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2015-07-22T00:00:00.000Z

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Wrong Catherine Kapikian?

Ms. Catherine Kapikian Andrews

Director of the Center for the Arts and Religion

Wesley Theological Seminary

HQ Phone: (202) 885-8600

Wesley Theological Seminary

4500 Massachusetts Ave Nw

Washington Dc, District of Columbia 20016

United States

Company Description

The Lewis Center for Church Leadership seeks to advance the understanding of Christian leadership and promote the effective and faithful practice of Christian leadership in the church and the world. The center is building a new vision for church leaders... more

Find other employees at this company (199)

Background Information

Employment History

Visiting Lecturer In Religion and the Arts

General Theological Seminary

Director, Henry Luce III Center for the Arts and Religion

//www.luceartsandreligion.org/

Affiliations

Founder
Walter Reed Bethesda

Education

Master's degree
Theological Studies
Wesley Theological Seminary

Web References (80 Total References)


Abiding Presence Lutheran Church

www.aplchurch.org [cached]

We engaged the talents of Catherine Kapikian, Director of the Center for the Arts and religion of the Wesley Theological Seminary, Washington, D.C., to create the designs.


ART IN SERVICE OF THE SACRED by Catherine Kapikian « StoneWorks: A Global Arts Initiative

stoneworks-arts.org [cached]

ART IN SERVICE OF THE SACRED by Catherine Kapikian [Translate]

...
Evidence of this new renaissance can be found in the work of Catherine Kapikian and her book, Art in Service of the Sacred.
In the foreword Kapikian writes, "This book encourages congregations to take seriously the role of visual art in worship and in the broader life of the church. It proclaims the power of art when it is used as art (not merely backdrop or illustration), reclaims the presence of religious symbols in worship, asserts the importance of aesthetic dimensions of ecclesial space, and recovers the role of visual art to engage our sense and our imaginations as we seek to encounter the Holy One in our lives. This is, of course, not an easy task-especially when one considers the divide that continues to exist between the artistic community and the religious community. Kapikian recognizes this divide and seeks to cross it by inviting artists into the church while at the same time inviting the church into the gallery.
Kapikian's depth of experience, both as an artist and as a theologian, is a gift to the church. She easily traverses between philosophical principles and pragmatic proposals, helping the reader to see not only why, but also how. One of her greatest strengths is the ability to place an artwork within its proper context. She does not promote a one-size-fits-all approach, but rather encourages churches to think critically about the specific context within which they are working. (Included with the purchase of the book is a DVD that contains some specific examples of work made within ecclesial contexts.) In my own work I have found Kapikian's thoughts on forming an arts committee and sponsoring artists-in-residence to be particularly helpful.
...
Chapel Reredos by Catherine Kapikian, 2000. West Market Street United Methodist Church, Greensboro, NC. This work was designed by Kapikian and needlepointed by members of the congregation. Kapikian is the founder and director emerita of the Henry Luce III Center for the Arts and Religion and currently holds the title of Distinguished Artist in Residence at Wesley Theological Seminary in Washington DC. She engages in commissioned, ecclesial, site-specific works, most of which are grounded in what she calls participatory aesthetics.


Invited speaker Catherine ...

livingchurch.org [cached]

Invited speaker Catherine Kapikian, founder and director emeritus of the Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary in Washington, D.C., described her work commissioning communities to stitch large-scale ecclesiastical needlepoint works for specific religious sites. Author of Art in Service of the Sacred, Kapikian designed the Gerald R. Ford presidential kneeler for Washington National Cathedral, along with many other works for churches and synagogues throughout the country.

In a contemporary version of traditional quilting circles, stitchers in communities come together to help create the works she designs that will hang in their places of worship, Kapikian said. "It's wonderful for the community to be engaged in the chaos of creation," she said. "Engagement like this is so therapeutic on so many levels."
Community-engaged stitching becomes "the work of the people," Kapikian said, citing a woman stitcher with advanced cancer who wanted to keep working as long as she could. Kapikian showed slides of very different works she had designed for a contemporary Lutheran church, an Episcopal church, a Methodist church, a retirement community chapel, the University of Maryland Chapel, and a chapel at Walter Reed National Military Medical Center. She said designing includes making a complex full-scale drawing or model with color directions for the entire piece.


Invited speaker Catherine ...

www.livingchurch.org [cached]

Invited speaker Catherine Kapikian, founder and director emeritus of the Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary in Washington, D.C., described her work commissioning communities to stitch large-scale ecclesiastical needlepoint works for specific religious sites. Author of Art in Service of the Sacred, Kapikian designed the Gerald R. Ford presidential kneeler for Washington National Cathedral, along with many other works for churches and synagogues throughout the country.

In a contemporary version of traditional quilting circles, stitchers in communities come together to help create the works she designs that will hang in their places of worship, Kapikian said. "It's wonderful for the community to be engaged in the chaos of creation," she said. "Engagement like this is so therapeutic on so many levels."
Community-engaged stitching becomes "the work of the people," Kapikian said, citing a woman stitcher with advanced cancer who wanted to keep working as long as she could. Kapikian showed slides of very different works she had designed for a contemporary Lutheran church, an Episcopal church, a Methodist church, a retirement community chapel, the University of Maryland Chapel, and a chapel at Walter Reed National Military Medical Center. She said designing includes making a complex full-scale drawing or model with color directions for the entire piece.


Chancel Tapestries | Kennedy Heights Presbyterian Church

www.khpc.org [cached]

Liturgical designer Catherine Kapikian created the designs for the dossal cloth and roundels. Ms. Kapikian is the founder director of the Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary in Washington, D.C. Her installed, large-format work numbers more than 80, in myriad ecclesiastic spaces that represent every major Christian denomination, interfaith and military chapels, and synagogues.

...
Liturgical designer Catherine Kapikian created the designs for the dossal cloth and roundels. Ms. Kapikian is the founder director of the Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary in Washington, D.C. Her installed, large-format work numbers more than 80, in myriad ecclesiastic spaces that represent every major Christian denomination, interfaith and military chapels, and synagogues.

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