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2012-08-21T00:00:00.000Z

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Background Information

Employment History

Editor
Opéra International

Artistic Director
La Fenice

Artistic Director
Fenice Theater Foundation

Web References (19 Total References)


Articles - 2004

www.bravocura.com [cached]

Do not think that José Cura could ever be less than real: "The Argentinian tenor gives to Samson all the strength of his magnetic presence, all the energy of a vocal emission of unseen arrogance," wrote Sergio Segalini of Opera International . "Cura confirms himself to be the only possibly imaginable performer for Samson since Jon Vickers's retirement."

...
Do not think that José Cura could ever be less than real: "The Argentinian tenor gives to Samson all the strength of his magnetic presence, all the energy of a vocal emission of unseen arrogance," wrote Sergio Segalini of Opera International . "Cura confirms himself to be the only possibly imaginable performer for Samson since Jon Vickers's retirement."


RedLudwig.com: Music News

www.redludwig.com [cached]

Musicologist and critic Sergio Segalini has been appointed artistic director of the La Fenice opera house in Venice, Italy.Segalini is the editor of the Paris-based magazine Opéra International.


In 'La Juive,' a message for our times - Arts & Leisure - International Herald Tribune

www.iht.com [cached]

"You can read its story in every newspaper today," said Sergio Segalini, artistic director of La Fenice.

...
"You must have five singers of legendary caliber - a dramatic soprano, a coloratura soprano, two tenors and a great bass," said Segalini.


Classical Music News:: The Classical Source News:: Conductor Marcello Viotti, 50, Has Died in Munich :: Classical Music News

www.classicalsource.com [cached]

"Thanks to him we have been able to do extensive projects ... and he has also created concerts of Mozart, Rossini, Wagner, Bizet, his versatility having no limits," said Sergio Segalini, the Fenice Theater Foundation's artistic director.


Rusalka's Voice Forums - View Topic

www.rusalkasvoice.com [cached]

The influential and prodigiously informed Sergio Segalini, editor of Opéra International, though acknowledging the beauty of Ms. Fleming's voice and her solid technique, rips "Bel Canto" to shreds on stylistic and aesthetic grounds, likening Ms. Fleming's manner to that of the heroines in later, heavier, more naturalistic repertory, like Mascagni's "Cavalleria Rusticana."Mr. Segalini further complains that Ms. Fleming lacks the requisite "virtuosity" (read "speed, agility") for bel canto.

...
But then, Mr. Segalini trashed her Armida, too.

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