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This profile was last updated on 3/24/07  and contains information from public web pages.

Ellen Ongkeko-Marfil

Wrong Ellen Ongkeko-Marfil?

Supervising Producer

Star Cinema
 
Background

Employment History

Board Memberships and Affiliations

  • Founder
    ERASTO Productions , Inc.
9 Total References
Web References
Films of Desire website - Speakers
www.filmsofdesire.org, 24 Mar 2007 [cached]
Ellen Ongkeko-Marfil schooled at the University of the Philippines, Philippine Educational Theater Association, Mowelfund Film Institute with short visitorship programmes in Paris and London. She is a veteran writer-director-producer for both alternative and mainstream circuits, once a supervising producer for Star Cinema and recently a public affairs progamme manager for Global Media Arts Network. She recently founded ERASTO Productions, Inc. whose first project Pusang Gala (Stray Cats) was made possible through equity-sharing of almost the whole cast and staff. This was her first full-length digital feature which she both directed and produced.
:: Welcome to Manila Bulletin Online ::
www.mb.com.ph, 11 Mar 2005 [cached]
One of the stars in "Mga Pusang Gala," produced and directed by Ellen Ongkeko-Marfil for the 15th International Women's Film Festival is model- turned-actor Reggie Curley.
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Aside from being an independent producer, Ellen has been directing teleplays, telesines and docu-dramas.A cum laude Broadcast Communication graduate from UP, Ellen started out in PETA where she became resident TV director and producer of its broadcast and film unit that produced teleplays and telesines.Later, Ellen became a supervising producer for Star Cinema and directed for "Maalala Mo Kaya," "Pira-Pirasong Pangarap" and "GMA Telesine Specials."
Ellen also was program manager for GMA Television News and Current Affairs Division.She also directed "Walang Bakas," a docu-drama which was chosen Best Drama by the Catholic Mass Media Awards last year, and was runner-up in the Asian Television Awards, also last year.
Reggie, who plays lover to Lauren Novero (who like Reggie is also a Bodyshot winner) said he feels so blessed for getting this role in particular and in his flourishing showbiz career in general."I'm really very fortunate to have gotten a major role in ‘Mga Pusang Gala,' a highly anticipated project, and to be directed by Ms. Marfil," he said.
PJI :: Entertainment : Model-actor is gays` favorite
www.journal.com.ph, 12 Aug 2005 [cached]
"Mga Pusang Gala (Stray Cats)," is an independent film made on digital video by an independent filmmaker-producer Ellen Ongkeko-Marfil who heads Erasto Productions.
Ellen had worked for PETA, ABS-CBN and GMA not only as director (of teleplays and docu-dramas) but also as supervising producer.
Ellen Ongkeko-Marfil and Her Angels | PinoyFilm.com
www.pinoyfilm.com, 26 Sept 2006 [cached]
Ellen Ongkeko-Marfil and Her Angels
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Ellen Ongkeko-Marfil | Profile > >
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Angels was directed, meanwhile, by a hitherto unknown woman to us, named Ellen Ongkeko-Marfil.
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To find out more about this aberration, and other mysteries surrounding Angels, I, accompanied by my friend JP, decided to interview the creator of Angels herself, Ellen Ongkeko-Marfil, last March 15 at her townhouse in Quezon City.
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Looking around the small Ongkeko-Marfil household, you already get a sense of the character of Ellen Ongkeko-Marfil and her family.
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During the interview, Ongkeko-Marfil sits on a swivel chair in front of a desk in their sala, and behind her, a big replica of a Picasso painting drapes the wall below the stairs.To get a complete picture of how she came up with Angels, I begin by asking about her career and early years.
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While in high school, Ongkeko-Marfil loved to analyze and talk about movies after watching them.
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Bernal, in the sets of such films as Himala, loved to explain things, says Ongkeko-Marfil.
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When PETA went into television with PETABISYON, Ongkeko-Marfil learned the ropes of TV directing, encouraged by the likes of Soxie Topacio (who also appears in a supporting role in Angels, incidentally).Besides her work in PETA, she also held various jobs in advertising, TV, video, and film, earning recognition and awards in the process.
Then, after a long respite -- she had her child -- she decided to go mainstream because she yearned to reach more people with her works.She worked for Star Cinema as Assistant Director to Chito Roño in the film Eskapo.She also directed TV shows like Maalaala Mo Kaya.But what she really wanted to do was to direct films.The big screen, she says, has always been a fascination for her: she would make it a point to sit in front when watching movies.
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It was the height of discontent, restlessness for the kid," says Ongkeko-Marfil.These dark episodes found their way into the movie, and Ongkeko-Marfil was anxious whenever Jonathan was gone, because she didn't want to end the story on a sad note, like the child not coming back, for instance.
The struggles also went beyond the shooting of the movie.At the Cinemanila Film Festival, the version that was shown, technically speaking, wasn't really the quality that Ongkeko-Marfil wanted, mainly because of mistakes made during the editing.After the Cinemanila screening, Star Cinema wanted to show the film abroad first, to international film festivals.But being the perfectionist that she was, Ongkeko-Marfil asked them to hold their plans.She had fallen in love with the movie and its characters, and she wanted to do everything to improve it.With the help of friend and fellow filmmaker Nonoy Dadivas, they re-edited the movie, and fixed the audio.Because of their jobs and previous commitments, it was a long and arduous task.But eventually, it came to pass that last March 12 at the UP Film Center, it was shown for just the second time.Their hard work paid off, for the result was a movie that had almost the same look as something that was shot on traditional film.
Ongkeko-Marfil says she believes in the responsibility of the director.That there's this implicit duty to affect the lives of the viewers in a positive way, and not just the viewers, but also the lives of the people she is trying to depict.She says that, coming from PETA, she came from the social-realism kind of storytelling, the "tell-it-as-it-is" type.But experience has taught her that it is better to approach filmmaking from the perspective of someone trying to understand a person or a character in a story.She avoids portraying characters in black and white terms.She tries to really understand their motivations.And from her experience, this approach has really paid off.
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Ongkeko-Marfil would also like to think that, like her original intentions, the movie had a positive effect on the family.She is hesitant to take any credit, but she relates that after the movie was shown in Cinemanila, Jonathan, who by then had transferred to a better school and had watched the movie with his new teachers and classmates, became a child again.He had fewer tantrums and laughed more frequently, and eventually stopped running away.
When asked about her favorite filmmakers, Ongkeko-Marfil says that she likes filmmakers -- such as her favorite Zhang Yimou -- who make films which make her "think about life" and which are "rich in relationships, nuances and understanding of people."When one tries to appreciate what Angels has managed to accomplish, Ongkeko-Marfil may just as well be talking about her own film.
Ellen Ongkeko-Marfil and ...
www.pinoyfilm.com, 1 June 2007 [cached]
Ellen Ongkeko-Marfil and Her AngelsPhilippine Indie Cinema Needs Managers
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