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This profile was last updated on 6/6/14  and contains information from public web pages.
Intermusica Artists' Management Limited
Phone: +44 ** **** ****  HQ Phone
Intermusica
Crystal Wharf 36 Graham Street
Crystal Wharf , London N1 8GJ
United Kingdom

Company Description: Intermusica is one of the leading international agencies in the field of classical music, representing some of the foremost conductors, instrumentalists, singers...   more
Background

Employment History

Education

  • choral conducting
    Illinois State University
48 Total References
Web References
Intermusica / Staff
intermusica.co.uk, 6 June 2014 [cached]
Gregory Kunde
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Gregory Kunde
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Gregory Kunde
Intermusica / Gregory Kunde
www.intermusica.co.uk, 2 June 2014 [cached]
Gregory Kunde Intermusica / Gregory Kunde
Intermusica Artists' Management
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Gregory Kunde
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Home*Vocal & Opera* Gregory Kunde
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Gregory Kunde
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Visit Gregory Kunde's website
Gregory Kunde Chorale
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Gregory Kunde
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Regarded as one of the most elegant and accomplished tenors on the operatic stage today, Gregory Kunde has appeared regularly at the world's most notable venues, including the Metropolitan Opera, Carnegie Hall, Houston Grand Opera, Opéra Bastille, Théatre du Châtelet, Théatre des Champs Elysées, Concertgebouw in Amsterdam and the Sydney Opera House.
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Gregory Kunde is represented by Intermusica worldwide, excl.
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"Gregory Kunde (Enée), who has turned sixty, but seems physically and vocally to be twenty years younger, boasts a solid instrument which is absolutely marvellous.
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"The audience dissolved into applause after listening to Gregory Kunde (the best male opera singer) in Manrico's aria "Ah si, ben mio… Di quella pria" from the opera Il Trovatore. Kunde showed off a voice of great range, in complete evolution and growth, and was able to send shivers down the spines of the spectators from the first note."
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"Gregory Kunde as Otello was a big surprise.
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"There was exceptional singing from a cast led by Gregory Kunde as Grimes."
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"The great tenor Gregory Kunde played Vasco in this version; a man who is courageous, but irresponsible in his love life; a character, as Hanslick would say, that "always loves the woman he has in front of him at the moment.
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Kunde's entrance on stage immediately showed off his best quality: the resonant, decisive and confident high pitch register.
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"Venice cast good voices where they mattered most, and in Gregory Kunde's Vasco found a heroic tenor with a bel canto background.
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His medium has darkened and thickened (in a positive way) enough to sustain the tessitura, which - albeit basically central - explodes in frequent, sudden and strenuous jolts towards the top, with plenty of exposed high notes, which Kunde preserves intact: he actually held the treacherous high C of "vil cortigiana!
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"Gregory Kunde was a magnificent Otello: with an immense voice, which was also flexible and capable of extreme refinement.
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"American tenor Gregory Kunde's Radames was complex and compelling from the start - as was his clear Bb at the end of the first act."
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I first saw Gregory Kunde a decade ago as Énée in Paris.
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"Two real giants, the American tenor Gregory Kunde and Spanish baritone Carlos Alvarez, brilliantly marked both sides of the Shakespearean archetype.
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"The biggest triumph of the evening was American tenor Gregory Kunde, whose portrayal of Otello was vocally powerful yet beautiful and nuanced with near-perfect phrasing, in a role which is very demanding both vocally and dramatically.
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"Among the artists, there was also the tenor Gregory Kunde who is considered by many to be one of the most elegant and complete bel canto singers on the opera scene today…"
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"The presence of Gregory Kunde at Liceu raised considerable expectations.
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"Gregory Kunde was a perfect counterpoint to Flórez, with a completely different timbre that was sombre and dense, diving beautifully into the lower register.
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"Gregory Kunde gave a compelling portrayal of Otello both vocally and dramatically".
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"Kunde's performance was formidable".
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"Gregory Kunde as Otello [has] the ringing tones necessary for the sudden thrilling outbursts that characterise the opera".
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"Gregory Kunde's Otello was simply amazing; he delivers every nuance of character with the strength that Verdi singing requires, and combines it with the technical skill and elegance of phrasing that one derives from Rossini and bel canto repertoire.
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Every accent, every color requested by Verdi is returned by Kunde with sensitivity and intelligence".
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"Pollione was sung by Gregory Kunde, whose timbre and style are remarkable ..."
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Gregory Kunde was credible and moving in the lead role, his powerful, somber tenor conveying the character's wrenching anguish."
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"Kunde was an Otello par excellence...
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"[The strings'] lean but incisive quality makes for some real chamber-musical moments … many of which tenor Gregory Kunde sensitively shares. Indeed, the two drinking songs and the porcelain-pavilion intermezzo are as energised as any on disc. Kunde can manage the impossibly high tessitura and never forces his voice"
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Gregory Kunde press quotes
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Gregory Kunde repertoire
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Gregory Kunde:role debut as Don Alvaro in La Forza del Destino at Palau de les Arts
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Gregory Kunde returns to La Scala for Berlioz Les Troyens
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Gregory Kunde returns to La Fenice, Venice, for L'Africaine
Intermusica / Board Members
intermusica.co.uk, 6 June 2014 [cached]
Gregory Kunde
ICA - International Classical Artists | John Nelson
icartists.co.uk, 1 Oct 2011 [cached]
Gregory Kunde, Patrizia Ciofi, Joyce di Donato, Jean-François Lapointe, Laurent Naouri, Renaud Delaigue
Cast Changes: Royal Opera's Thais and LSO's Benvenuto Cellini - MusicalCriticism.com (Opera Review)
www.musicalcriticism.com, 21 June 2007 [cached]
The title role of Cellini will now be sung by Gregory Kunde, replacing Giuseppe Sabbatini, while Darren Jeffrey will now take over from Michele Pertusi as Balducci.
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Gregory Kunde is an experienced Berlioz singer, having appeared in performances of La Damnation de Faust, Les Troyens and Benvenuto Cellini, the latter two of which were recorded to great acclaim.
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