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2016-01-08T00:00:00.000Z

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Wrong Jolene Cherry?

Jolene Cherry

Senior Vice President

A&R Universal Music

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A&R Universal Music

Background Information

Employment History

Executive

Universal Music Group

Senior Vice President, A and R

Universal Records

Web References (12 Total References)


The A&R representative, ...

www.nashvillescene.com [cached]

The A&R representative, Jolene Cherry, a former film music supervisor and head of the Cherry/Universal imprint, loved the band's sound and worked up a one-year, two-option deal.

...
They'd sent demos to Cherry for consideration, with the answer that they should keep working on them."The main time it started to go sour for me was when we were working on songs for the second record," says Haas, who is the antithesis of Pelham's quiet, reserved manner.
...
"She [Cherry] said, 'This is a great opportunity; it's a once-in-a-lifetime opportunity,' " Pelham says.


Client Biography - One More Girl

www.iegroup.ca [cached]

Fast forward to February of 2011 for the newest - and undeniably most impressive - twist in the evolving One More Girl story, when Britt and Carly were invited by Interscope Records to perform at a series of auditions for Aimee Nadeau, Jolene Cherry (Senior VP of A&R Universal Music), Vince Herbert (A&R / Manager Lady Gaga), and ultimately, Jimmy Iovine himself.


BCCMA - Industry News

www.bccountry.com [cached]

The signing began with an inquiry by Interscope A&R manager Aimee Nadeau, who works with Jolene Cherry (former Senior VP of A&R), to the band's booking agent Jim Cressman, after being intrigued by their name in a trade magazine.


Kings of A&R » Music News

www.kingsofar.com [cached]

Only two women with VP stripes currently sign acts at major labels: Wendy Goldstein, senior vice president of A&R/urban for Capitol Records, and Jolene Cherry, senior vice president of A&R for Universal.


Nashville Scene - Back to the Drawing Board

www.nashvillescene.com [cached]

The A&R representative, Jolene Cherry, a former film music supervisor and head of the Cherry/Universal imprint, loved the band's sound and worked up a one-year, two-option deal.

...
They'd sent demos to Cherry for consideration, with the answer that they should keep working on them.
...
"She [Cherry] said, ‘This is a great opportunity; it's a once-in-a-lifetime opportunity,' " Pelham says.

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