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Published on: 5/11/2008
Last Visited: 8/25/2008
Also on display are books about the singer, including a biography written by Virginia Danielson, curator of the archive of world music at Harvard University.The recent documentary, Umm Kulthum: A Voice Like Egypt, was based on her book.Danielson says that Umm Kulthum's early religious training set the course for the singer's immaculate and nuanced diction.
"She was born to a poor family," Danielson says, "and at the time Egypt was under British occupation, and virtually the only schools that were available or encouraged were religious schools.Now what you learned was to recite the Koran, and that tended to give people a profound appreciation for the sound of the language.And, of course, the Koran is written in very elegant Arabic.Umm Kulthum had a very powerful voice, equally strong from the lowest to the highest part of her range, and she was musically very inventive.She schooled herself musically by learning to command the Arab musical system and learning to improvise in that system the way a jazz musician would improvise using the Western system."
Danielson also points to Umm Kulthum's great appreciation of fine poetry.
"She had an ability to link musical improvisation to the meaning of the words that she was singing in such a way that the meaning was really felt by listeners.Many scholars say poetry is the art of the Arabs, and so to sing poetry well is something that will tend to garner great appreciation among Arabic-speaking listeners."
Umm Kulthum was also a master at casting a spell over her audiences.In the documentary, there's a clip of Umm Kulthum singing, sometime in the 1940s or '50s, and the audience begins to sing back phrases to her.Danielson says it has to do with the Arab word tarab.
"Tarab is a concept of enchantment," Danielson says.