www.melafoundation.org/Waking05.htm -
[Cached Version]
Published on: 12/3/2005
Last Visited: 3/31/2007
Concert series / Charles Curtis, cello | December 3: La Monte Young Marian Zazeela Just Charles & Cello in the Romantic Chord MELA Foundation Dream House, 8 pm | December 5: Eliane Radigue Naldjorlak Tenri Cultural Institute, 9 pm | December 7: Alvin Lucier Cello and Pure Waves Diapason, 9 pm | December 10: La Monte Young Marian Zazeela Just Charles & Cello in the Romantic Chord MELA Foundation Dream House, 8 pm | December 11 (24th anniversary of the death of Terry Jennings): Terry Jennings Piece for Cello and Saxophone Tonic, 8 pm | December 14: Morton Feldman Patterns in a Chromatic Field Double Knot Carpet Gallery, 9 pm | December 17: La Monte Young Marian Zazeela Just Charles & Cello in the Romantic Chord MELA Foundation Dream House, 8 pm | More Information...
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A survey of singular works for solo cello, presented in seven concerts over fifteen days in intimate New York venues: works created for cellist Charles Curtis by La Monte Young, Eliane Radigue and Alvin Lucier; a major composition by early Minimalist Terry Jennings; and Morton Feldman's "Patterns in a Chromatic Field".
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Waking States lays out, first and foremost, the special body of interpretive work developed by Curtis as one of the key performers of American experimental music.
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Charles Curtis is the leading intepreter of Young's music; in performance he realizes the highly abstract just intonation interval ratios with unprecedented precision.
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Created in close collaboration with Charles Curtis, Naldjorlak is the first entirely acoustic composition by a composer who has pioneered pure electronic sound for over thirty years.
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Charles Curtis (2002)
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La Monte Young was Jennings' closest associate and teacher, and Charles Curtis has studied Jennings' music with Young since first encountering the Piece for Cello and Saxophone in 1989.
Jennings' music is sparse and nearly motionless, emotionally direct, and fragile in the extreme.Piece for Cello and Saxophone is a monumental reflection on a handful of chords and melodic patterns, somewhat resembling raga, but modulating through a chorale-like progression in very slow motion.The solo version Curtis performs evolved from an arrangement created by La Monte Young, in which Young himself performed the saxophone part as a vocalist, with Curtis sustaining the cello drones.In a subsequent formation, Curtis learned the solo part by following Young's improvisations as a sarangi player follows a vocalist, while an ensemble of three cellists sustained the drones.Young thus passed the tradition of the solo role on to Curtis to create this version.
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Charles Curtis, cello
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The acclaimed CD by Curtis and Karis on Tzadik Records was one of the top ten classical CD's of 2004 in Britain's Wire magazine.
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Charles Curtis is an acclaimed soloist and chamber musician.Since the early eighties he has pursued a dual path, working in the worlds of experimental rock and sound art while continuing as a highly respected performer of the traditional cello repertoire.For ten years he was first solo cellist of the North German Radio Symphony Orchestra of Hamburg, and he has appeared as soloist with major conductors and orchestras worldwide.In Waking States he presents the fruit of his close personal and musical friendships with some of the most original figures in experimental music.