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Wrong Gregory Kunde?

Mr. Gregory Kunde

Conductor

Gregory Kunde

HQ Phone:

Gregory Kunde

P.O. Box 51

Penfield, New York 14526

United States

Company Description

The official site for tenor Gregory Kunde, internationally known opera star. ... more

Background Information

Employment History

Assistant
Askonas Holt Ltd

Contributor
Classical Singer Community

Affiliations

Board Member
Intermusica

Founder
Chorale

Education


choral conducting
Illinois State University

honorary Doctor of Arts degree

Web References (105 Total References)


Intermusica / Gregory Kunde

intermusica.co.uk [cached]

Gregory Kunde Intermusica / Gregory Kunde

Intermusica Artists' Management
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Gregory Kunde
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Home*Vocal & Opera* Gregory Kunde
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Gregory Kunde
...
Visit Gregory Kunde's website
Gregory Kunde Chorale
...
Gregory Kunde
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Regarded as one of the most elegant and accomplished tenors on the operatic stage today, Gregory Kunde has appeared regularly at the world's most notable venues, including the Metropolitan Opera, Carnegie Hall, Houston Grand Opera, Opéra Bastille, Théatre du Châtelet, Théatre des Champs Elysées, Concertgebouw in Amsterdam and the Sydney Opera House.
...
Gregory Kunde is represented by Intermusica worldwide, excl.
...
"Gregory Kunde, a genuine tenor rather than baritonal Otello, is strong and forthright throughout."
...
"…norteamericano Gregory Kunde, triunfador en la pasada convocatoria con Otello, que es hoy uno de sus papeles estrella.
...
"... American tenor Gregory Kunde was triumphant in the recent production of Otello, which today is one of his star roles.
...
Kunde moved the audience to such an extent that many even applauded before the end of the famous aria ' la vita e inferno all' alas!'"
...
"El tenor estadounidense Gregory Kunde, con 60 años cumplidos, hizo una exhibición de bello timbre, potencia, sensibilidad en el fraseo y dominio técnico que maravilló a un público muy proclive al aplauso, tan vez en exceso. Kunde ya había cantado el Otello de Verdi en el anterior Festival del Mediterrani, y su don Alvaro fue vigoroso, sentido y brillante."
"American tenor Gregory Kunde, aged 60, exhibited a beautiful timbre, power and sensitivity in his phrasing, and technical mastery that amazed the audience, who were eager to show their appreciation. Kunde had already sung Verdi's Otello in a previous Festival del Mediterrani, and his don Alvaro was strong, sensitive and brilliant."
...
Gregory Kunde, que ya gustó mucho en el Otello interpretado sobre el mismo escenario (junio 2013), dibujó bien su angustia con una voz de amplio caudal, luminosa y cálida, que fue tornándose más segura cuando calentó del todo su instrumento. Si brilló en la famosa escena que inicia el tercer acto (La vita è inferno all'infelice), todavía resultó mejor en los dúos con Don Carlo y con Leonora del último."
"Gregory Kunde, who has already revelled in playing Otello on the same stage (June 2013), expertly portrayed his anguish with a flowing, bright and warm sound, which became more secure as he progressed.
...
"Gregory Kunde (Enée), who has turned sixty, but seems physically and vocally to be twenty years younger, boasts a solid instrument which is absolutely marvellous.
...
"The audience dissolved into applause after listening to Gregory Kunde (the best male opera singer) in Manrico's aria "Ah si, ben mio… Di quella pria" from the opera Il Trovatore. Kunde showed off a voice of great range, in complete evolution and growth, and was able to send shivers down the spines of the spectators from the first note."
...
"Gregory Kunde as Otello was a big surprise.
...
"There was exceptional singing from a cast led by Gregory Kunde as Grimes."
...
"The great tenor Gregory Kunde played Vasco in this version; a man who is courageous, but irresponsible in his love life; a character, as Hanslick would say, that "always loves the woman he has in front of him at the moment.
...
Kunde's entrance on stage immediately showed off his best quality: the resonant, decisive and confident high pitch register.
...
"Venice cast good voices where they mattered most, and in Gregory Kunde's Vasco found a heroic tenor with a bel canto background.
...
His medium has darkened and thickened (in a positive way) enough to sustain the tessitura, which - albeit basically central - explodes in frequent, sudden and strenuous jolts towards the top, with plenty of exposed high notes, which Kunde preserves intact: he actually held the treacherous high C of "vil cortigiana!
...
"Gregory Kunde was a magnificent Otello: with an immense voice, which was also flexible and capable of extreme refinement.
...
"American tenor Gregory Kunde's Radames was complex and compelling from the start - as was his clear Bb at the end of the first act."
...
I first saw Gregory Kunde a decade ago as Énée in Paris.
...
"Two real giants, the American tenor Gregory Kunde and Spanish baritone Carlos Alvarez, brilliantly marked both sides of the Shakespearean archetype.
...
"The biggest triumph of the evening was American tenor Gregory Kunde, whose portrayal of Otello was vocally powerful yet beautiful and nuanced with near-perfect phrasing, in a role which is very demanding both vocally and dramatically.
...
"Among the artists, there was also the tenor Gregory Kunde who is considered by many to be one of the most elegant and complete bel canto singers on the opera scene today…"
...
"The presence of Gregory Kunde at Liceu raised considerable expectations.
...
"Gregory Kunde was a perfect counterpoint to Flórez, with a completely different timbre that was sombre and dense, diving beautifully into the lower register.
...
"Gregory Kunde gave a compelling portrayal of Otello both vocally and dramatically".
...
"Kunde's performance was formidable".
...
"Gregory Kunde as Otello [has] the ringing tones necessary for the sudden thrilling outbursts that characterise the opera".
...
"Gregory Kunde's Otello was simply amazing; he delivers every nuance of character with the strength that Verdi singing requires, and combines it with the technical skill and elegance of phrasing that one derives from Rossini and bel canto repertoire.
...
Every accent, every color requested by Verdi is returned by Kunde with sensitivity and intelligence".
...
"Pollione was sung by Gregory Kunde, whose timbre and style are remarkable ..."
...
Gregory Kunde was credible and moving in the lead role, his powerful, somber tenor conveying the character's wrenching anguish."
...
"Kunde was an Otello par excellence...
...
"[The strings'] lean but incisive quality makes for some real chamber-musical moments … many of which tenor Gregory Kunde sensitively shares. Indeed, the two drinking songs and the porcelain-pavilion intermezzo are as energised as any on disc. Kunde can manage the impossibly high tessitura and never forces his voice"
...
Gregory Kunde press quotes
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Gregory Kunde repertoire
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
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Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
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Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
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Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
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Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
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Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde reprises title role of Verdi's Otello at Teatro Municipal de São Paulo Gregory Kunde returns to Barcelona to sing Pollione in Bellini's Norma Gregory Kunde awarded Forum Opéra's 2014 'Arabella de platine' prize Gregory Kunde: profile


