"Sometimes it requires so many tricks," says Karen Wolfe, costume designer and veteran at Diamond Head Theatre, as she talks about preparation for the theatre's 100 th season.
"I don't know how we're going to do it yet, but I know we're going pull it off."
As the artistic director of Diamond Head Theatre
for 19 years, John Rampage has worked closely with Wolfe
to master the art of extracting ooohs and ahhhs from an audience.
With arms high above his
takes it back to the last two productions of Cinderella and the scene where the Fairy Godmother comes to grant her
"There are dancing fairies standing around her
as the magic dress flies in over her
Then they change her
right on stage," he
"It's all very exciting."
Looking over Cinderella's gown, with embellishments of gold and white lace, silk ruffles and intricate beading throughout, Wolfe
confirms, "A dress like that would take about four days."
is accustomed to working with restrictions to time, material and theme.
Much like the contestants she
roots for on the reality TV show, Project Runway.
But unlike those nerve-wracked designers, she
is not focused on flattering her
"If they don't like it, then they can act like they like it," Wolfe
says, followed by her
"John is so good with costumes because he
actually wore them for years," Wolfe
knows what it feels like to put it on and have it communicate a character.
More than just a costume, the garments made by Wolfe
team bring characters to life.
This intuition may not be typical of a costume designer, but Wolfe has been the lead costumer at DHT for nearly 30 years.
Time and experience give her
the ability to know exactly where Little Red Riding Hood's dress is from Into the Woods, but to be able to create that costume and 124 others for one show (six shows a year for 29 years) takes talent and passion.
"Nobody knows the challenges and the difficulties, the work and hours that go into it," Wolfe