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Wrong Nina Alovert?

Nina Alovert

Photographer

Nina

Email: n***@***.com

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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

Nina

Moscow,

Russia

Company Description

Still, Nina manages to carve out closed rehearsal time. I watched as she put herself through the routines of stretching, warming up and doing all the little and big steps necessary to put together a performance of Swan Lake that is up to her standards and that...more

Background Information

Employment History

Freelance Ballet Critic and Photographer

Dance Magazine


Research Assistant for the Medieval History Department

UOL


Web References(19 Total References)


Photo Galleries of Nina Ananiashvili at the Friends of Nina Website

ananiashvili.com [cached]

IMAGES OF NINA BY NINA ALOVERT (79 PHOTOS)


Images of Nina Ananiashvili by Nina Alovert

www.ananiashvili.com [cached]

BY NINA ALOVERT
The photographs presented in this Gallery are from the collection of Nina Alovert and can be purchased from her in several sizes and quality levels through this website. NINA ALOVERT, Photographer Nina Alovert, born in Leningrad, USSR, has followed the ballet companies of the Kirov and Bolshoi theaters since the 1950s. Her dance photographs have been featured in many books on ballet by the Iskusstvo Publishing House, as well as in various magazines and newspapers in Russia. In 1977, she emigrated to the United States and started working as a freelance ballet critic and photographer for Dance Magazine and other American, European, Japanese and Russian-language publications. Her 1984 book, Baryshnikov in Russia, originally published in the U.S. by Holt, Rinehart and Winston, since has been reprinted in Germany by Verlagt by Kindler. Alovert contributed to the compilation of The International Ballet Dictionary (St. James Press, London, 1994). For two years she wrote and broadcast reviews on New York cultural life for "The Voice of America" radio station. Alovert, who received her master's degree in History from the University of Leningrad, worked as a research assistant for the medieval history department of the University. She also served as curator of the Comedy Theatre Museum under Nikolay Akimov; and for Vera Komissarzhevskaya and the Lensoviet theaters. In 1977, the St. Petersburg University of Humanities published her album, consisting of fifty black-and-white pictures, titled Yesterday, Tomorrow, 21st Century...Ballet of the Maryinsky Theatre. Her photos have been included in several exhibitions in Leningrad and New York City, the most recent one at the Gallery at Lincoln Center. All Rights to the Photographs in this Gallery are reserved to Nina Alovert, any use without her written permission is strictly prohibited.


Photo Galleries of Nina Ananiashvili at the Friends of Nina Website

www.ananiashvili.com [cached]

IMAGES OF NINA BY NINA ALOVERT (79 PHOTOS)


Nina Ananiashvili's 30 Years on Stage Celebration, March 16-18, 2012

ananiashvili.com [cached]

Nina Alovert, Hidemi Seto, Igor Zakharkin, Monroe Warshaw, Bill Cooper and Judith Heaton are among many renowned dance photographers who contributed images.
The issue, with Nina posed pensively in Don Q costume on the cover, has more photos of her celebrated colleagues and their heartfelt tributes to the artist. Images of Nina in various ballets were projected high along the walls and vaulted ceiling, heightening the spatial illusion. Those familiar with her multiple roles easily could identify most items. Tbilisis Concert Hall became the center of the ballet universe for this evening, as Nina, surrounded by former partners, current colleagues and budding luminaries of the next ballet generation gathered for a wondrous evening of dance. One does not really review galas, and this one in particular invited the lucky viewer to sit back, enjoy and count ones blessings. A few observations however: In excerpts from Reflections, by Yuri Possokhov to Felix Mendelssohns Symphony No. 1, SBG corps groupings in brightly colored tutus had fun with gliding steps; in the pas de deux section, Nina, in a translucent, abbreviated skirt was partnered by Akhmeteli in various off-kilter poses. Thirty years on stage, forty-nine birthdays, thirty-two fouttes---all combined to bring the house down as Nina concluded the pas de trois from Le Corsaire in awesome style. It ended with a solo turn for Nina, a reprise of Lekuri which she danced at the Chabukiani gala in 2010. The ovations were long and joyous, and that mood led right into the after-gala party. Felicitations to Nina and other participants, plus reunions with longtime ballet friends and acquaintances continued into the night. Kenneth had partnered Nina earlier in his career as a principal at Royal Danish Ballet. As a recent documentary said it, Vivat, Nina, Vivat!!!


Interviews of Nina Ananiashvili

www.ananiashvili.com [cached]

Interview of the ballerina conducted by Nina Alovert in New York City in 1996 . It has been translated from Russian and edited for clarity.


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