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This profile was last updated on 5/14/11  and contains information from public web pages.
 
Background

Employment History

65 Total References
Web References
Billboard Charts | Sinatra Club
www.sinatraclub.com, 14 May 2011 [cached]
David Cavanaugh produced this album with Nelson Riddle on arrangements while conducting gracefully with incredible tunes.
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Albums, Biography, Capitol Records, Frank Sinatra, Movies, Recordings, Records, Reprise Records, Songs Academy Award, all the way, B Sides, Barnyard, Best Original Song, Billboard Charts, Capitol Records, Cavanaugh, Charles Vidor, Cohesive Theme, Eddie Albert, farmer's daughter joke, Frank Sinatra, Grammy Nomination, Jeanne Crain, Jimmy Van Heusen, joe e. lewis, Mid 1990s, Mitzi Gaynor, nelsen riddle, Nelson Riddle, Sammy Cahn, Sinatra Standard, Story Of Joe, the joker is wild
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Capitol Records released the album in 1959 under the guidance of producer Dave Cavanaugh, who eventually became president of Capitol Records. Billy May, a celebrated trumpet player, was the arranger and conductor of the album, staying for two years and six months on the Billboard charts, peaking at number 2, a personal best for Sinatra.... Read the rest
Albums, Capitol Records, Frank Sinatra, Recordings, Records, Songs Album Of The Year, Arranger, Billboard Charts, billy may, Capitol Records, come dane with me!, Compact Disc, Dance Floor, Dave Cavanaugh, First Grammy Awards, Frank Sinatra, Grammy Awards, Grammy Awards Ceremony, Grammys, Keely Smith, Major Awards, Music Reggae, Music Videos, New Age Music, personal best, Sinatra Albums, Trumpet Player, Vocal Performance
Dave Cavanaugh of ...
www.bestsyndication.net, 30 April 2007 [cached]
Dave Cavanaugh of Capitol Records in Hollywood had a copy of the album.Cavanaugh asked me to come back to Hollywood where we could sign a deal giving Capitol the rights to release and distribute the album on one of their labels.In February of 1980 I moved myself with my family to Hollywood where I had lived from 1969-1972.There I delivered the stampers (metal plates used to manufacture records) for the album to Cavanaugh at Capitol Records.He told me he would quickly put the deal together.
cannonball and nancy wilson
www.cannonball-adderley.com, 14 Feb 2006 [cached]
This was the start of many exciting developments for the girl from Columbus, not the least of which was the enthused reaction to her singing by Capitol Records' executive producer, Dave Cavanaugh. Frankly, Cavanaugh simply flipped and signed her right away. Her albums to date have won her a throng of new friends. Critics, their tastes often jaded by an endless parade of new jazz singers, have been unanimous in their praise of Nancy's remarkable phrasing, tone, control, and dynamics.
San Francisco Jazz Concert Concerts | Dakota Staton Homage
www.prthatrocks.com, 18 Oct 2012 [cached]
Pittsburgh, Pennsylvania native Dakota Staton rose to Jazz prominence in the late 1950's after being discovered in the Harlem nightclub The Baby Grand by Capitol Records producer David Cavanaugh. Her fine swinging vocals on her debut LP, " The Late, Late Show ," and single by the same name, as well as the second single, " Broadway ," gained her the "Most Promising New Comer Award " by Down Beat Magazine .
Peggy Lee Discography - The Capitol Years, Part 4
www.peggyleediscography.com [cached]
Peggy Lee (ldr), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall's Music (acc), Justin Gordon, George Smith (r), Don Fagerquist, Conrad Gozzo, Emmanuel "Manny" Klein (t), Milt Bernhart (tb), Bob Enevoldsen (vtb), Howard Roberts (g), Joe Mondragon (b), Joe Harnell (p), Shelly Manne (d), Peggy Lee (v)
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Producer Dave Cavanaugh agreed with her on this point, and as a result, the final arrangement is Peggy Lee's and hers alone.
