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Wrong Frank Dorritie?

Frank Dorritie

Grammy Award Winning Producer

Cal Tjader

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Company Description

Soul Vibrations :: The Cal Tjader Website - Just another WordPress weblog ... more

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Background Information

Employment History

Drum Corps International Inc


Blue Devils


St. Catherine


master's degree

trumpet performance

Web References (35 Total References)

Curt Moore's "Afro-Cuban Drumset: Grooves You Can Use DVD†makes Editor’s Pick [cached]

- Frank Dorritie, Grammy Award Winning Producer for Cal Tjader, Tito Puente, Art Blakey

, Frank Dorritie, Grammy ... [cached]

, Frank Dorritie, Grammy Award Winning Producer for Cal Tjader, Tito Puente, Art Blakey

The Concord Blue Devils [cached]

Recorded by Grammy winning producer Frank Dorritie and professional recording engineers.

Drum Corps International :: Marching Music's Major Leagueâ„¢ [cached]

Dorritie lends an ear (or two) to Lucas Oil Stadium soundscape

Count drum corps icon Frank Dorritie as one of those experts. Dorritie, a 2004 World Drum Corps Hall of Fame inductee who has earned two Grammy awards and nine nominations for excellence in audio engineering, emphasizes that no venue is "perfect" acoustically, not even La Scala, the legendary opera house in Milan, Italy, or New York City's famed Carnegie Hall.
"Certainly a structure built essentially for sports [such as Lucas Oil Stadium] will have sonic anomalies, and some seating locations will be better than others," Dorritie explains.
Dorritie, who has arranged for and instructed the likes of the Blue Devils, Santa Clara Vanguard and the Cadets, is a pioneer in the arena of capturing indoor drum corps sound. In 1980 he was the producer of "State of the Art," the first multi-track drum corps recording.
He notes that Lucas Oil Stadium is not a dome, "but more like an airplane hangar with extremely tall sides with highly reflective characteristics. These characteristics, he says, could be mitigated-to some degree, at least-by hanging layers of appropriate fabric in strategic places.
Opening the roof might also help slightly, Dorritie says, while adding that doing so could present other logistical problems.
"No one can tell you what the overall sound will be like in LOS with an open roof until you actually put some groups in there and play," he cautions.
Dorritie, who has worked with artists like Wynton Marsalis, Maynard Ferguson and Billy Cobham, feels that plenty can be done to optimize sound with the roof closed.
One possible strategy for the future, Dorritie suggests (via a history lesson), is for each corps to find a way to work with, and not against, the sound characteristics of Lucas Oil Stadium.
"In Medieval Europe, liturgical music composers took great advantage of large enclosed spaces in cathedrals by scoring appropriately," Dorritie explains. "The drum corps that did so this past year-Santa Clara Vanguard, in particular-sounded quite spectacular in Lucas Oil Stadium."
Dorritie continues: "Beyond this, there are clear advantages on the visual side to an enclosed space, without wind and other pesky elements like rain or sun glare.

Chris Bauer Jazz Harmonica Artist Bio Page [cached]

Frank Dorritie, Producer,

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