outsmartmagazine.com/cms-this_issue/200707--Stage+Struc -
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Published on: 7/2/2007
Last Visited: 7/2/2007
Playwright Fernando Dovalina in front of the Alley.
"People will think this is a spoof of her, but it isn't."
Dovalina and JT Buck met with Tammy Faye Messner as they began work on their musical about her life.
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Former newspaperman Fernando Dovalina has two plays on the boards this month, an Iraq war drama and a musical about televangelist Tammy Faye Bakker Messner.
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The Tammy Faye musical is one of two works by Dovalina, a former Houston Chronicle editor, on local stages this month.Unhinged Productions is presenting the world premiere of Dovalina's American Homefront, through July 14 at Silver House Theatre.In Homefront, which opened on June 29, the parents of an army lieutenant in Iraq who is kidnapped by a rogue Islamic force come to question their values, their religious faith, and the meaning of patriotism.Unhinged, the GLBT-positive theater company, selected Dovalina as its playwright-in-residence in 2002.
Dovalina joined forces with Buck to create The Gospel According to Tammy Faye when the two men were students in a musical collaboration course at the University of Houston taught by the renowned Broadway producer Stuart Ostrow.
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"This is about her life, and we made some parts more dramatic, but at the same time, it stays true to who she is," Dovalina says about the two-act musical.
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Carter said Dovalina approached Bering & Friends members this year and asked them if they would be interested in producing the show.
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When Dovalina and Buck began writing the play, they used the acclaimed 2000 documentary The Eyes of Tammy Faye (produced by two gay men, Fenton Bailey and Randy Barbato) as a basis for research.
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"One of the things we learned without her saying it, is that she wasn't sure what she had accomplished," Dovalina says.
He points to her efforts to help others as the most widespread of her accomplishments, and says that her attempts to continually grow showed in their meeting, and will appear in the play.
"She had rediscovered her childlike innocence, and so we went back to that," Dovalina says."She found Jesus when she was 10 years old, and we show how maybe on the way she had lost track of that, but had rediscovered that."
"She had no idea what we were doing," he adds, "but I had the feeling that she was facing her mortality, and she wanted to make sure there was some part of her story being told."
Messner's flaws and her redemption combine in the course of the musical to create an interesting personality that Dovalina and Buck think give her a common humanity.
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"The people [the Bakkers] met along the way that they helped to succeed turned their backs on her when she was down," Dovalina says, "and the people who remembered her were gay men.