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This profile was last updated on 4/4/14  and contains information from public web pages.

Succession H. Matisse

Wrong Succession H. Matisse?

Sculptor

Matisse
 
Background

Employment History

43 Total References
Web References
Matisse's studio, Hôtel ...
www.newyorkled.com, 4 April 2014 [cached]
Matisse's studio, Hôtel Régina, Nice, c. 1953. Photo: Lydia Delectorskaya. © 2014 Succession H. Matisse
archivematisse
www.arttattler.com, 4 Dec 2012 [cached]
Henri Matisse (French, 1869-1954), Young Sailor II, 1906, Oil on canvas, 101.3 x 82.9 cm, The Metropolitan Museum of Art, New York, Jacques and Natasha Gelman Collection (1999.363.41), © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York
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Henri Matisse (French, 1869-1954), Woman on a Divan (Room at the Hotel Mediteranée), 1920-21, Oil on canvas, 60.2 x 73.4 cm, Kunstmuseum Basel, Bequest of Dr. h. c. Richard Doetsch-Benzinger, Basel, 1960, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), The Dream, 1940, Oil on canvas, 81 x 65 cm, Private collection, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Interior at Nice (Room at the Hotel Beau-Rivage), 1918, Oil on canvas, 73.7 x 60.3 cm, Philadelphia Museum of Art, A.E. Gallatin Collection, 1952, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), The Large Blue Dress, 1937,Oil on canvas, 92.7 x 73.7 cm, Philadelphia Museum of Art, Gift of Mrs. John Wintersteen, 1956, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Interior with Black Fern, 1948, Oil on canvas, 116 x 89 cm, Fondation Beyeler, Riehen/Basel, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Goldfish and Palette, 1914, Oil on canvas, 146.5 x 112.4 cm, The Museum of Modern Art, New York, Gift and bequest of Florene M. Schoenborn and Samuel A. Marx, 1964, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Seated Nude, 1909, Oil on canvas, 115.7 x 89 cm, Pierre and Tana Matisse Foundation, New York, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Nasturtiums with the Painting 'Dance' I, 1912, Oil on canvas, 191.8 x 115.3 cm, The Metropolitan Museum of Art, New York, Bequest of Scofield Thayer, 1982, (1984.433.16), © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Young Sailor I, 1906, Oil on canvas, 99.7 x 81.3 cm, Collection of Sheldon H. Solow, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Interior with an Egyptian Curtain, 1948, Oil on canvas, 116.2 x 89.2 cm, The Phillips Collection, Washington, D.C., © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Samuel A. Marx, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Laurette in a Green Robe, Black Background, 1916, Oil on canvas, 73 x 54.3 cm., The Metropolitan Museum of Art, New York, Jacques and Natasha Gelman Collection, 1998 (1999.363.43), © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Le Luxe I, 1907, Oil on canvas, 210 x 138 cm, Centre Pompidou, Musée National d'Art Moderne, Paris, Purchase, 1945, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Le Luxe II, 1907-08, Distemper on canvas, 209.5 x 138 cm, Statens Museum for Kunst, Copenhagen, J. Rump Collection, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Henri Matisse (French, 1869-1954), Still Life with Purro II, 1904-5, Oil on canvas, 27.9 x 35.6 cm, Private collection, © 2012 Succession H. Matisse / Artists Rights Society (ARS), New York.
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92.1 x 140.4 cm, The Baltimore Museum of Art, The Cone Collection, BMA 1950.228. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Oil on canvas, 260 x 392 cm, The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection, 1953.158. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Oil on canvas, 179.1 x 220.3 cm (70 1/2 x 87 3/4 in.) Saint Louis Art Museum, gift of Mr. and Mrs. Joseph Pulitzer Jr., 24:1964. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Oil on canvas, 245.1 x 212.7 cm, The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund, 1946. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Oil on canvas, 146.1 x 116.8 cm, The Detroit Institute of Arts, City of Detroit Purchase, 22.14. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Oil on canvas, 91 x 74 cm, Private collection. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Oil on canvas, 116.7 x 89.5 cm, Solomon R. Guggenheim Museum, New York, by exchange, 1982, 82.2946. © 2010 Succession H. Matisse / Artists Rights Society (ARS), New York.
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Matisse: Radical Invention, 1913-1917 examines the period of Matisse's production from his return to Paris from Morocco in 1913 to his departure for Nice in 1917. Though this period spans only five years, it represents a major turning point in Matisse's career, the years when he developed his most demanding, experimental, and enigmatic works: paintings that are abstracted and rigorously purged of descriptive detail, geometric and sharply composed, and dominated by the colors black and gray. Previously considered to be responses to Cubism or World War I, or simply unrelated aberrations of the artist's development, works from this period are here reassessed and presented as one of the most significant chapters of Matisse's evolution as an artist.
