logo

is this you? Claim your profile.

Wrong Tim McFadden?

Tim McFadden

Salisbury University

HQ Phone:  (410) 543-6000

Email: t***@***.com

GET ZOOMINFO GROW

+ Get 10 Free Contacts a Month

Please agree to the terms and conditions.

I agree to the  Terms of Service and  Privacy Policy. I understand that I will receive a subscription to ZoomInfo Grow at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

THANK YOU FOR DOWNLOADING!

computers
  • 1.Download
    ZoomInfo Grow
    v sign
  • 2.Run Installation
    Wizard
  • 3.Check your inbox to
    Sign in to ZoomInfo Grow

I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

Salisbury University

1120 Camden Ave.

Salisbury, Maryland,21801

United States

Company Description

The Salisbury School strives to promote a love of learning in an atmosphere in which individual students are encouraged to compete only with themselves as they strive to achieve a level of excellence that reflects their best personal effort and full potential-...more

Web References(17 Total References)


Salisbury University - Visualize - Visualize

www.salisbury.com [cached]

Tim McFadden
"Hot Glass, Cool Art": Produced by alumni Robert Faust, this story is about alumni Tim McFadden who won the 2006 Bernstein Award and used to the money to help start his glass studio in Baltimore.


www.tapologie.com

Tim McFadden
Tim McFadden is a master glass blower. He started his formal glass studies at Salisbury University, later honing his craft through time at Corning and Pilchuck. Pushing a process further comes naturally to Tim, which was necessary to develop Magmabond. By joining forces with Aric, doors were opened for Tim to refine his craft even more.


www.baltimoreguide.com

"Stemware is the hardest, most technical thing to make," said McFadden."It's something that takes a lot of practice."McFadden should know.As the owner of McFadden Art Glass on Eastern Avenue, he has created everything from Christmas ornaments to modernistic lamps, from vases to tumblers, and everything in between including, yes, stemware.And he has created it the old-fashioned wayâ€"with a furnace, blowpipe and a number of other tools of his trade.And these days, he makes a living not just selling pieces of his art, but teaching others how to master it.Pretty good for a guy right out of collegeâ€"particularly one whose initial higher education goals didn't really include fine art."I went to Salisbury University to try to play lacrosse, but it wasn't working out," McFadden said.He switched to business as a major.And like many other students, had to satisfy required coursework in other areas.One of those areas was fine arts.And McFadden might have been relegated to some obscure Art 101 course, had it not been for the fact that he had seen his older brother Marty, also a student at Salisbury, satisfy some of his own art requirements by taking a variety of courses."He needed some art electives, so he was taking ceramics and drawing.Ceramics was right next to the glass blowing studio.Whenever the doors would open, you could see people working on glass, and glass is just so much cooler than anything else so he started taking that, too."After seeing his brother's enthusiasm, McFadden went to speak with the professor, and convinced him of his own interest in glassmaking (generally a course reserved for upperclassmen).The prof allowed him to take an introductory course as a freshman, and McFadden was hooked.He continued taking glassmaking courses throughout his time at Salisbury, balancing (and sometimes overbalancing) the art classes with his business studies."After a while, I started thinking, ‘How can I do this once I graduate?'"He had already seen his brother try unsuccessfully to find a position in glassmaking after college.McFadden wanted to make it work, so he decided to try something different.McFadden shelved his plan.But he had another year of school left and that, he realized, meant he had another chance.McFadden received his diploma on May 24, 2006.On May 30, he settled on the building on Eastern Avenue, a former auto repair business.He spent four months refurbishing the building to make it at once habitable as a residence and presentable as an art galleryâ€"and turning the warehouse/garage space into a glassblowing studio.And in November, he opened.The city's Free Fall event, which promoted local art museums and art-related businesses, he said, "was the best thing that could have happened to us.""Now, people are starting to know that we're here, starting to know what's going on."To make sure they do, McFadden schedules a variety of activities that will interest not just art connoisseurs but those who always wanted to try their hand at glassmaking, but who might have been intimidated by the idea.He has instructional classes, private parties, lessons and beginner's workshops to introduce others to his crafts, and even group tours and hands-on learning experiences for students and others who simply want to watch him work and see how things are done. (He also offers private lessons and studio rentals for those who want to pursue the art on a more focused level).Tim McFadden makes a stemmed glass, one of the trickiest things to make.He has also upped his visibility by holding consumer-friendly events like "date nights" on the first Friday of every month, and encouraging couples to come by for some free entertainmentâ€"and after all, it's an unusual and conversation-provoking outing, for sure. (Those who choose to do so can pay a $35 fee and create a glass flower to take home as a memento of their evening).And really, he adds, it's something anyone can take an interest in."Ages, well, four to 94," he said."I had a kindergarten group come in a while back and we made marbles.They absolutely loved it."He grins, reliving the moment.The question, of course, has to come up: Isn't that dangerous?After all, the furnace that turns raw materials into molten glass heats at temperatures above 2,000 degrees Fahrenheit.The glass is still well over 1,000 degrees when it's pulled out of the furnace and when the shaping process begins."There's a certain element of danger," says McFadden, "but it's all about how you handle yourself in the studio."Prior to setting up his own business, McFadden worked in a number of studios and visited others.He took notes on what worked and what didn't, what he could apply to his own business and how various ideas could be improved upon.Still, McFadden says, there are always going to be a few individuals who need reassurance, whether they're just spectators, or actual participants.When clear glass breaks, McFadden is able to recycle itâ€"melt it down again for use in a future project.His workshop is filled with a number of objects destined for recycle, most of them attempts at a curving glass faucet he is presently working on for a client.I'll get it right," he says with determination, running a finger over one of the trial faucets.Because he doesn't yet have the equipment to recycle colored glass as working material, his experimental workâ€"like the faucetsâ€"is done without color.The play of water on glass is enjoyable and relaxing, and it's obvious that McFadden enjoys the results of his art.But outside the door is the entrance to his workshop, and he has to be getting back to it.He has an order of glass ornaments to create, and a customer is coming by to pick up some pieces made during a recent workshop.It's his business and his livelihood.Part of the challenge he faces is moving glassblowing into Baltimore's mainstream consciousness.After all, pottery studios have been around for years, but it wasn't until recently that the do-it-yourself workshops and programs have really caught in.This year, however, he says, glassmaking took a big leap forwardâ€"all the way to the Super Bowl when it was featured in a beer commercial.Of course, he hastens to admit, it was definitely stop-action photography.


Art & Culture - Lady Charlotte Magazine

www.ladycharlottemag.com [cached]

Tim McFadden- Master Glassblower


www.tapologie.com

After developing a patent-pending process with co-founder Tim, Aric shifted his focus to ensure this technology is fully utilized.
Tim McFadden A Baltimore native, Tim McFadden, found his love for blowing glass in 2001 while attending Salisbury University on Maryland's Eastern Shore. In 2005, he won a business competition providing him with funds to later open a glass studio. Tim refined his understanding of the craft by teaching at local institutions and studying at top glass schools in the country, most notably the Corning Museum of Glass and Pilchuck Glass School. Pushing a process further comes naturally to Tim, who's work is commonly compared to Italian glass. Joining forces with Aric opened doors for Tim to further refine his craft.


Similar Profiles

city

Browse ZoomInfo's Business
Contact Directory by City

city

Browse ZoomInfo's
Business People Directory

city

Browse ZoomInfo's
Advanced Company Directory