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This profile was automatically generated using 22 references found on the Internet. This information has not been verified. Learn more...
This profile was automatically generated using 22 references found on the Internet. This information has not been verified. Learn more...
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1. Leslie Powell Gallery Previous Art Exhibits
www.lpgallery.org/ex_four_phot - [Cached]Published on: 9/20/2007 Last Visited: 12/20/2007
From left, GiGi Gilbert and Tammy Leverich chat with Leslie Powell Gallery director Nancy Anderson on opening night. -
2. artnews.com
artnews.com/issues/article.asp - [Cached]Published on: 2/9/2008 Last Visited: 2/9/2008
The Nocturnes also seem to have "great resonance in terms of his personal life," says Nancy Anderson, associate curator of American and British painting at the National Gallery.
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The Remington show will likely be a revelation to many observers regarding the sophistication of the artist's style and technique, particularly the "spare modernism of his late work," according to Anderson. -
3. www.19thc-artworldwide.org
www.19thc-artworldwide.org/aut - [Cached]Last Visited: 1/29/2008
My sincerest thanks to Nancy Anderson, Curator of American and British Paintings at the National Gallery of Art, for generously sharing her Albert Bierstadt research, in addition to her careful read of this manuscript in its various forms. Her advice and continued support are truly appreciated.
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My thanks to Nancy Anderson and Helena Wright for information on the relationship between the Bierstadt brothers.
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Nancy Anderson, curatorial file.
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The exhibition catalog by Nancy K. Anderson, Linda S. Ferber, and Helena E. Wright, Albert Bierstadt: Art and Enterprise (New York: Hudson Hills Press, 1990) is clearly the most exhaustive and extensive research on the artist.
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Additional important resources include: Dennis Anderson, Three Hundred Years of American Art in the Chrysler Museum (Norfolk, VA: Chrysler Museum at Norfolk, 1975); Nancy K. Anderson, "The European Roots of Albert Bierstadt," The Magazine Antiques 139 no.1 (1991): 220-33; Matthew Baigell, Oil Sketches by Albert Bierstadt (New York: Davis and Langdale, 1982); Matthew Baigell, Albert Bierstadt (New York: Watson-Guptill, 1981); Catherine H. Campbell, "Albert Bierstadt and the White Mountains," Archives of American Art Journal 21 no.3 (1981): 14-23; Gerald L. Carr, Bierstadt's West (New York: Gerald Peters Gallery, 1997); Gerald L. Carr, "Albert Bierstadt, Big Trees, and the British: A Log of Many Anglo-American Ties," Arts Magazine 60 no.16 (June 1986): 60-71; Gerald L. Carr, Albert Bierstadt: An Exhibition of Forty Paintings (New York: Alexander Gallery, 1983); Anneliese Harding and Brucia Witthoft, American Artists in Düsseldorf: 1840-1865 (Framingham, MA: Danforth Museum, 1982); Eleano
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For a complete biographical account, see Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 115.
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28. Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 143-144.
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Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 145-146.
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30. New Bedford Standard, November 8, 1859, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 146.
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31. The Cosmopolitan Art Journal, September, 1860, 126, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 147.
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32. Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 147.
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33. NY Leader, January 17, 1863, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 149.
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34. Boston Transcript, August 14, 1862, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 149.
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Nancy Anderson, curatorial file.
36. Boston Transcript, September 27, 1870. Nancy Anderson, curatorial file.
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Conversation with Nancy Anderson, May, 2005.
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50. New Path, April 1864, 161, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 194 in addition to conversations with Nancy Anderson, May, 2005 with regard to the lack of documentation for said two hundred sketches.
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50. New Path, April 1864, 161, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 194 in addition to conversations with Nancy Anderson, May, 2005 with regard to the lack of documentation for said two hundred sketches.
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Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 250.
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65. Nancy Anderson, curatorial file.
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See Wright's discussion in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 279.
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This article is located in the curatorial files at the Chrysler Museum as given by Nancy Anderson); Allien and Co.; Hirschl and Adler Gallery, New York; Collection of Huntington Hartford, New York until 1971 (Parke-Bernet sale); a private collection in Texas; M. Knoedler, Co., New York until 1975; purchased by Walter P. Chrysler in 1975 until 1988; and currently the Chrysler Museum, 1989-present.
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Nancy Anderson, curatorial file.
75. New York Standard, quoted in the Mercury, New Bedford, May 23, 1870, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 188-189.
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Nancy Anderson, curatorial file. See Anderson chronology in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 189.
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Nancy Anderson, curatorial file.
78. "The Emerald Pool," Daily Evening Transcript, Boston, September 13, 1870. Nancy Anderson, curatorial file.
79. "The Two B's," Daily Evening Transcript, Boston, August 12, 1870. Nancy Anderson, curatorial file.
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My thanks to Nancy Anderson for sharing her transcriptions.
83. "Art Gossip," Daily Evening Mail, December 1, 1870. Nancy Anderson, curatorial file.
84. Quotes from New York Tribune, January 29, 1870 and New York Sun, February 1, 1870. Nancy Anderson, curatorial file. See also, Anderson's chronology in Anderson, Ferber, and Wright, Albert Bierstadt, Art and Enterprise, 174, 188.
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Nancy Anderson, curatorial file.
86. Snow and Roos' Art Gallery, Catalogue. Exhibition of "The Emerald Pool."
87. Alta, July 31, 1871. Nancy Anderson, curatorial file.
88. "The Art Gallery," San Francisco Bulletin, July 29, 1871.
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The Alta, September 17, 1871 reports the purchase of the painting; San Francisco News Letter and California Adviser, August 5, 1871 on Stanford, cited in Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 223-224.
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90. Anderson, Ferber, and Wright, Albert Bierstadt: Art and Enterprise, 227.
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Campbell "Albert Bierstadt and the White Mountains," 18, cites the 1886 date, but this is unconfirmed by Nancy Anderson's most thorough chronology.

