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This profile was last updated on 10/13/14  and contains information from public web pages and contributions from the ZoomInfo community.

Prof. Keith O. Johnson

Wrong Prof. Keith O. Johnson?


Phone: (414) ***-**** ext. ***  
Hales Corners Lutheran Church
12300 W Janesville Road
Hales Corners , Wisconsin 53130
United States


Employment History

Board Memberships and Affiliations


  • surround mastering engineer
197 Total References
Web References
Hales Corners Lutheran Church | Staff, 13 Oct 2014 [cached]
Pastor Keith Johnson Associate Pastor Send Email
Goodwin's High End - Keith O. Johnson Bio, 21 Dec 2014 [cached]
here | Keith Johnson | Keith O. Johnson: Recording and Audio Engineer Extraordinaire
here | Keith Johnson | Keith O. Johnson: Recording and Audio Engineer Extraordinaire
Keith O. Johnson: Recording and Audio Engineer Extraordinaire
Keith O. Johnson is a recording engineer whose more than 150 releases in classical and jazz include two Grammy winners and seven nominated for Best Engineered Classical Recording. Keith co-founded Gauss, Microsonics, and Reference Recordings, and holds any number of patents. He recently received a Silver Medal from the Audio Engineering Society at the 125th AES convention in San Francisco, California "for outstanding contributions sustained over 40 years, to the advancement of audio quality of recordings through innovation in the areas of analog and digital recording technology, transducers and music recording techniques. In addition he is a fellow and a Lifetime Member of the Audio Engineering Society.
KOJ studied computer science, biology, and music at UCLA, and did his graduate studies in electronics at Stanford University. For most of his life, for good and sufficient reason, his name has been prefaced by the honorific "Professor"; most of the high end community knows KOJ as Prof. Keith O. Johnson.
"It literally revolutionized the whole field overnight," according to Prof. Johnson.
Of particular interest to audiophiles and music lovers, while at Stanford University in the 1960s, Prof. Johnson created a solid-state 3-channel recorder that he used on more than 100 recordings. "It has 3.5-megahertz bias and still runs," he says. "I thought that if I could focus the magnetic field onto the tape, I could get rid of some losses that normally occurred in recording. And it worked."
Prof. Johnson went on to contribute his knowledge to the MCA DiscoVision video disc, engineered orchestral works for the Armed Forces Radio and conceived an optical CCD scanner, the Colortek system, which removes noise from damaged motion picture soundtracks. In the 1970s, he worked with rock band Ambrosia and partnered with producer Alan Parsons to develop the Projectron, one of the first tools to incorporate expressive polyphonic sampling.
In 1976, he joined producer Tam Henderson and Marcia Martin to form Reference Recordings, launching a legacy of high-end/half-speed mastered LPs and high-definition CDs (DDD). Prof. Johnson co-invented the HDCD technology with Pflash Pflaumer, and in 1996, they formed Pacific Microsonics to introduce the concept of high-resolution audio. In 2000, Microsoft purchased Pacific Microsonics and continues to incorporate HDCD technology into its PC offerings. Prof. Johnson subsequently consulted with Microsoft; one project, Speaker-Correction, uses modeled correction of speakers to improve computer sound and can be found in XP software.
In addition, as Director of Engineering for Spectral Audio Inc. for over 25 years, KOJ created the Vertical Dimension Topology, in which the electrical audio signal "drops down" into the amplifier circuitry along the Z axis to reduce to an absolute minimum noise-causing electromagnetic-field interaction. He also developed the Focused Power Geometry circuit architecture, a distributed array in which a separate power supply is physically located next to each output device of a Spectral power amplifier.
Most Notable Achievements
Renowned for his more than 50 pioneering years of recording and equipment design, Keith Johnson has always been at the forefront of high resolution audio. He has engineered nearly 150 classical and jazz albums including the aforementioned Grammys for Best Engineered Classical Recording.
Prof. Johnson is a unique combination of:
According to Robert Harley, editor of The Absolute Sound, "Keith Johnson is the co-inventor of HDCD, recording engineer of all the Reference Recordings projects, designer for Spectral, and has perhaps the most insightful audio mind of anyone working today."
Recordings by Grammy winner & 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson
GRAMMY WINNERS engineered by Keith O. Johnson
GRAMMY® NOMINATIONS ("Best Engineered, Classical") engineered by Keith O. Johnson:
Information about Reference Recordings, "Prof" Keith O. Johnson and HDCD Recordings, 27 July 2014 [cached]
