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This profile was last updated on 11/17/15  and contains information from public web pages and contributions from the ZoomInfo community.

Dr. Fabri Blacklock

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Home › Dr Fabri ..., 17 Nov 2015 [cached]
Home › Dr Fabri Blacklock
Dr Fabri Blacklock
Dr Fabri Blacklock
Dr Fabri Blacklock's family on her father's side are the Ngarabal/Nucoorilma people from Tingha and the Biripi people from Dingo Creek in New South Wales. She also has English ancestry on her mother's side. She is currently a Postdoctoral Research Fellow at ACU. Dr Blacklock was Assistant Curator of Koori History and Culture at the Powerhouse Museum from 1999 to 2008. She is a contributing author of Bayagul: contemporary Indigenous communication and Our Place: Indigenous Australia Now. Dr Blacklock's scholarly interests include NSW Koori history, NSW Koori art, Aboriginal education, Aboriginal insider research methodologies, and oral history.
Dr Fabri Blacklock ..., 21 Jan 2016 [cached]
Dr Fabri Blacklock
Excellence in arts management recognised| Department of Department of Communications, Information Technology and the Arts Archive Website, 5 Feb 2008 [cached]
Fabri Blacklock is Assistant Curator of Koori History and Culture at the Powerhouse Museum in Sydney where she worked on the inaugural permanent Indigenous exhibition, Bayagul: Contemporary Indigenous Communication, and was a contributing author of the supporting book. Ms Blacklock was also involved in the research and development of the website on Aboriginal skin cloaks for the National Quilt Register and Australian Museums On Line.
Professors Rhonda Craven, Janet Mooney, ..., 24 June 2015 [cached]
Professors Rhonda Craven, Janet Mooney, and Dr Fabri Blacklock recently presented at the AERA Annual Meeting in Chicago, USA
Ms Blacklock is a descendant of ..., 16 Jan 2014 [cached]
Ms Blacklock is a descendant of the Ngarabal and Biripi peoples of NSW. She said there was very little record of Aboriginal and Torres Strait Islander service history, so she looked forward to documenting the stories of service men and women with a connection to Sydney.
"Many of the older fellas went to fight in wars in Vietnam and were treated as equals on the war fields, but when they came back to Australia, it was back to segregation and many weren't allowed in pubs or clubs, so those stories are interesting to document," Ms Blacklock said.
"Everybody's stories are important, so we're also interested in hearing from current serving members, especially women and others who assisted in the war effort."
Fabri Blacklock Artist/curator
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