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2014-07-24T00:00:00.000Z

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Wrong Miguel Campaneria?

Mr. Miguel Campaneria

Dancer

Nicolita

HQ Phone: (310) 593-4783

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Nicolita

3305 Pasadena Ave

Los Angeles, California 90031

United States

Company Description

Nicolita is a MADE IN THE USA designer and manufacture of caliente curve confident swimwear and apparel. FIT, FASHION, & FAMILIA are the Nicolita company core values. Nicolita started out as a need to design swimwear to fit curvy Latina hips. We pride our ... more

Find other employees at this company (45)

Background Information

Employment History

Artistic Director

International Ballet Academy

Instructor, Classical Ballet Training Program

Patel Conservatory

Guest Dancer Oliver Weoxsteen, A Principal Dancer

Boston Ballet

Principal Dancer

Pittsburgh Ballet Theatre

Affiliations

Permanent Guest Artist and Artistic Advisor
Ballet Municipal de San Juan

Web References (40 Total References)


Kim Pauley | About Us | The Charleston Ballet

www.thecharlestonballet.com [cached]

Some of these principal dancers include William Starrett, now director of the Columbia City Ballet, Simon Dow of the Australian Ballet, Petter Jacobson, former Artistic Director of Royal Swedish Ballet, Raymond Rodriguez, former Cleveland Ballet principal, Yves de Boutieller, Ariel Serrano, William Pizzuto, former soloist with Boston Ballet, and extended partnerships with Boston Ballet principal Devon Carney, now artistic director with Kansas City Ballet ,with Miguel Campaneria, former principal dancer with Pittsburgh Ballet Theater, and Olivier Wecxsteen, former principal dancer with Boston Ballet and Les Grand Ballets Canadians.

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Many original ballets have been created for her by Van Damme, the premiere of MISS EMILY, choreographed by Jerry Rose, REFLECTIONS and DELIRIUM by Miguel Campaneria.


International Ballet Academy located in Cary, North Carolina

www.ibacary.com [cached]

Miguel Campaneria


International Ballet Academy - Faculty

www.ibacary.com [cached]