Keith O. Johnson, our chief engineer and Technical Director, is a true audio legend, having designed and patented many innovative products in the professional and consumer fields. The RR Sound comes from his singular methods and equipment, hand-built or extensively modified by him. Microphone techniques range from single-point Blumlein to spaced omnis to complex studio mixes, depending on the musical forces and the performing space involved. Our goal is to recreate the sound of real musicians making music in real space.
"Prof. Keith Johnson has spent over 30 years developing a reputation for innovative thinking, technical achievement and musicianship which has elevated him to a position in the audio industry occupied by only a handful of visionaries. His intensive investigation of electronic behavior and acoustic perception have led most recently to his development (with digital engineer Michael Pflaumer) of the revolutionary High Definition Compatible Digital encoding process, produced and marketed by Pacific Microsonics (recently acquired by Microsoft). HDCD is widely considered to be the most accurate recording process ever invented.
For more than 30 years, Keith O. Johnson has served as Technical Director, Recording Engineer and partner in Reference Recordings. His 100-plus recordings for the label have long been considered the standard for high fidelity, and include three GRAMMY award-winners and eight additional GRAMMY nominations.
-------- Keith O. Johnson and David Frost won the Grammy® for Best Surround Sound Album: "Britten's Orchestra" (RR-120SACD) at the 53rd annual Grammy Awards. more Information
Keith O. Johnson tells the story of his early electronic developments. (5:10) video------------------------
Keith O. Johnson, surround mix engineer;
Keith O. Johnson, surround mastering engineer
Prof. Johnson's seventh nomination for a Grammy® engineering award!
RACHMANINOFF ( RR-96) was engineered by Keith O. Johnson using HDCD (High Definition Compatible Digital) technology, which he co-invented. It was produced by J. Tamblyn Henderson, Jr., 1998 Grammy nominee for Best Classical Producer.
R ESPIGHI ( RR-95) was engineered by Keith O. Johnson using HDCD (High Definition Compatible Digital) technology, which he co-invented. It was produced by J. Tamblyn Henderson, Jr., 1998 Grammy nominee for Best Classical Producer.
"Supremely wide-ranging and dynamic, with powerful bass-drum thwacks and climaxes that open out gloriously, this may be Keith Johnson's best recording of a symphony orchestra (which is saying a lot). -Paul Seydor
MORE AWARDS for RR Technical Director Keith Johnson:
It is with great pleasure and admiration that the Board of Directors of the Los Angeles and Orange County Audio Society, America's largest audio society with over 600 members, announces the winner of the Founder's Award for 2010, the Society's highest honor, to Keith O. Johnson. As the leading recording engineer in the world for truly fine music and the torch bearer for audiophile recordings at renowned Reference Recordings, we recognize his continuing passion for the high-end. As technical director for Spectral Audio, he continues to design and develop ever more important resources for our enjoyment of great music. Therefore, we declare "Professor" Keith O. Johnson the winner of the Society's Founder's Award and 2010 the Year of Reference Recordings.
Los Angeles/Orange County Audio Society, 7 Feb 2011 [cached]
The 2010 Founder's Award went to Keith Johnson, Executive Producer of Reference Recordings, and the 2009 Founder's Award went to EveAnna Manley, President of Manley Labs.
Widescreen Review - Laser Magic 1998, 9 July 2002 [cached]
Gregg, concerned that nothing was being done at Winston regarding the development of his video disc and mindful of the monolithic war being waged by 3M, left and formed Gauss Electrophysics with fellow employee Keith Johnson.
In a 1967 move to obtain a partnership agreement with Philips, Gregg and Johnson made a complete technical disclosure to Jan L. Omes in hopes of obtaining funding for development of a consumer video disc.
Philips declined, but despite their apparent disinterest to Gregg and Johnson, it would appear that it is from this point in time that Philips began development of an optical video disc system in their Eindhoven Laboratories.
Part of the collateral Gauss put up for MCA's investment was the patents Gregg and Johnson had already applied for to their audio tape replicators and video disc development.
Subsequent patents were filed by both David Paul Gregg and Keith Johnson, and it is these late 1960's filings upon which rests Gregg's claim as the "Father of Optical Storage."
Keith Johnson, then President of Gauss, was invited to tour the Torrance Laboratories, but his input and/or advice was never solicited concerning their endeavors.
In a 1991 interview with Gregg's partner, Keith Johnson, still a highly respected engineer in the audio/video field, he had this to say about Gregg's authorship: "Even though his (Gregg's) method might not be what we use today and probably might not have even worked, there is no question that he was on the right track and that he saw the critical key pieces that would fit and make the system work."
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