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    www.in70mm.com/newsletter/2005/70/siegmund/review/index - [Cached Version]
    Published on: 3/6/2005    Last Visited: 11/7/2007  

    Martin Hart, curator, widescreenmuseum.com, Texas, USA

    You have done a valuable piece of research.

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    www.halldavidson.net/ECHO%20Museums - [Cached Version]
    Published on: 3/2/2006    Last Visited: 10/14/2008  

    Martin Hart

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    www.CinemaSightlines.com/credits.php - [Cached Version]
    Last Visited: 10/13/2008  

    Curtain graphic courtesy of Martin Hart, American Widescreen Museum

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    www.dvdscan.com/aspectratio.htm - [Cached Version]
    Published on: 4/9/2006    Last Visited: 3/20/2007  

    If you want to know more about the different processes and different formats of widescreen film - be it CINEMASCOPE, PANAVISION or TODD AO - you'll find a great variety of details guided by Widescreen Museum curator Martin Hart here.

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    www.dvdscan.com/picresolution.htm - [Cached Version]
    Published on: 4/9/2006    Last Visited: 3/20/2007  

    The pictures are part of The American Widescreen Museum and its curator Martin Hart has compiled quite some information which will give you even more insight.

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    A Visit with Two Cinerama Originals: - [Cached Version]
    Published on: 2/25/2006    Last Visited: 10/14/2008  

    And at first we were running, it seems to me we [that] were running 143 feet per minute at one time. [Per widescreen expert Martin Hart, the initial Cinerama transport speed was 146.25 feet per minute] Then we went to 137 feet per minute.
    ...
    Martin Hart, who is the curator of the Internet-based American Widescreen Museum, has provided technical input on Cinerama and his confirmation of the film transport speed helped clear up a lot of confusion.For a plethora of fascinating information on all American widescreen processes including Cinerama, check his web site out at:

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    Another Paul Scrabo Links page - [Cached Version]
    Published on: 2/20/2004    Last Visited: 5/11/2005  

    Martin Hart's incredible site for cinema buffs!

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    Cinema Treasures | Roxy Theatre - [Cached Version]
    Published on: 8/4/2003    Last Visited: 4/21/2005  

    According to Marty Hart on his amazing web site he claims that though both King and I and Carousel were filmed in Cinemascope 55 they were never shown that way not even in their first run engagements and no known prints are said to survive in that original process. posted by Vincent on Dec 8, 2003 at 12:36pmVincent, I am Afraid you are wrong and more so is Marty. I own copies of both these prints, in original 55 format.I can confirm that they were indeed released in scope 55.The prints I have are X West End London.Edd posted by Edd on Dec 13, 2003 at 6:02amEdd: Marty Hart, curator of the Wide Screen Museum website, is probably the most knowledgable man in the world about the early wide-screen processes, and if he says "Carousel" and "The King and I" were never released in the 55mm format, he knows of what he speaks. (He also knows punctuation--"afraid" as used in the context of your post should not be capitalized. posted by Stepale on Dec 13, 2003 at 9:17pm

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