The Devious Planet
PR for all walks of life.
delivers the fierce spirit that gets you through the darkest stretches of night, pulling you up out of bed into dawn's first pulsing glow.
Seated at a vivid green kitchen table, black coffee steaming in your mug, Malone
plays for you on a beat up acoustic guitar, her
voice ringing clear and rich over the mellowed strings.
The intimacy of this writing ritual provided the setting for Malone
to venture into a songwriter's most vulnerable territory, the shadowy recesses of envy, regrets, and straight up admissions of failure.
Now here's Malone's hat trick, in realizing "it's too damn bad I can't be anyone but myself," she
redeems every false move, every false start, every horrible, no good very bad day.
Even better, she
makes it sound like the best wild night out you've ever had and then pushes it further, breaking right on through into Day 2
"When there's nothing left to hold on to, got to break down to break through," she
croons in "Day 2,
" the album's title track.
This album is the soundtrack of a woman's heart finally cracking open, open so wide that any light hidden by the sutures of past heartbreaks finally shines through and illuminates the present.
Grammy Nominee Shawn Mullins, producer of Day 2
and long time friend of Malone
, struck the perfect balance of grit and gossamer, making the record sound simultaneously raucous and ethereal.
Shawn took note of Malone's connection to Day 2's
material right away saying, "One of the first things I noticed about Michelle
in the studio, is how deep she goes into 'the zone,' as some folks call it...Most good guitar players, even, find it uncomfortable and sometimes take a while before they find their groove, so to speak.
But with Michelle
, you just sit back, open your ears, and hold on!"
After much blood shed and sibling battles waged, Michelle Malone
finally got her
own guitar and she
hasn't been without one since.
mastery of the guitar, her
trademark voice, and her
songwriting craft have won her
critical acclaim and numerous awards over the years including: best album (Atlanta magazine), 2 time best acoustic guitarist (Creative Loafing, IAC), and 5 time female vocalist of the year (Creative Loafing), Best Blues Guitarist (IAC.com).
has played every state in the Union and toured all over the world but for the past few years she's
called a tiny town in rural Alabama home.
Living in a place reminiscent of Andy Griffith's Mayberry, where neighbors literally showed up on her doorstep with freshly baked pies, Malone
spent her down time from touring on her porch swing watching the world go by.
AL.com (Bon Iver cites Michelle) September 2012 (link)
"From the bluesy growling on Chicken Lickin Boogie to the sweet crooning of Shine, Michelle Malone
shows remarkable range on her
"Equal parts badass guitar slinger and sweet songstress, Michelle Malone
artfully balances her
penchant for ripping it through the roof with masterful lyrical introspection and vocals that range from sublime to raucous.
first called me about producing her
new record, I didn't even have to think about it.
slide-guitar-punctuated collection of reckless youth, stalkers and one-night stands is raw Americana, a fist-in-the-face retort to the Stones' Some Girls, 30 years on."
has a sharp Southern rock flavor akin to the Black Crowes and Tom Petty.
plays a lyrically rich guitar style under the influence of Keith Richards; Her
songwriting shows great texture and depth.
"overnight success" could easily become the surprise gig for the summer of '09. yea, it's THAT good."
badass pipes and guitar shine on new album."
"Slinging a slide guitar that roars, Michelle Malone
is a crackling live wire [with the] ability to crank out ballsy blues-rock barnburners and smooth, soulful roots pop with equal panache and passion."
- Indy Weekly
"Debris is like sing-along, foot-tapping, booty-shaking therapy."
- Southern Voice
is among the flashiest, most impressive slide guitar soloists working in contemporary blues, often fortifying her
vocals with slashing lines, inventive twists and surprising backing."
- Nashville City Paper
bursts forth like she's
got something to prove.
"Raucous and sinewy guitar leads - sensual, raspy vocals - Malone
has become a master at mixing blues and Americana"