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This profile was last updated on 4/4/14  and contains information from public web pages and contributions from the ZoomInfo community.

David Haberstich

Wrong David Haberstich?

Museum Curator (Photography)

Local Address: Washington, District of Columbia, United States
Smithsonian Institution
Museum Support Center 4210 Silver Hill Rd.
Suitland , Maryland 20746
United States

Company Description: The Smithsonian Institution -- the world's largest museum and research complex -- includes 19 museums and galleries and the National Zoological Park. The total...   more
Background

Employment History

27 Total References
Web References
In "American Photobooth," David ...
newcity.com, 1 Jan 2008 [cached]
In "American Photobooth," David Habetstich, curator of photography at the Smithsonian, introduces the subject: Photobooth pictures "record not the encounters and collaborations between two persons-a subject and photographer-to be analyzed and decoded in the way of the traditional photographic portrait.
Quiddities. Original poetry and fiction by Merry Gangemi
www.merrygangemi.org [cached]
In the foreword to American Photobooth, David Haberstich, head of photographic collections at the National Museum of American History, Smithsonian Institution, writes that American Photobooth "virtually defines the art or the aesthetic of the photobooth.... [Goranin] has rescued from oblivion... many amazing self-portraits created by amateurs confronting themselves in the fleeting privacy of a humble, sometimes tacky photobooth...."
Louis Daguerre: Pictures Illuminate Google's Man of the Day
news.nationalgeographic.com, 30 Nov 2011 [cached]
"A number of inventors were working on photographic processes at the same time," said David Haberstich, curator of photography at the National Museum of American History.
...
"Daguerreotypes are still collected today and prized for their high quality and silvery appearance," Haberstich said.
...
"A lot of people have written about the democratization effect that photography had," Haberstich said.
"The daguerreotype sort of began that by making photos available to more and more people," he added.
...
Most people simply chose to present themselves as serious, rather than frivolous, according to fashions of the era, Haberstich explained.
...
"The mercury fumes may have shortened the lives of some of the daguerreotypists," Haberstich said.
...
"The daguerreotype process itself turned out to be a dead end, because each image was unique," Haberstich said.
Critical Mass Jurors
www.photolucida.org, 27 Feb 2011 [cached]
David Haberstich, Head of Photographic Collections, National Museum of American History
Roland Park Country School
www.rpcs.org, 4 Sept 2002 [cached]
The exhibition's curator David Haberstich, head of photographic collections at the Archives Center, National Museum of American History, remarked, "These faces and voices of Appalachian women describe battles which are being won daily and are a testament to the indomitable human spirit, recorded by a woman of uncommon perception and depth of feeling."
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