Miguel Campaneria - Artistic Director

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Miguel Campaneria - Artistic Director
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Miguel Campaneria was born in Cuba and was trained at the National Ballet School of Cuba under the guidance of Alicia Alonso, Fernando Alonso, and Azari Plisetski.
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Upon leaving Cuba, Mr. Campaneria continued his ballet studies with such teachers as David Howard, Patricia Wilde, Gabriella Taub-Darvash, Melissa Hayden and Michael Maule.
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As a principal dancer with the Pittsburgh Ballet Theatre, Mr. Campaneria partnered principal ballerinas Dagmar Kessler, Eleanor D'Antuono, and Francesca Corkle.
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Mr. Campaneria subsequently joined the Ballets de San Juan as a principal dancer. Mr. Campaneria expanded his repertoire to include the roles of Franz in Alicia Alonso's and Frederic Franklin's Coppelia, James in Ivan Nagy's staging of La Sylphide, Solor in Alexander Fillipov's staging of Act 2 of La Bayadere, the Prince in Cinderella, Colas in Alonso's La Fille Mal Gardee, the Poet in Barbara Fallis' staging of Les Sylphides, and the Balanchine ballets, Allegro Brillante, Serenade, Concerto Barocco, Scotch Symphony, Sylvia Pas de Deux ,Raymonda Variations and Theme and Variations.
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Mr. Campaneria has also partnered guest ballerinas Francesca Corkle, Veronica Tennant, and Cynthia Gregory.
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In the summer of 1983, Mr. Campaneria accompanied fellow Ballets de San Juan principal, Maria Teresa del Real, to the International Ballet Competition in Varna, Bulgaria.
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Participating in the Competition as a non-competitor, Mr. Campaneria was awarded the special prize as Best Partner, and his experience proved beneficial in Miss del Real being awarded the bronze medal in the senior category at the Competition. Their performance in the Don Quixote Pas de Deux was lauded as the single most impressive event at the Competition.
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Mr. Campaneria also appeared as a guest artist with the Pittsburgh Ballet Theatre, partnering Maria Teresa del Real and Janet Popeleski, in Nicholas Beriozoff's full-length production of Don Quixote and also danced principal roles in Balanchine's The Four Temperaments, and Andre Prokovsky's Konigsmark.
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In 1986 Mr. Campaneria joined the Pittsburgh Ballet Theatre as a principal dancer and in 1987 created the role of the Exhibition Dancer in Andre Prokovsky's The Great Gatsby.
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As a guest artist Mr. Campaneria partnered Maria Teresa del Real with the Indianapolis Ballet Theatre, the Nutmeg Ballet, in gala performances at the Hollywood Bowl with Fernando Bujones and Friends and touring with Cynthia Gregory and Company.
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During the 1989-90 season Mr. Campaneria appeared in the Charlotte Youth Ballet's productions of The Nutcracker and The Sleeping Beauty, the Mohawk Valley Performing Arts' production of The Nutcracker and appeared in the International Ballet Celebration gala in Baton Rouge, Louisiana, partnering Janet Popeleski in Don Quixote Pas de Deux and White Swan Pas de Deux.
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Mr. Campaneria has also appeared as a guest artist with ballet companies in Puerto Rico, Haiti, and Japan.
In 1990, Mr. Campaneria left the Pittsburgh Ballet Theatre to pursue a career as a freelance guest artist, master teacher and choreographer. Mr. Campaneria has staged Paquita for the Ballet Concierto de Puerto Rico, The Nutcracker for Point Park College in Pittsburgh and choreographed the solo, Reflections, for the Charleston Ballet. During the 1990-91 season, Mr. Campaneria appeared as a guest artist in the Charlotte Youth Ballet's production of The Wizard of Oz and The Sleeping Beauty Pas de Deux with the Charleston Ballet.
In 1991 Mr. Campaneria joined Ballet Municipal de San Juan as a permanent guest artist and artistic advisor.
During the 1991-92 season Mr. Campaneria appeared as a guest artist in Point Park College's The Nutcracker, the Mohawk Valley for the Performing Arts' production of The Nutcracker, the Charlotte Youth Ballet's The Wizard of Oz and co-staged -- and appeared as a guest artist in -- the Charleston Ballet's production of La Fille Mal Gardee. He has also staged Pas de Quatre, Coppelia and Paquita for the Charleston Ballet. In 1996 Mr. Campaneria staged The Sleeping Beauty Act III Pas de Deux and created the pas de deux, Delirium, for the Charleston Ballet. In 2000 Mr. Campaneria co-staged a full-length production of The Nutcracker for the Charleston Ballet. Mr. Campaneria has also appeared in the Sarasota Ballet's gala performances and danced the role of the Prince in the Charlotte Youth Ballet's revival of The Sleeping Beauty.
Mr. Campaneria has been on the summer faculty of the Point Park College's dance program, a guest teacher at the Oregon Ballet Theatre School, Tampa Performing Arts and he's frequently appeared as a guest artist, artistic advisor, choreographer with three companies in Japan.
From 2002-04 Mr. Campaneria was artistic director of the R.M.T. Academie de Danse in Haiti.
In 2005 Mr. Campaneria was appointed artistic director of Balleteatro Nacional de Puerto Rico , and has choreographed for the company the full- length productions of Carmen , The Nutcracker ,Swan Lake , and Delirium and Paso a Dos.
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In October of 2007 Mr Campaneria was nominated by the White House to serve on the National Council on the Arts, the advisory body of the National Endowment for the Arts. He was confirmed by the Senate and will serve on the Council until 2012.
Mr. Campaneria served as Chair of the Dance Department for the University of Hartford until July 2010.
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While with the company, Ms. Fannéy performed the Romeo and Juliet pas de deux with Miguel Campaneria.


The Charleston Ballet

www.thecharlestonballet.com [cached]

Some of these principal dancers include William Starrett, now director of the Columbia City Ballet, Simon Dow, Australian Ballet, Petter Jacobson, former Artistic Director of Royal Swedish Ballet, Raymond Rodriguez, former Cleveland Ballet principal, Yves de Boutieller, Ariel Serrano, William Pizzuto, former soloist with Boston Ballet, and extended partnerships with Boston Ballet principal Devon Carney, now artistic director with Kansas City Ballet ,with Miguel Campaneria, former principal dancer with Pittsburgh Ballet Theater, and Olivier Wecxsteen, former principal dancer with Boston Ballet and Les Grand Ballets Canadians.

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Many original ballets have been created for her by Van Damme, the premiere of MISS EMILY, choreographed by Jerry Rose, REFLECTIONS and DELIRIUM by Miguel Campaneria.


Awards & News Articles | International Ballet Academy

ibacary.com [cached]

The ballet company is run by some of the best teachers in the county and lead by world renowned Miguel Campaneria.

