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Production Manager

Johnny's companies
 
Background

Employment History

  • Guitarist
  • Mathis
11 Total References
Web References
GIL ...
www.johnnymathis.com [cached]
GIL REIGERS
...
GIL REIGERS Anyone who's seen a Johnny Mathis concert has seen Gil. Gil is the multi-faceted guy who plays guitar, sings and is Johnny's Production Manager.
Here I am. Gil had been playing guitar for Johnny for a couple of years when, "One night we were out on a trip with a new conductor and someone in the audience yelled out, 'Twelfth of Never'.
...
A few years later, Gil began taking on production/stage managing and is now Johnny's Production Manager. He says that he, "really enjoys working with agents, contracts and buyers.
Band
www.rhythmridersmusic.com, 5 Dec 2012 [cached]
For 5 years Dee was accompanied by guitarist, Gil Reigers of the Johnny Mathis band.
The Mathis Chronicles
www.themathischronicles.net, 6 Nov 2000 [cached]
Guitarist Gil Reigers joined Mathis, both seated on stools, in an affecting performance of "The Twelfth of Never," one of the singer's monster hits.
For five years Dee was accompanied ...
www.dailydemocrat.com, 3 July 2012 [cached]
For five years Dee was accompanied by guitarist, Gil Reigers of the Johnny Mathis band.
IN PERSON!
www.themathischronicles.net, 6 Feb 2006 [cached]
Before his last scheduled song Mathis likes to introduce the small band of musicians that always accompany him from city to city, some of whom, like Gil Reigers and Joe Lizama, have been touring with him for more than 20 years.
...
His longtime guitarist and relatively recently-christened production manager, Gil Reigers, joins him often as vocal accompanist on songs like Welcome Home, 99 Miles from L.A., and a concert favorite known to fans as The Cricket Song. A portly, balding man with a neatly trimmed goatee, he's been a part of Mathis' crew since the early 70's. He is, I think, less accomplished as a singer, but he is used primarily for harmony, and his higher voice blends well with that of Mathis. He nonetheless has a facility with the acoustic guitar, and seems to have had some classical training. I recently was sent a tape of a European performance in the middle 70's and I was particularly impressed by the guitar work on the latin-style numbers. It is Reiger's sleepy arrangement of the Twelfth of Never that prevails over the more familiar recorded one, which the audience will probably never hear again in concert. This seems to be the one exception to Mathis' self-imposed rule of performing a song as intended. However, this arrangement and the guitarist's performance of it and other songs please Mathis, who adores Reigers and will often have him appearing superfluously on television appearances, and will take his guitarist by the hand and present him after a number to a seemingly appreciative audience.
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