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Charles Aaron

Music Editor

Spin

HQ Phone:  (212) 582-4285

Direct Phone: (212) ***-****direct phone

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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

Spin

276 5Th Ave. 7Th Floor

New York City, New York,10001

United States

Company Description

Spin is a popular open-source software verification tool, used by thousands of people worldwide. The tool can be used for the formal verification of multi-threaded software applications. The tool was developed at Bell Labs in the Unix group of the Computing Sc...more

Web References(190 Total References)


Spin Staff | Spin Magazine Online

www.spinmagazine.com [cached]

On the anniversary of the singer/songwriter's death, read SPIN music editor Charles Aaron's review of Smith's final album, From a Basement on a Hill.


U2 - Rockin'Town Bio

rockintown.com [cached]

The '91 album shows how U2 was "struggling to simultaneously embrace and blow up the world," said Spin editor Charles Aaron.


www.eminem.net

Charles Aaron, music editor at Spin magazine, said even the presence of Eminem will not be enough for D12 to match the sales of the first disc.
"There's no way it can do as well as the first one, because people aren't as fascinated with Eminem right now as they have been," he said.


ISSUE ONE | Unified Field Collective

unifiedfieldcollective.com [cached]

Charles Aaron, Editorial Director of SPIN magazine, muses on his selections from African magazine Transition and the impact they've had.
Renowned music photographer Autumn de Wilde captures intimate portraits of adolescence.


www.ugapress.org

This twenty-fifth-anniversary edition includes new and rarely seen photographs by locals on the scene; a foreword by Charles Aaron, former longtime editor and writer at SPIN magazine; and an afterword by producer/engineer and musician David Barbe, drawn from an essay originally published in the Oxford American's 2015 music issue.


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