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This profile was automatically generated using 12 references found on the Internet. This information has not been verified. Learn more...
This profile was automatically generated using 12 references found on the Internet. This information has not been verified. Learn more...
Employment History
View...View all 12 references Web References
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1. www.bibank.com
www.bibank.com/portal/story.as - [Cached]Published on: 2/13/2008 Last Visited: 4/15/2008
That's were ImageRestore is so powerful," cites Ron Anderson, Senior Colorist for Cinefilm in Atlanta. "ImageRestore also makes 35mm look much better, and gets S16 much closer to that standard. This has been very important in our new DI workflow with independent filmmakers who often work in S16 to HD," continued Anderson. -
2. CineFilm
www.cinefilmlab.com/bios_ron.a - [Cached]Published on: 7/15/2006 Last Visited: 7/15/2006
Ron Anderson CineFilm
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Ron Anderson
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Ron Anderson Senior Colorist
Ron started in the film business in 1974 working his way up through Allied Film Laboratory in Detroit as a film animation-stand operator, film timer, and Telecine colorist. He then worked for CBS/Fox transferring many feature films for the home video market, including the James Bond films "The Spy Who Loved Me", starring Roger Moore, and "The Man With The Golden Gun," as well as many Technicolor classics such as "Demitrius And The Gladiators," with Victor Mature. Ron then moved to Grace & Wild Studios, in Farmington Hills, Michigan as supervisor of Telecine and senior colorist. While with G&W Ron primarily worked on national commercials for the automotive industry such as Cadillac, Chevrolet, Oldsmobile, and Ford. Six years later he was offered and accepted senior colorist position with Editel Chicago where he colored national spot work for Mc Donalds, General Mills, Quaker, Wrigley's Gum, AT&T, Miller Brewing, Marlboro, and many more. Philips contracted Ron as a consultant to test its new Telecine and help introduce them across the U.S. He showcased the Quadra Telecine on a nine-city tour and worked with DaVinci Systems to integrate the SGI platform with the 8:8:8 color controller and Philips Telecine. Ron also premiered the first Spirit Datacine to the Los Angeles market. He also worked as a demonstrator at both NAB and IBC for several years. In 1995 Ron joined CineFilm, in Atlanta, where he helped design and build two fully digital Telecine suites. His personal interests include jazz, {he played saxophone professionally in Detroit}, sailing, and his family-Marilyn, his wife of 29 years, and their son, Aaron. -
3. www.ozcommunications.com
www.ozcommunications.com/oz_oz - [Cached]Published on: 1/1/2007 Last Visited: 3/28/2007
"Many companies are performing color correction using standard HiDef monitors," explains Ron Anderson, Senior Colorist for Cinefilm, "but the look of light reflected from a movie screen is different than RGB additive color from HiDef monitors.

