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Wrong Paul Krainak?

Paul M. Krainak

Chair, Department of Art

Bradley University

HQ Phone:  (309) 676-7611

Direct Phone: (309) ***-****direct phone

Email: p***@***.edu

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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

Bradley University

101 CGCC 1501 W. Bradley Avenue

Peoria, Illinois,61625

United States

Company Description

Bradley University is a top-ranked, prestigious, private university in Peoria, Illinois, offering 5,400 undergraduate and graduate students the opportunities, choices and resources of a larger university and the personal attention and exceptional learning expe... more

Find other employees at this company (3,142)

Background Information

Employment History

Chair of the Division of Art

West Virginia University


Affiliations

Chatham College

Faculty Member


N.A.M.E. Gallery

Gallery Director and A Member of the Board of Directors


Education

B. A.

Creighton University


MFA

Northern Illinois University


Web References(21 Total References)


www.artspartners.net

• Paul Krainak - Artist; Critic; Chairperson, Bradley University Art Department


www.peoriaartguild.com [cached]

Paul Krainak - Chair of the Department of Art at Bradley & Director of the Inland Visual Studies Center
Paul Krainak has an acclaimed background in the arts industry with over 42 years of experience. He is a painter, critic and Chair of the Department of Art as well as the Founder and Director of the Inland Visual Studies Center at Bradley University. Paul has exhibited widely in museums and galleries throughout the U.S. and lectured in numerous venues in the U.S., China and Eastern Europe. Since receiving his MFA from Northern Illinois University in 1978, he has been writing criticism. Currently, he is the St. Louis Contributing Editor for Art Papers.


www.peoriamagazines.com

Paul Krainak, chair of the art department at Bradley University, leads the IVSC in this mission.
An Illinois native himself, Krainak came to Bradley in 2006 after spending time in Chicago; New York City; Knoxville, Tennessee; and Morgantown, West Virginia; his experiences having left him keenly attuned to the regional differences that comprise America's "melting pot" of culture. It's the subtleties of the Midwestern landscape that are "absolutely, profoundly beautiful," Krainak says. From Kansas City to Minneapolis to Chicago, the Midwest has been a "phenomenally productive" place, says Krainak, not only in manufacturing and agriculture, but also in the arts. As the IVSC examines the nature of what qualifies conceptually as "Midwestern," its intent is not to imply a universal aesthetic, but to place the region into a broader context, shining a light into corners that may have been neglected by the dominant arbiters of modern culture. "We tend to focus on coastal culture almost exclusively, whether it's popular culture or fine art, and that's a problem," he explains. "The work we tend to present as the 'finest' and the 'greatest' tends to be work that is the most marketable… That's what keeps the Midwest a little off the radar." Artists gravitate to New York or Los Angeles not because those cities are inherently richer culturally, but simply because "that's where the markets are," says Krainak. Krainak cites several examples of contributions to American culture that were born and bred in the Midwest. "If you think of the two most profound, culture-changing movements that have occurred in the United States, it's our architecture and our music, specifically blues and jazz," he says. Architecture, in particular, offers a great model for visual production, Krainak says. The same abstracted sensibilities can be found in Krainak's own paintings, which employ clean, simple lines in grid-like patterns, not unlike an architectural draft. "In the Midwest, my relationship to nature is nowhere near as profound as it is to architecture," he continues, "because that's what I interact with, that's what influences me. "Globalism is only productive if there are numerous cultural zones that are healthy and self-sustaining," says Krainak, likening visual culture to agriculture. "We don't have cultural heroes in the same sense as when I was growing up," Krainak muses. "It's niche culture," Krainak affirms. Krainak cites the Prairie Center of the Arts and its artist-in-residence program as one model of how to develop this type of cultural exchange. "They have artists and writers and musicians coming in from numerous countries and all over the United States," he says. "They've created a national audience for Peoria. That does a great deal for people here-to see what's happening outside the Midwest-and it also supports artists here in Peoria." In the end, whether you're talking art or economics, it's all about identity. "We have to acknowledge that we're a country made up of a lot of cultural zones that are different in sensibility and inspiration from one another," says Krainak.


www.peoriaartguild.org [cached]

Judges for the artist awards were Paul Kraniak, Chairman of the Bradley University Art Department, and Karen Rotenberg, founder and director of Alianza, a contemporary craft gallery in Boston.


www.peoriaartguild.org [cached]

The 2008 on-site judges are Paul Kraniak, Chairman of the Bradley University Art Department, and Daren Rotenberg, founder and director of Alianza, a contemporary craft gallery in BostonPaul Kraniak is a painter, critic and Chair of the Department of Art at Bradley University.He has exhibited in museums and galleries throughout the US.He is the former Interim Chair of the Division of Art at West Virginia University where he was head of painting for 20 years.He has also been published by Indiana University Press, West Virginia University Press, the Kemper Art Museum in St. Louis, and the Miller Gallery at Carnegie Mellon University as well as the following journals -- Afterimage, Dialogue, and Sculpture Magazine.


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