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Michael Maslin

Cartoonist

The New Yorker

HQ Phone:  (212) 971-0101

Email: m***@***.com

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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

The New Yorker

481 Eighth Avenue 17Th Floor, Suite 1745

New York City, New York,10001

United States

Company Description

The New Yorker is a national weekly magazine that offers a signature mix of reporting and commentary on politics, foreign affairs, business, technology, popular culture, and the arts, along with humor, fiction, poetry, and cartoons. Founded in 1925, The New Yo... more

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Web References(75 Total References)


www.oblongbooks.com

Home»Peter Arno: The Mad, Mad World of the New Yorker's Greatest Cartoonist (Hardcover) - SIGNED BY MICHAEL MASLIN
Peter Arno: The Mad, Mad World of the New Yorker's Greatest Cartoonist (Hardcover) - SIGNED BY MICHAEL MASLIN Maslin invites us inside the Roaring Twenties cultural swirl known as Cafe Society, in which Arno was an insider and observant outsider, both fascinated and repulsed by America's swelling concept of celebrity. Through a nuanced constellation ofArno's most defining experiences and escapades that inspired his work in the pages of "The New Yorker," Maslin explores the formative years of the publication and its iconic cartoon tradition. In tandem, he traces the shifting gradations ofArno's brushstrokes and characters over the decades all in light of the cultural upheavals that informedArno's sardonic humor.


chaseliterary.com

MAD AT SOMETHING: The Life & Art of The New Yorker's Peter Arno, by Michael Maslin (Regan Arts)


www.northjersey.com

That's what prompted Michael Maslin, himself a New Yorker cartoonist, to write a new biography, "Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist" (Regan Arts, New York, 287 pages).
"It occurred to me that he hadn't been given his due," says Maslin, originally from Bloomfield, who made his first contribution to The New Yorker in 1977 (his wife, Liza Donnelly, is also a New Yorker cartoonist). He'll be on hand to sign copies of his book at Books & Greetings on Thursday. "His art really raised the bar exceptionally high," Maslin says. "When you look at any old New Yorker, and you come to an Arno - especially if it's a full page - you stop," Maslin says. "I had never heard of a cartoonist in trouble with the law before," Maslin says. "The circulation kept going down and down and down, and when [Arno] arrived at the magazine, they had planned to kill it," Maslin says. "They were dated and not very funny," Maslin says. "Arno said the key to a successful New Yorker cartoon was the interdependence of drawing and caption," Maslin says. But Maslin, whose own witty cartoons probably owe more to the Thurber influence, knows enough about The New Yorker culture not to hold this against him. Especially since the Arno cartoons - however they came about - are so often so good. "I've been doing this a long time, and I think I can understand the way of life and the way things work at the magazine," he says. That's what prompted Michael Maslin, himself a New Yorker cartoonist, to write a new biography, "Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist" (Regan Arts, New York, 287 pages). WHO: Michael Maslin. "It occurred to me that he hadn't been given his due," says Maslin, originally from Bloomfield, who made his first contribution to The New Yorker in 1977 (his wife, Liza Donnelly, is also a New Yorker cartoonist). He'll be on hand to sign copies of his book at Books & Greetings on Thursday. "His art really raised the bar exceptionally high," Maslin says. "When you look at any old New Yorker, and you come to an Arno - especially if it's a full page - you stop," Maslin says. "I had never heard of a cartoonist in trouble with the law before," Maslin says. "The circulation kept going down and down and down, and when [Arno] arrived at the magazine, they had planned to kill it," Maslin says. "They were dated and not very funny," Maslin says. "Arno said the key to a successful New Yorker cartoon was the interdependence of drawing and caption," Maslin says. But Maslin, whose own witty cartoons probably owe more to the Thurber influence, knows enough about The New Yorker culture not to hold this against him. Especially since the Arno cartoons - however they came about - are so often so good. "I've been doing this a long time, and I think I can understand the way of life and the way things work at the magazine," he says.


www.oblongbooks.com

Author Event: Michael Maslin - "PETER ARNO: The Mad, Mad World of The New Yorker's Greatest Cartoonist"
New Yorker cartoonist and author, Michael Maslin will present his new biography about the incredible, wild life of Peter Arno, the fabled cartoonist whose racy satire and bold visuals became the unforgiving mirror of his times and the foundation ofthe New Yorker cartoon. Michael Maslin dives into Arno's rocky relationship with the magazine, his fiery marriage to the columnist Lois Long, and his tabloid-cover altercations involving pistols, fists, and barely-legal debutantes. Michael Maslin's cartoons have been appearing in The New Yorker for nearly forty years. He is the author or coauthor of eight books of cartoons, and his work has appeared in every New Yorker cartoon anthology since 1985. His website, Inkspill, is devoted to news and events of New Yorker cartoonists, past and present. Peter Arno: The Mad, Mad World of the New Yorker's Greatest Cartoonist (Hardcover) - SIGNED BY MICHAEL MASLIN - ships 4/22/16


www.printspast.com

(Michael Maslin)


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