Intermusica / Gregory Kunde

www.intermusica.co.uk [cached]

Gregory Kunde Intermusica / Gregory Kunde

Intermusica Artists' Management
...
Gregory Kunde
...
Home*Vocal & Opera* Gregory Kunde
...
Gregory Kunde
...
Visit Gregory Kunde's website
Gregory Kunde Chorale
...
Gregory Kunde
...
Regarded as one of the most elegant and accomplished tenors on the operatic stage today, Gregory Kunde has appeared regularly at the world's most notable venues, including the Metropolitan Opera, Carnegie Hall, Houston Grand Opera, Opéra Bastille, Théatre du Châtelet, Théatre des Champs Elysées, Concertgebouw in Amsterdam and the Sydney Opera House.
...
Gregory Kunde is represented by Intermusica worldwide, excl.
...
"Gregory Kunde, a genuine tenor rather than baritonal Otello, is strong and forthright throughout."
...
"…norteamericano Gregory Kunde, triunfador en la pasada convocatoria con Otello, que es hoy uno de sus papeles estrella.
...
"... American tenor Gregory Kunde was triumphant in the recent production of Otello, which today is one of his star roles.
...
Kunde moved the audience to such an extent that many even applauded before the end of the famous aria ' la vita e inferno all' alas!'"
...
"El tenor estadounidense Gregory Kunde, con 60 años cumplidos, hizo una exhibición de bello timbre, potencia, sensibilidad en el fraseo y dominio técnico que maravilló a un público muy proclive al aplauso, tan vez en exceso. Kunde ya había cantado el Otello de Verdi en el anterior Festival del Mediterrani, y su don Alvaro fue vigoroso, sentido y brillante."
"American tenor Gregory Kunde, aged 60, exhibited a beautiful timbre, power and sensitivity in his phrasing, and technical mastery that amazed the audience, who were eager to show their appreciation. Kunde had already sung Verdi's Otello in a previous Festival del Mediterrani, and his don Alvaro was strong, sensitive and brilliant."
...
Gregory Kunde, que ya gustó mucho en el Otello interpretado sobre el mismo escenario (junio 2013), dibujó bien su angustia con una voz de amplio caudal, luminosa y cálida, que fue tornándose más segura cuando calentó del todo su instrumento. Si brilló en la famosa escena que inicia el tercer acto (La vita è inferno all'infelice), todavía resultó mejor en los dúos con Don Carlo y con Leonora del último."
"Gregory Kunde, who has already revelled in playing Otello on the same stage (June 2013), expertly portrayed his anguish with a flowing, bright and warm sound, which became more secure as he progressed.
...
"Gregory Kunde (Enée), who has turned sixty, but seems physically and vocally to be twenty years younger, boasts a solid instrument which is absolutely marvellous.
...
"The audience dissolved into applause after listening to Gregory Kunde (the best male opera singer) in Manrico's aria "Ah si, ben mio… Di quella pria" from the opera Il Trovatore. Kunde showed off a voice of great range, in complete evolution and growth, and was able to send shivers down the spines of the spectators from the first note."
...
"Gregory Kunde as Otello was a big surprise.
...
"There was exceptional singing from a cast led by Gregory Kunde as Grimes."
...
"The great tenor Gregory Kunde played Vasco in this version; a man who is courageous, but irresponsible in his love life; a character, as Hanslick would say, that "always loves the woman he has in front of him at the moment.
...
Kunde's entrance on stage immediately showed off his best quality: the resonant, decisive and confident high pitch register.
...
"Venice cast good voices where they mattered most, and in Gregory Kunde's Vasco found a heroic tenor with a bel canto background.
...
His medium has darkened and thickened (in a positive way) enough to sustain the tessitura, which - albeit basically central - explodes in frequent, sudden and strenuous jolts towards the top, with plenty of exposed high notes, which Kunde preserves intact: he actually held the treacherous high C of "vil cortigiana!
...