The Art Institute of Chicago and The Museum of Modern Art, New York (MoMA) have co-organized the ambitious exhibition that presents, for the first time, a seminal investigation of a pivotal point in the career of Henri Matisse (1869-1954), one of the 20th century's most significant artists. Matisse: Radical Invention, 1913-1917 premieres at the Art Institute and then travels to MoMA, where it is on view July 18-October 11, 2010. Nearly 120 of the artist's paintings, sculptures, drawings, and prints from this five-year period will be presented, including the masterpieces Bathers by a River (1909-10, 1913, 1916-17) and The Moroccans (1915-16). This is the first exhibition devoted solely to the work of this important period in Matisse's career, thoroughly exploring his early working process as well as his revolutionary experimentation, or what he called his "methods of modern construction."
A highlight of the exhibition is the Art Institute's monumental painting, Bathers by a River. This painting has been the subject of extensive art-historical, archival, and scientific research that unlocks Matisse's working methods. A painting that Matisse worked on repeatedly over a period of many years, Bathers by a River provides the key to the development of the artist's revolutionary style of this time. The subject of study for four years, Art Institute curators and conservators wedded new archival information and new imaging technologies to uncover the history of this painting's evolution and its surprising connections with other works, most significantly The Museum of Modern Art's The Moroccans and The Piano Lesson (1916). MoMA has likewise engaged in an investigation of works in its collection, and, through this partnership, new information about Matisse's experimental techniques.
Building on this research, Matisse: Radical Invention, 1913-1917 showcases a wide range of Matisse's paintings, sculptures, drawings, and prints primarily from 1913 to 1917.
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Matisse: Radical Invention, 1913-1917 explores the critical interplay of Matisse's works and presents his great achievements as the product of this concentrated period of rigorous experimentation. Supplemented by graphic didactic materials and texts as well as audiovisual presentations of the conservation research involved in the project, Matisse: Radical Invention, 1913-1917 redefines our perception of this modern master and his art.
Matisse: Radical Invention, 1913-1917 is accompanied by a lavishly illustrated catalogue published by the Art Institute and distributed by Yale University Press. It will be available early April 2010.
Matisse: Radical Invention, 1913-1917 is curated by Stephanie D'Alessandro, Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago, and John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York.
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Major funding for Matisse: Radical Invention, 1913-1917 is provided by Harris Family Foundation in memory of Bette and Neison Harris.
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Oil on canvas, 116.9 x 88.9 cm, The Art Institute of Ch
Henri Matisse, Memory of Oceania, ...
www.nyartsmagazine.com, 25 Oct 2014 [cached]
Henri Matisse, Memory of Oceania, Nice-Cimiez, Hôtel Régina, summer 1952-early 1953. Gouache on paper, cut and pasted, and charcoal on paper mounted on canvas, 9' 4? x 9' 4 7/8?. Collection of the Museum of Modern Art. Courtesy of Mrs. Simon Guggenheim Fund. © 2014 Succession H. Matisse, Paris/Artists Rights Society (ARS)
Copywright 2014 Succession H. ...
www.gazettenet.com, 23 Oct 2014 [cached]
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Soicety (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
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Copywright 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
Henri Matisse, Large Seated Nude, 1922-29; ...
www.sfmoma.org, 12 April 2007 [cached]
Henri Matisse, Large Seated Nude, 1922-29; Collection The Baltimore Museum of Art, The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland. © 2007 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York
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From June 9 through September 16, 2007, the San Francisco Museum of Modern Art (SFMOMA) will present the exhibition, Matisse: Painter as Sculptor, the first major U.S. examination of Henri Matisse's sculpture in nearly 40 years.
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Henri Matisse, Large Seated Nude, 1922-29; Collection The Baltimore Museum of Art, The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland. © 2007 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York
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In conjunction with the exhibition, a fully illustrated catalogue, Matisse: The Painter as Sculptor, has been coproduced with Yale University Press.The catalogue presents new scholarship through a series of essays offering insights into Matisse's sculptural work: Steven Nash discusses Matisse's patronage and the reception of his sculpture in America; Dorothy Kosinski probes the art historical context of Matisse's sculpture in dialogue with tradition and the avant-garde; Oliver Shell examines the artist's ideas about the viewing of his sculpture, as revealed by his deliberate placement of sculpture in exhibitions; Shell and Ann Boulton, Baltimore Museum of Art objects conservator, summarize technical studies undertaken while they held a joint fellowship at the Center for Advanced Study in the Visual Arts at the National Gallery of Art; and Jay McKean Fisher explores the use of drawing in the evolution of Matisse's sculptural ideas.
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A self-guided audio tour is available, featuring guides to Matisse: Painter as Sculptor and the SFMOMA collection.Scholars and conservators discuss Matisse's sculptural process while contemporary sculptors provide their own takes on Matisse's artistic inventiveness.
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