(Continued from "Russian Inok
", July 2004)
Note: The article above, edited by Holy Trinity Monastery, is one installment in a series of extracts from the original book, Russian Liturgical Choral Aesthetics: Its Past in Tradition and Present in Ruins, by Olga Dolskaya, Associate Professor at the Conservatory of Music, University of Missouri, Kansas City.
The extracts published here contain the main historical section of the original book and only some important excerpts from the analysis and interpretation of specific Liturgical compositions.
The full version of the book, including cassette tapes, may be ordered from:
The Conservatory of Music
University of Missouri Kansas City,
4949 Cherry St.,
Kansas City, MO 64110-2499
or by e-mail at AckerlyO@umkc.edu