The D Arts: Razzle-dazzle alone can't save Marshall's... -
[Cached Version]
Published on: 2/10/2003
Last Visited: 2/11/2003
Yet somehow Renee Zellweger's performance as Roxie Hart fails to deliver, leaving me wondering why she was ever cast in the role in the first place.
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Cheating wife Roxie Hart and betrayed vaudeville dancer Velma Kelly sit in jail, reflect on their naughty pasts and contemplate their uncertain futures.
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"Chicago" opens with Velma Kelly (Catherine Zeta-Jones) performing onstage as Roxie Hart admires her from the audience and dreams of a career as a sexy vaudeville star.
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But after being used and abused by a man, Hart shoots him and is soon thrown in a jail cell where she meets a group of other women who have also been locked up for murder.During the "Cell Block Tango," these scantily-clad women sing behind bars -- and in Roxie's imagination -- about their petty motives for killing their husbands.
The women are so energetic and dynamic in their singing and dancing that you almost forget that they are singing about cold-blooded murder.One wo-man even explains that she shot her husband because she was annoyed by the way he chewed his bubblegum.The scene is subtly comedic and aesthetically pleasing, especially for those who enjoy watching women in tight black leotards prance around on stage.
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Roxie brings along for the ride her kind yet wimpy schmuck of a husband, Amos, played to perfection by Reilly, who has once again found himself in the kindly-husband-unappreciated-by-his-distressed-wife role he mastered last year in "The Hours" and "The Good Girl."