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Wrong Virginia Babikian?

Virginia Babikian


Houston Symphony Chorus


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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

Houston Symphony Chorus

Background Information

Employment History

Professor of Music and Chairman of the Voice Department

Shepard School of Music at Rice

Professor of Voice and Artist

Houston Baptist University

Web References(1 Total References)


www.rtcutler.com [cached]

Virginia Babikian becomes HSC Director, 1977-1986 . 21
Virginia Babikian, returned from her European singing engagements, appeared in that role in spring 1971. [53] It was really up to Don Strong to use his own leadership and that of his cohorts to accomplish the objective of building HSC into the organization that it should be. Virginia Babikian sang its solos. At her retirement in 1986 Virginia Babikian called this workshop and performance one of the two most memorable occasions of her 19 years of HSC leadership. [64] The Houston Post's review was headlined 'Symphony Chorale Sublime,' [65] Virginia Babikian becomes HSC Director, 1977-1986 HSO management immediately appointed Virginia Babikian to the post. You will recall Virginia as the soprano soloist in the Stokowski recording of Carmina Burana. Virginia was a Professor of Voice and Artist in Residence at Houston Baptist University. In 1982, during her HSC Directorship, she left HBU to become Professor of Music and Chairman of the Voice Department in the Shepard School of Music at Rice. Babikian focused. A single 'Associate' professional assisted her, sharing the directing of combined rehearsals as well as directing sectionals. Splitting into four sectionals was still feasible, [71] but was not as frequently done. The Associates were Ray Witt (1977-78), John Burnett (1978-79), and then David Wehr (1979-86), who through long tenure became as identified with HSC as Virginia. Babikian, like Don Strong, was a perfectionist, often hammering away at short phrases. This writer would often marvel at her demonstrations for the soprano section. (The women's sections were studded with Virginia's own vocal students, to HSC's advantage.) We were drilled and re-drilled on the "schwa" sound, both for English and German, Virginia's language specialties. Virginia's HSC directorship was made more complicated as Maestro Foster resigned in 1978. Babikian quietly explained to us, "When in doubt, follow the Concertmaster, who is actually leading the orchestra. Virginia Babikian counted his Brahms Requiem concert series as one of her all time favorites. [74] Many hoped that Bergel would become the permanent maestro - but that was not to be. Virginia Babikian, and later Charles Hausmann, had difficulties reaching and communicating with Comissiona prior to piano rehearsals to ferret out tempo, dynamics, and phrasing. [77] So piano rehearsals often contained surprises! This was a repeat performance of A Child of our Time - when sung in November 1977 it was the first work that HSC prepared under Babikian leadership. In 2005 HSC included its arrangements of African-American spirituals on our all-choral CD. No choral singer is complete until he or she has participated in the pathos and redemption of this moving work. In these circumstances, Babikian was forced to relax the Chorus's own attendance standards (more than three absences and you are out) - a relaxing that was very irritating to loyalists who faithfully maintained their attendance. Attrition during concert sequences (people beginning rehearsals on a work, but dropping out before concert time) rose. [82] Lax communication of Symphony management to the Chorus staff. Frequent last-minute changes of rehearsal location because of Jones Hall rehearsal-room preemption. Poor communication with conductors. (Choristers arriving on schedule, only to twiddle their thumbs as a conductor rehearsed the orchestra was extremely irritating.) A perception on the part of some that our director Babikian was not standing up for us with HSO management. Throughout this problem time, Babikian was the consummate team player. Encouraging us, cajoling us, she kept to herself whatever communications she was making about the problems to HSO management. The leadership of Virginia Babikian was fully affirmed. Hausmann also joins Urbach, Strong and Babikian (all described above) in bewailing the debilitating consequences of in-season attrition. The surest evidence was Virginia Babikian's own words. [93] Chorus numbers were depleted - Comissiona gave Hausmann 'marching orders' to increase them. [94] But, as in 1969 under Don Strong, while the increase was under way it was more difficult to raise the quality of the singing. · Virginia Babikian used all-day sessions at Columbia Lakes Conference Center to accelerate learning of summer festival repertoire. Prepared once by Babikian and then by Hausmann, HSC participated 1986-92, excepting 1987. Here are the known deceased, with dates of death: Virginia Babikian (Mar 22 1997), John Barbirolli (Jul 29 1970), Wayne Bedford (May 30 1969), Sergiu Comissiona (March 5 2005), Ferenc Fricsay (Feb 20 1963), Sir Alexander Gibson (Jan 14 1995), Sandy Graf (2000 or 2001), Rebecca May Groh (Mar 2 2000), Clyde Hager (1974-75), C. William Harwood (April 26 1984), Margaret Hillis (1998), Maurice Hirsch (Aug 6, 1983), Ernst Hoffman (Jan 3 1955), Earle Jensen (Feb 1 2004), Efrem Kurtz (Jun 27 1995), Arline Lasater (May 22 1998), Gene Lasater (Mar 20 1999), Carl Orff (Mar 29 1982), Robert Shaw (Jan 25 1999), Lee Stevens (Nov 25 1999), Leopold Stokowski (Sept 13 1977), Don Strong (Sep 17 2002), Sir Michael Tippett (Jan 8 1998), Al Urbach (Apr 18 1998), Roger Wagner (Sep 17 1992), Jorge Velazco (Jul 2003), Elizabeth (Beth) Webb, Howard F. Webb, Richard Westenberg (Feb 20 2008). During the Houston Symphony Chorale directorship of Virginia Babikian: A condensed version was distributed a year earlier, at the retirement banquet for Virginia Babikian and David Wehr. [34] Virginia Babikian to Tony Sessions, personal communication. During that summer Virginia scheduled three all-day rehearsals at Columbia Lakes Conference Center. [93] Virginia Babikian to David Nussmann, spoken without prompting on two private occasions prior to 1985. Babikian particularly lamented the decline of the ensemble sound of her beloved sopranos. [97] If all of her service is included, Virginia Babikian's 17 years will rank just behind Urbach and Hausmann.

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