"Gregory Kunde was a magnificent Otello: with an immense voice, which was also flexible and capable of extreme refinement.
...
"American tenor Gregory Kunde's Radames was complex and compelling from the start - as was his clear Bb at the end of the first act."
...
I first saw Gregory Kunde a decade ago as Énée in Paris.
...
"Two real giants, the American tenor Gregory Kunde and Spanish baritone Carlos Alvarez, brilliantly marked both sides of the Shakespearean archetype.
...
"The biggest triumph of the evening was American tenor Gregory Kunde, whose portrayal of Otello was vocally powerful yet beautiful and nuanced with near-perfect phrasing, in a role which is very demanding both vocally and dramatically.
...
"Among the artists, there was also the tenor Gregory Kunde who is considered by many to be one of the most elegant and complete bel canto singers on the opera scene today…"
...
"The presence of Gregory Kunde at Liceu raised considerable expectations.
...
"Gregory Kunde was a perfect counterpoint to Flórez, with a completely different timbre that was sombre and dense, diving beautifully into the lower register.
...
"Gregory Kunde gave a compelling portrayal of Otello both vocally and dramatically".
...
"Kunde's performance was formidable".
...
"Gregory Kunde as Otello [has] the ringing tones necessary for the sudden thrilling outbursts that characterise the opera".
...
"Gregory Kunde's Otello was simply amazing; he delivers every nuance of character with the strength that Verdi singing requires, and combines it with the technical skill and elegance of phrasing that one derives from Rossini and bel canto repertoire.
...
Every accent, every color requested by Verdi is returned by Kunde with sensitivity and intelligence".
...
"Pollione was sung by Gregory Kunde, whose timbre and style are remarkable ..."
...
Gregory Kunde was credible and moving in the lead role, his powerful, somber tenor conveying the character's wrenching anguish."
...
"Kunde was an Otello par excellence...
...
"[The strings'] lean but incisive quality makes for some real chamber-musical moments … many of which tenor Gregory Kunde sensitively shares. Indeed, the two drinking songs and the porcelain-pavilion intermezzo are as energised as any on disc. Kunde can manage the impossibly high tessitura and never forces his voice"
...
Gregory Kunde press quotes
...
Gregory Kunde repertoire
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde (credit: Chris Gloag) Gregory Kunde (credit: Chris Gloag)
...
Gregory Kunde reprises title role of Verdi's Otello at Teatro Municipal de São Paulo Gregory Kunde returns to Barcelona to sing Pollione in Bellini's Norma Gregory Kunde awarded Forum Opéra's 2014 'Arabella de platine' prize Gregory Kunde: profile


The Gregory Kunde Chorale

www.gregorykundechorale.org [cached]

These concerts are scheduled to accommodate our conductor Gregory Kunde's opera performance schedule; we perform throughout the academic calendar year with concerts typically slated for October, December/January, and May.

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To schedule an audition for Mr. Kunde, please call our information line 585.377.7568 or email us at auditions@gregorykundechorale.org. You may bring a prepared solo to perform at your audition, though it is not required. Our singers vary greatly with respect to musical education and performance experience, and we encourage all singers with an interest in the Chorale to sing for Mr. Kunde. An accompanist will be provided for your audition.


The official site for tenor Gregory ...

www.gregorykunde.com [cached]

The official site for tenor Gregory Kunde Gregory Kunde

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Copyright © 2010-2011 Gregory Kunde Vibe Themes


Gregory Kunde » Portfolio 2

www.gregorykunde.com [cached]

Gregory Kunde Gregory Kunde

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Copyright © 2010-2015 Gregory Kunde

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