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Artistic Director Miguel Campaneria's had high hopes also for his male dancers, several of whom moved here with him from Hartford, CT last summer.
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We stopped by the studio last week at the invitation of the administrative director, Christina Fanney and the artistic directors, Miguel Campaneria and Rossana Gahagan.
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As reported earlier, 4 male dancers moved with Miguel to Cary from the Hartford area.
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Art Directors Miguel and Rossana watch the first run through rehearsal
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Miguel frequently called out corrections, including "You are in love with her, not the mirror" when one of the boys seemed to lose his focus on his partner.
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From the "Angels" that are the youngest to "Snow", a pas de deux with the more experienced teens, Miguel and Rossana make sure there's a balance in tempo and story for the audience.
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Miguel Campaneria had been a guest intensive instructor at Cary Ballet, and had fallen in love with this area on his many visits. He is leaving his post at the University of Hartford to teach at IBA and four of his male students are moving here to continue their dance instruction. Miguel is also an Artistic Director for IBA. His resume is rich with years of accolades and awards from Cuba to Pittsburgh.
Christina de Matteis Fanney, originally from Port au Prince, Haiti, studied under Miguel before moving to the US. Upon moving to Raleigh she danced with Raleigh Dance Theatre. She will take on the role of Administrator at IBA.
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Miguel was torn about leaving his position in Hartford where he had built up their program for the past 2 years. An added blessing was when four of his current male pupils decided to move to the Triangle to follow him to the new studio.
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Artistic Director Miguel won a bronze at this competition.
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Miguel added that with "a classical base, you can do anything".
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"We need to follow him for my son's career and what he wants to do in the future."To aspiring dancers, and hopeful parents such as Flores, Campaneria is a welcome addition to the area's growing ballet scene.
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Plié. ... Point, point, point, point, point! ... Don't be distracted by anything," Campaneria pleaded. "Concentrate!"He triggered piano songs with a remote control tucked into his pants pocket. And he moved swiftly around the floor"You must practice," he told the dancers.
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Campaneria studied her form as she held a pose."That's cute," Campaneria said with a half-smile, "but not great."Felder transferred from Apex High School to the North Carolina School of the Arts to pursue dance"He's tough," she said.
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They kept a clear view through the door into the studio and watched the advanced class for more than an hour before their 13-year-old daughter, Victoria, got her chance with Campaneria."We've really been looking forward to joining his sessions," said Jeen Wong.
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They've know for a while that Campaneria was coming to town. t the end of class, the girls clapped for Campaneria, then surrounded him with quiet curtsies. A few dancers, including Katie Baker who had met Campaneria at a dance workshop in Hartford last year, gave him hugs."His training just clicks with me," said Gretchen LaWall, 19, of Cary, who studies dance at the University of Arizona and was at the session.
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efore the clinic, Campaneria did some house hunting. He toured several homes in Cary. "I saw one that I really liked," he said, taking a smoke break out in the parking lot between classes.
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Two of her son's classmates also will make the move to train with Campaneria.
"I think taking him away from Miguel now wouldn't necessarily hold him back," she said.
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Miguel Campaneria is moving to Cary to join the faculty of the International Ballet Academy.
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Miguel Campaneria, a Cuban-born dancer who trained at the National Ballet School of Cuba and has an impressive résumé of professional appointments, is so respected by his students that they are following him to the areafrom his current school in Hartford, Conn.
Tersee Flores' 14-year-old son, Darion, has improved so much under Campaneria that she is moving to Cary despite an iffy economy.
As a mother who wants the best for her child, she said she has no choice.
"He's gotten so much better under Miguel," Flores said. "We need to follow him for my son's career and what he wants to do in the future."
An impressive résumé
Campaneria is a welcome addition to the area's growing ballet scene, bringing top credentials.
He has served as artistic director for Puerto Rico's national ballet and R.M.T. Academie de Danse in Haiti. He has danced with the Les Grands Ballets Canadiens, the Pennsylvania Ballet and the Pittsburgh Ballet Theatre.
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Campaneria says he fell in love with the area in several visits over the past few years.
"I think there's a lot of passion there for dance," he said in a telephone interview from his home in Hartford. "I know I'll have a lot of support from people who really want to go forward and dance."
Campaneria will leave his post as the chairman of the dance department at the University of Hartford. One of two artistic directors, he will teach classes and choose performance pieces for the students at the Cary studio.
The studio's administrative director, Christina Fanney, worked with Campaneria in Haiti 20 years ago and helped woo him to North Carolina after reconnecting by chance in Haiti recently.
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Campaneria said his vision is to offer a course of study that students can follow from young ages to the professional level.
"My goal is to pass on all of my knowledge to my students," he said, noting that he will continue to travel widely. "A ballet teacher is like a doctor; you never stop learning."
A ballet teacher - Campaneria, at least - is also sort of like a drill instructor, seeking perfection and precision out of each recruit.
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Campaneria was direct but admittedly more gentle than normal. He was working with most of the girls for the first time.
He urged them, in bursts of English and French, toward more perfect form.
" Plié. Plié. ... Point, point, point, point, point! ... Concentrate! Campaneria pleaded. "You must practice," he said between piano songs.
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They watched the advanced class for more than an hour before their 13-year-old daughter, Victoria, got her chance with Campaneria.
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At the end of class, the girls clapped for Campaneria, then surrounded him with quiet curtsies.
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Two of her son's classmates also will make the move to train with Campaneria.
"I think taking him away from Miguel now wouldn't necessarily hold him back," she said.

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