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This profile was last updated on 8/16/12  and contains information from public web pages.

President

Institute of the American Musical
121 North Detroit Street
Los Angeles, California 90036
United States

 
Background

Employment History

113 Total References
Web References
"She had a very clear, strong, ...
www.latimes.com, 16 Aug 2012 [cached]
"She had a very clear, strong, classic musical-theater voice that never needed microphones," Miles Kreuger, president of the Los Angeles-based Institute of the American Musical, told The Times on Wednesday.
Kreuger, who saw the original Broadway production, said the character of Laurey "is rather self-centered, not the sweetest girl in the world. She's playing two boys against each other, and the reward is which one will have the opportunity to take her to a box social. That's the essence of the plot of 'Oklahoma!'"
Describing "Oklahoma! as a historic show, Kreuger said it "was a turning point in the development of the modern American musical in that songs always grew out of character and situation."
Robert Goulet's Official Website
www.robertgoulet.com, 30 Oct 2010 [cached]
"I was stunned by his performance," recalled Miles Kreuger, president of the Los Angeles-based Institute of the American Musical, who saw "Camelot" at a preview the night before it opened.
"At the time, before reviews were published, Robert Goulet was entirely unknown in New York," Kreuger told The Times.
Notes on the Research Team | The George Balanchine Foundation
www.balanchine.org, 23 May 2008 [cached]
Miles Kreuger, special consultant, Broadway shows Miles Kreuger is founder and director of the Institute of the American Musical, Inc.
(A brief Berkeley docu comes with ...
www.movieratty.com [cached]
(A brief Berkeley docu comes with "Girls It was never possible for Carmen Miranda to be the central character of a film," says Miles Kreuger of the Institute of the American Musical.
Miles Kreuger, president of ...
www.chapele.com, 15 Dec 2008 [cached]
Miles Kreuger, president of the Los Angeles-based Institute of the American Musical, said part of Ghostley's charm was that she was not glamorous. "She was rather plain and had a splendid singing voice, and the combination of the well-trained, splendid singing voice and this kind of dowdy homemaker character was so incongruous and so charming," Kreuger said.
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