Gary Brozenich This is Me

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1. 1. www.timburtoncollective.com

   www.timburtoncollective.com/20 - [Cached]

   Published on: 1/7/2008   Last Visited: 7/3/2008

   Tara DiLullo Bennett from VFXWorld interviewed Gary Brozenich of The Moving Picture Co. (MPC) in London on how the visual effects team of Sweeney Todd: The Demon Barber of Fleet Street helped bring Tim Burton's vision to life.
   ...
   Gary Brozenich: MPC has a long working relationship with Tim, including Big Fish, Corpse Bride, Charlie and the Chocolate Factory and his Killers video.
   ...
   Digital Effects Supervisor Gary Brozenich (inset)

2. 2. MPC's Roman Armies Nominated for VFX Emmy

   www.moving-picture.com/rome_ii - [Cached]

   Published on: 8/1/2007   Last Visited: 8/1/2007

   MPC VFX Supervisor - Gary Brozenich
   
   MPC VFX Producer - Merrin Jensen
   
   MPC Set Supervisor - Adrian De Wet

3. 3. www.andynicholas.com - CGI Festival, London

   www.andynicholas.com/article.p - [Cached]

   Published on: 8/12/2004   Last Visited: 9/15/2007

   Gary Brozenich, CG Supervisor, The Moving Picture Company
   
   MPC carried out a huge number of shots on Troy.They built an entire city, created CG crowd, built CG set extensions, "day for night", weapon insertions, CG gore, rig removal, and many other compositing jobs.In all, they had around 150 shots to which they needed to add simulated crowd, and 65 shots for the CG city.To do this amount of work required 6 months pre-production and R&D, with about 8 months in actual post.Gary spent much of the pre-production on location at the set of the city exterior in Malta.This gave the big advantage in that bump and displacement textures could be sourced from the raw plaster work of the sets before they had been painted.He also had the advantage that he was able to work closely with the production to advise and plan how various shots were to be achieved.