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Supervising Sound Editor
HQ Phone:  (818) 506-7731
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11712 Moorpark Street Suite 102
Studio City, California,91604
Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization's mission is to provide a wealth of knowledge from award-wi... more.
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The amazing visual effects in this film are complemented by the talented efforts of the sound team including Re-recording Mixer Greg Russell, Re-recording Mixer Jeff Haboush, Re-recording Mixer Scott Millan and Supervising Sound Editor and Sound Designer Erik Aadahl and Sound Designer John Marquis.
Erik Aadahl Supervising Sound Editor And Sound Designer
In this exclusive SoundWorks Collection sound profile Michael Coleman talks with Supervising Sound Editor and Sound Designer Erik Aadahl and Supervising Sound Editor Ethan Van der Ryn about the sound of Director Gareth Edwards Godzilla.
Founders, Ethan Van der Ryn and Erik Aadahl, are responsible for the sound design and sound editing of the TRANSFORMERS and KUNG FU PANDA films. Erik Aadahl. Sound Designer And Supervising Sound Editor
On Friday, October 29, at the Savannah Film Festival, sound-savvy SCAD students and intrigued festivalgoers packed the SCAD Museum of Art theater as Aadahl discussed his work with host Michael Coleman (SoundWorks Collection). SCAD, the first and only university to confer B.F.A., M.A. and M.F.A. degrees in sound design, provided the ideal venue for Aadahlâ€™s insights. â€œThink of sound like painting,â€� explained Aadahl. â€œIf you use too many colors on your canvas and smear them together, it turns brown.
A lot of times the trick is simplicity and imagining beforehand what you might be going for.â€� Having worked with directors as diverse as Michael Bay (the â€œTransformersâ€� series), Terrence Malick (â€œTree of Lifeâ€�), and Gareth Edwards (â€œGodzillaâ€�), Aadahl pinpointed commonalities in his process: â€œIt begins with the script. It helps inform the rest of the process.â€� Aadahl enhanced his â€œCreating the Sound for Hollywood Moviesâ€� presentation with audio and film clips, emphasizing the interplay between sound and image. Running a serrated plastic knife down the tracks of a rubber tire, he revealed, led to one of his teamâ€™s most terrifying monster movie motifs. â€œOne thing we really enjoy doing is trying new things. A lot of experimentation went into creating the sounds for the characters from â€˜Godzilla.â€™ We pulled in hundreds of props and played with them. One technique was using high-resolution microphones five times the range of human hearing. So thereâ€™s all this invisible sonic information in those recordings, but once itâ€™s slowed down it becomes audible.â€� Aadahl often records small things to massive effect, whereby â€œmicro becomes macro.â€� â€œIn â€˜Transformersâ€™ weâ€™ve got these enormous footsteps. Slow it down and beef it up and it becomes huge.â€� A ripple of delight ran through the theater when Aadahl screened the â€œKung Fu Pandaâ€� sequence where pupil and teacher grapple over the last steamed dumpling. The amazing visual effects in this film are complemented by the talented efforts of the sound team including Re-recording Mixer Greg Russell, Re-recording Mixer Jeff Haboush, Re-recording Mixer Scott Millan and Supervising Sound Editor and Sound Designer Erik Aadahl and Sound Designer John Marquis. Transformers: Age of Extinction begins after an epic battle left a great city torn, but with the world saved.
In this exclusive SoundWorks Collection sound profile Michael Coleman talks with Supervising Sound Editor and Sound Designer Erik Aadahl and Supervising Sound Editor Ethan Van der Ryn about the sound of Director Gareth Edwards Godzilla. This 45-minute conversation covers the creative and technical process that the sound team of E2 (www.e2sound.com) pursued to create the dark and powerful sound of the king of all monsters, Godzilla. Special thanks to Legendary Studios and Warner Bros. Studio
The amazing visual effects in this film are complemented by the talented efforts of the sound team including Re-recording Mixer Greg Russell, Re-recording Mixer Jeff Haboush, Re-recording Mixer Scott Millan and Supervising Sound Editor and Sound Designer Erik Aadahl and Sound Designer John Marquis. In this exclusive SoundWorks Collection profile we talk with the sound team of Director Michael Bay's new film "Pain and Gain" featuring supervising sound editor and sound designer Erik Aadahl and Ethan Van der Ryn. Dolby Presents: "The Sound of Your Story" at Sundance Film Festival 2013 Ben Burtt (Lincoln, Star Wars, Wallâ€¢E, Indiana Jones, Star Trek) Randy Thom (Flight, How to Train Your Dragon, Cast Away, Apocalypse Now) Erik Aadahl (Argo, Tree of Life, Transformers: Dark of the Moon) Will Files (Cloverfield, Star Trek Intro Darkness, Take Shelter) Phil Benson - Executive in Charge of Skywalker Sound Stuart Bowling - Senior Worldwide Technical Marketing Manager at Dolby The SoundWorks Collection talks with Sound Supervisor and Sound Designer Erik Aadahl to discuss the sound of Director Ben Affleck's Argo. Also returning for another call of duty with Bay include the talents of his sound team including Sound Re-Recording Mixer Greg Russell, Supervising Sound Editor Erik Aadahl, and Supervising Sound Editor Ethan Van der Ryn.