Leslie Dilley

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  www.hollywoodreporter.com/hr/content_display/world/news - [Cached Version]
  Published on: 2/5/2009    Last Visited: 2/6/2009  

  The film is eyeing a summer start and has also put together a crew consisting of Adam Greenberg ("T2"), editor Peter Amundson ("Hellboy"), veteran production designer Leslie Dilley ("Raiders of the Lost Ark") with stunts by Richard Ryan ("The Dark Knight").
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  The film is eyeing a summer start and has also put together a crew consisting of Adam Greenberg ("T2"), editor Peter Amundson ("Hellboy"), veteran production designer Leslie Dilley ("Raiders of the Lost Ark") with stunts by Richard Ryan ("The Dark Knight").

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  stargate-sg1-solutions.com/blog/page/2/ - [Cached Version]
  Published on: 2/16/2009    Last Visited: 2/27/2009  

  The film is eyeing a summer start and has also put together a crew consisting of Adam Greenberg ("T2), editor Peter Amundson ("Hellboy"), veteran production designer Leslie Dilley ("Raiders of the Lost Ark") with stunts by Richard Ryan ("The Dark Knight").

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  www.filmscoremonthly.com/articles/2002/02_Jul---Aisle_S - [Cached Version]
  Published on: 7/2/2002    Last Visited: 11/8/2007  

  The result is a somewhat uninspired romp that still gets by on Lawrence's charisma, as well as a full recreation of the period by production designer Leslie Dilley, who somehow constructed all of the sets in North Carolina!

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  www.alltucker.com/Cinefile/OscarRace/2001ForYourConside - [Cached Version]
  Published on: 1/1/2001    Last Visited: 2/22/2009  

  Pay It Forward - Leslie Dilley (production designer) & Peg Cummings (set decorator)

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  "Honey, I Blew Up The Kids" Photos" - [Cached Version]
  Published on: 6/20/2006    Last Visited: 9/4/2008  

  At any given moment on cavernous Stages 1 and 2, Randall Kleiser's main unit would be working alongside Tom Smith's visual effects unit, while a second unit captained by production designer Leslie Dilley (who doubled as 2nd unit director) was kept busy filming on the miniature sets.

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  15. Cast and Crew FILMOGRAPHY - [Cached Version]
  Published on: 5/10/1998    Last Visited: 11/4/2004  

  LESLIE DILLEY (Production Designer) - http://us.imdb.com/M/person-exact?Dilley, Leslie

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  AMCTV.com SHOW - Deep Impact - [Cached Version]
  Published on: 11/5/2004    Last Visited: 11/5/2004  

  Leslie DilleyProduction Designer

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  AMCTV.com SHOW - Deep Impact - [Cached Version]
  Published on: 7/7/2004    Last Visited: 7/7/2004  

  Leslie DilleyProduction Designer

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  All Movie Guide - [Cached Version]
  Published on: 11/21/2000    Last Visited: 3/7/2001  

  Leslie Dilley- Production Designer

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  BLACK KNIGHT - Production... - [Cached Version]
  Published on: 11/20/2000    Last Visited: 12/21/2001  

  The realism and authenticity also extended to the film's production design, especially the film's principal set: a castle that looks like it might have been built in the 14th century but was the handiwork of production designer Leslie Dilley.Situated in the middle of what had been a parking lot at Screen Gems Studios in Wilmington, North Carolina, the castle was a marvel of imagination, careful research and lots of hard work.
  
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  After interviewing several prospective designers, Junger gave the assignment to Leslie Dilley.
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  Upon arriving on location in Wilmington, Dilley and his staff put to paper ideas he had when he first read the script, built models of the village and castle, and began to clear the land on the Wilmington backlot."BLACK KNIGHT was a golden opportunity for me, especially being from England," Dilley offers."How often do you get to recreate medieval England'?"
  
  Instead of using his homeland's surroundings, Dilley recreated medieval England in Wilmington."Finding a castle with room for cast and crew, a courtyard and moat, surrounded by grass and trees would have been nearly impossible," Dilley explains."The set had to be right for the director, the camera operators and the actors."
  
  Nevertheless, there is more than a little touch of England in Dilley's North Carolina castle.He made fiberglass molds of actual stone work of castles from the English countryside.The plaster shop at the studio then made hundreds of plaster casts that were then nailed or stapled into place, then plastered and sealed.Each stone was individually painted to make the castle walls look just the right age.
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  It took Dilley and his crew of 100 craftsmen and construction workers over three months to build the castle and neighboring village.The front of the castle, complete with drawbridge and moat, looked out over a grassy field, which was seeded with a winter-growing rye.The courtyard, measuring 300 feet across, was lined with pens holding goats and Jacob's sheep (a four- horned breed that dates to that period), carts of straw, and booths for peasant extras to buy and sell meats, vegetables and other necessities.Dilley, ever mindful that he was working on a comedy, lightened the imposing set with bright banners and tapestries.

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