiful watercolor paintings by French artist Louis-Maurice Boutet de Monvel, which, Heimann writes in the catalog, illustrated his biography, "Jeanne d'Arc," , "one of the most enduringly popular biographies of Joan of Arc's life ever written."
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"He was a very innovative illustrator," Heimann says."...He has a wonderful sense of graphic patterning that is really exquisite.He paid a lot of attention to details all the time," she notes of both the book illustrations and the 38 watercolors and six oils of his muse, at various moments in her short life.
One such milestone came at 16 when she cuts off her hair and dons armor to become a soldier, after which, Heimann says, "she never wore women's clothes again."That fact often gets misrepresented in the renderings of the many artists who painted her, some preferring to depict her as a romantic mythical image with long tresses and a sometimes womanly figure, as shown in the exhibit.
Other than her hair and clothes, no one really knew what she looked like, so her images are like the depictions of Jesus Christ , from artist's imaginations.
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Of particular note is the Voltaire epic collection of poems, "La Purcelle," which, upon translation, says Heimann, "is pornographic and incendiary.
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"Think Princess Diana, but more," says Heimann.