Professor Carolyn Abbate This is Me

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1. 1. www.19thc-artworldwide.org

   www.19thc-artworldwide.org/spr - [Cached]

   Published on: 1/29/2008   Last Visited: 1/29/2008

   Gould and Carolyn Abbate highlight the "Bohemian Song" that opens the second act of the opera as a prime instance of operatic self-reflexivity.11 Carmen's friends Frasquita and Mercedes join her spirited refrain, tra lalalala, and at the end of the third stanza the tempo accelerates to presto during which the three gypsy women entertain the crowd with a highly charged dance.
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   I would also like to acknowledge Porter Aichele of the University of North Carolina, Greensboro, James Rubin of State University of New York at Stony Brook, and Stephen Willier of the Boyer College of Music at Temple University for their insightful suggestions, along with Carolyn Abbate of Harvard University whose National Endowment for the Humanities Seminar "Opera: Reading, Staging, Representation," conducted at Princeton University during the summer of 2002, considerably deepened my understanding of operatic conventions.
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   11. Ibid., 114ff, and Carolyn Abbate, Unsung Voices, Opera and Musical Narrative in the Nineteenth Century (Princeton: Princeton University Press, 1991), 68.

2. 2. John Simon Guggenheim Memorial Foundation A Fellows Page

   jsg.gf.org/afellow.html - [Cached]

   Published on: 12/11/2007   Last Visited: 3/7/2008

   Carolyn Abbate, Professor of Music, Princeton University: 1994

3. 3. Press Announcement

   www.wagner-dc.org/abbate03_pr. - [Cached]

   Published on: 12/4/2002   Last Visited: 9/16/2007

   Carolyn Abbate teaches music at Princeton University. Her books include Unsung Voices (1991), which has appeared recently in French translation (Voix hors-chant, 2002), and In Search of Opera (2001).
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   Professor Abbate's awards include grants from the Guggenheim foundation and the National Endowment for the Humanities. She has been a fellow of the Wissenschaftskolleg zu Berlin, and a visiting professor at the Freie Universität Berlin and at Harvard University, and also appears regularly on intermission features of the Metropolitan Opera broadcasts.