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This profile was last updated on 4/20/2010 and contains contributions from the  Zoominfo Community.

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Danny Kasman

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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

Background Information

Employment History

auteurs


Web References(6 Total References)


www.indiewire.com

The Auteurs' Danny Kasman went so far as to call it the "ultimate Resnais film," "true, effervescent delight as sad, hilarious, and wonderful as can be imagined.


www.filmbrain.com [cached]

There's a slight twist to this round, and the inspiration came from an exhibit I saw in Berlin back in February with The Auteurs' Danny Kasman called Vorspannkino, which was a celebration of the art of the opening credit sequence.


www.filmbrain.com [cached]

Part of the new Beijing independent movement, Zheng's film is remarkably assured, particularly for a first film. (This certainly isn't mumblecore!) Danny Kasman wrote a nice review over at The Auteurs, and even The New York Post's V.A. Musetto had kind words.
There's a slight twist to this round, and the inspiration came from an exhibit I saw in Berlin back in February with The Auteurs' Danny Kasman called Vorspannkino, which was a celebration of the art of the opening credit sequence.


www.cinemastlouis.org [cached]

The Auteurs Notebook's Daniel Kasman describes "Liverpool" as "one of the great films of our times," and Slant magazine says, "Formalist yet visceral, monosyllabic yet eloquent, 'Liverpool' ponders the lure and absurdity of nests in a world of unending, faraway ports."


www.sensesofcinema.com

Daniel Kasman
DANIEL KASMAN Daniel Kasman is the editor of The Auteurs and lives in New York.


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