60minutes.ninemsn.com.au/article.aspx?id=259188 -
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Published on: 7/18/2004
Last Visited: 6/24/2008
RICHARD HANSON, ARCHAEOLOGIST: The idea is to bring this to the world attention, a saga of humanity, of the birth, the origins, the dynamic rise, and then the sudden demise of a complex society.We're looking at the life and death of a civilisation, and it's here!
LIZ HAYES: This is where America's first culture flourished thousands of years ago and archaeologist Richard Hanson is trying to unlock the secrets of this ancient Maya world.
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RICHARD HANSON: These were major world-class, world-calibre civilisations.
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RICHARD HANSON: The idea of these high steps like this , look at the height this is , was to get as high as possible in the least amount of building.
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RICHARD HANSON: This was.
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RICHARD HANSON: You know, sometimes I wish I was.
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RICHARD HANSON: We're the first people to see this material since the Maya had left it.
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RICHARD HANSON: The earliest examples of writing that we have in the Maya world.
LIZ HAYES: No wonder Richard Hanson has made this his life's work.
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RICHARD HANSON: It's a passion, um, that I cannot explain.
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LIZ HAYES: It's a saga of a sophisticated society, one that archaeologists like Richard Hanson think looked something like this.
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RICHARD HANSON: We're all human beings, that's what we all have in common, we're human, and they were human, too, but what we're seeing is culture.
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RICHARD HANSON: And this is Maya.
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RICHARD HANSON: Up we go.
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RICHARD HANSON: There it is.
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RICHARD HANSON: One of the 26.
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RICHARD HANSON: Here's a piece of pre-classic pottery, right here on the surface.
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RICHARD HANSON: This is late pre-classic, it would date to between 300BC and about the time of Christ.
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RICHARD HANSON: It's a bowl, part of a bowl, large bowl.History, right there.
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RICHARD HANSON: To think the last person that held that was one of the pre-classic Maya living here.
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RICHARD HANSON: This is the burial vault of a classic structure, built between AD 300 and AD 400.
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This is where Richard Hanson feels most at home.But he fears it may all be lost, that looters and logging will destroy both the ruins and the rainforest.But being Richard Hanson, he has a plan, a wild plan.It's called tourism.
RICHARD HANSON: They will come.
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RICHARD HANSON: That's right.
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RICHARD HANSON: That's right.
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LIZ HAYES: Anka Meuller represents 20 communities who are fighting Richard Hanson's grand plan.
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LIZ HAYES: How do local communities view Richard Hanson?
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RICHARD HANSON: I understand these people.I've been around them for many years.
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RICHARD HANSON: Well, we've had to take precautions.
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RICHARD HANSON: Why?Because of threats on my life.
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RICHARD HANSON: If you kill the dog, you eliminate the rabies.
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RICHARD HANSON: I'm the dog.
LIZ HAYES: Not that that stopped Richard Hanson.
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RICHARD HANSON: Well, if it's not protected we'll lose this quickly.
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RICHARD HANSON: Two, three years.
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RICHARD HANSON: They'll plant corn all through here.
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RICHARD HANSON: No, but I think we can protect it in my lifetime.
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RICHARD HANSON: (Laughing) Yeah, I do.
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RICHARD HANSON: I've gotta finish it.
RICHARD HANSON (in jungle): This is all artificial construction, all brought in, basket by basket, rock by rock, by thousands of labourers.
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RICHARD HANSON: We run the risk of losing this entire thing.
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RICHARD HANSON: Especially one of this size, this antiquity and with this historic saga, all this incredible sequence of cultural national events that occurred here.