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Peggy Lee (ldr), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall's Music (acc), Justin Gordon, George Smith (r), Don Fagerquist, Conrad Gozzo, Emmanuel "Manny" Klein (t), Milt Bernhart (tb), Bob Enevoldsen (vtb), Howard Roberts (g), Joe Mondragon (b), Joe Harnell (p), Shelly Manne (d), Peggy Lee (v)
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Peggy Lee (ldr), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall's Music (acc), Justin Gordon, George Smith (r), Don Fagerquist, Conrad Gozzo, Emmanuel "Manny" Klein (t), Milt Bernhart (tb), Bob Enevoldsen (vtb), Howard Roberts (g), Joe Mondragon (b), Joe Harnell (p), Shelly Manne (d), Peggy Lee (v)
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Peggy Lee (ldr), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall's Music (acc), Justin Gordon, George Smith (r), Walter "Pete" Candoli, Emmanuel "Manny" Klein, Uan Rasey (t), Milt Bernhart (tb), Bob Enevoldsen (vtb), Barney Kessel (g), Joe Mondragon (b), Joe Harnell (p), Shelly Manne (d), Peggy Lee (v)
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Peggy Lee (ldr), David Klein (om), Dave Cavanaugh (pdr), Jack Marshall (con), William "Bill" Pitman, Hilmer "Tiny" Timbrell (g), Max K. Bennett (b), John Williams (p), Verlye Mills Brilhart (hrp), Larry Bunker, Shelly Manne (d), Peggy Lee (v), The Evelyn Freeman Singers (bkv)
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Peggy Lee (ldr), Emmanuel "Manny" Klein (om, t), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall and His Orchestra (acc), Mahlon Clark (cl), Benny Carter (as), Milt Bernhart (tb), Barney Kessel (g), Meyer Rubin (b), James "Jimmy" Rowles (p), Shelly Manne (d), Peggy Lee (v)
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The other chorus occurs around 1:15, before Lee sings the refrain: "There's Barney and Jim, Shelley and Mike, Benny and Pete and others I like, like Mannie and Milt, and David and Jack, Mahlon and Tony and Curly and Mack."
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Less clear is the identity of the other men mentioned in the second chorus: Pete, David, Tony, Curly and Mack.
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Other names could belong to the engineers and additional personnel; "David" was probably producer Dave Cavanaugh.
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Peggy Lee (ldr), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall and His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v)
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Peggy Lee (ldr), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall and His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v)
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Peggy Lee (ldr), Emmanuel "Manny" Klein (om, t), Dave Cavanaugh (pdr), Jack Marshall (con), Jack Marshall and His Orchestra (acc), Don Fagerquist, Uan Rasey (t), Ed Kusby aka Edward Kuczborski, Stuart "Stu" Williamson (tb), John Cave, Herman Lebow, Richard Perrisi (hrn), Al Hendrickson, William "Bill" Pitman, Allan Reuss, Howard Roberts (g), Max K. Bennett (b), James "Jimmy" Rowles (p), Larry Bunker, Shelly Manne, Lou Singer (d), Peggy Lee (v)
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Peggy Lee, George Shearing (ldr), Dave Cavanaugh (pdr), The George Shearing Quintet (acc), Toots Thielemans (g), Carl Pruitt (b), George Shearing (p), Ray Alexander (vib), Ray Mosca (d), Armando Peraza (bo, cng), Peggy Lee (v)
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In the late 1950s, Peggy Lee and George Shearing were both Capitol artists whose records were produced by Dave Cavanaugh.
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Hence, in order to fulfill retailers' expectations of an album release from the convention, Capitol and Cavanaugh asked Lee and Shearing to recreate the concert at another venue.
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Peggy Lee, George Shearing (ldr), Dave Cavanaugh (pdr), The George Shearing Quintet (acc), Toots Thielemans (g), Carl Pruitt (b), George Shearing (p), Ray Alexander (vib), Ray Mosca (d), Armando Peraza (bo, cng), Peggy Lee (v)
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