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Wrong Bo Crowell?

Bo Crowell

Set Designer

The Edge Of Allegiance

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I agree to the Terms of Service and Privacy Policy. I understand that I will receive a subscription to ZoomInfo Community Edition at no charge in exchange for downloading and installing the ZoomInfo Contact Contributor utility which, among other features, involves sharing my business contacts as well as headers and signature blocks from emails that I receive.

The Edge Of Allegiance

Web References(29 Total References)


The Edge of Allegiance III:::::Cast & Crew

www.theedgeofallegiance.com [cached]

Bo Crowell (Set Designer) is Technical Director and a Board Member at the MET Theatre and has been working in all aspects of theatre since childhood.A trained dancer, Bo has performed with companies such as Alvin Ailey, Merce Cunningham, Senta Driver, and The Santa Fe Dance Foundation.In Los Angeles Bo helped found The Candlefish Theatre Company and has produced, directed, designed, and acted in over twenty productions with them.Bo directed and designed the critically acclaimed Rimers of Eldritch at the Jewel Box Theatre center as well as Director and Choreographer of the first ever production of HAIR in Moscow.


Staff Bios

www.thearab-israelicookbook-la.com [cached]

Bo Crowell Technical Director


Michael Butler

www.michaelbutler.com [cached]

Bo Crowell
Director and choreographer of "Pope Joan" Bo Crowell has been in theatre for all of his rememebering.


www.laweekly.com

HAIR Staging Gerome Ragni, James Rado and Galt MacDermot's Summer of Love rock & roll gem inevitably involves a challenge: Director-choreographer Bo Crowell could present the show as a period piece, trotting out the tie-dyed peasant shirts and bell-bottoms that the cast's parents might have been keeping in mothballs.Crowell cannily opts for something in between, a spiritual take that gives the material an unexpected timelessness.Although the pacing flags during portions of Act 2, and some of the songs suffer from overamplification due to the ghastly wraparound microphones, Christian Nesmith's musical direction is perfect - and Crowell's free-spirited choreography contains an intricate grace.


www.laweekly.com

HAIR Staging Gerome Ragni, James Rado and Galt MacDermot's Summer of Love rock & roll gem inevitably involves a challenge: Director-choreographer Bo Crowell could present the show as a period piece, trotting out the tie-dyed peasant shirts and bell-bottoms that the cast's parents might have been keeping in mothballs.Crowell cannily opts for something in between, a spiritual take that gives the material an unexpected timelessness.Although the pacing flags during portions of Act 2, and some of the songs suffer from overamplification due to the ghastly wraparound microphones, Christian Nesmith's musical direction is perfect - and Crowell's free-spirited choreography contains an intricate grace.


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