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This profile was last updated on 10/3/14  and contains information from public web pages.

Ms. Alaine Haubert

Wrong Alaine Haubert?
 
Background

Employment History

37 Total References
Web References
IBC Faculty Page
www.infinityballet.com, 13 Feb 2009 [cached]
Alaine Haubert
...
Ms. Alaine Haubert is a former principal dancer with the Joffrey Ballet and American Ballet Theatre and Ballet Mistress for American Ballet Theatre.
She has been a University of Hawaii faculty member for nine years, and is frequent Guest Instructor for Ballet Hawaii and West Hawaii Dance Theatre Summer and Winter Workshops. Ms. Haubert most recent years have been as a Professor of Dance at California State University at Long Beach.
Master Classes
www.whdt.org, 23 May 2014 [cached]
Alaine Haubert , a fourth generation Californian, has the unique distinction of having been associated with America's three major companies. She received her training from age fifteen at the School of American Ballet in New York City where she studied with George Balanchine and his illustrious post-Diaghilev faculty. After graduation from high school she performed with San Francisco's Pacific Ballet, and then joined the national touring company of Camelot. In 1965, after a year on the road with Camelot, Alaine joined American Ballet Theatre, where she performed corps de ballet, soloist and principal roles. She was coached, during this period by such diverse and exciting choreographers as: Tudor, DeMille, Robbins, Feld, Culberg, Lander, and Tetley, and also danced the classics.
In 1969 Alaine joined the Joffrey Ballet as principal dancer performing leading roles in many ballets including The Green Table, The Dream, Feast of Ashes, The Moor's Pavane, The Still Point, The Three Cornered Hat, Cakewalk and Le Bleu Danube. After nearly a decade with the Joffrey Ballet, a serious back injury ended Alaine's performing career, and she began teaching and coaching in such wide-ranging locations as Europe, Japan, Canada, the USA, and the Caribbean. In 1986 Alaine moved to Hawaii where she was on faculty at the University of Hawaii for seven years.
In 1993, Alaine was invited by Kevin McKenzie to return to New York as Ballet Mistress for American Ballet Theatre, where she instructed, coached, and rehearsed the world's leading dancers for four years. Alaine now makes her home in California where she was on faculty at California State, Long Beach for six years. She continues her association with ABT and annually travels the U.S. auditioning dancers for ABT programs. She has been the Artistic Director various Summer Intensive programs. In spring 2002 Alaine had the honor of adjudicating the Pacific Region for Regional Dance America (RDA) and in 2003 was adjudicator for the Southwest Region. Alaine now continues to travel world-wide, offering master classes and workshops and scouting for future ballet professionals.
Faculty
longbeachballet.com, 23 May 2010 [cached]
Alaine Haubert
Alaine Haubert received her training from age 15 on at the School of American Ballet in New York City, where she studied with George Balanchine. In 1965 Alaine joined American Ballet Theatre, where she performed corps de ballet, soloist, and principal roles. In 1969 she joined the Joffrey Ballet as principal dancer. In 1993, Alaine was invited to return to New York as Ballet Mistress for American Ballet Theatre. She is currently director of the ABT Summer Intensive Program in Detroit.
Maple Conservatory of Dance, Orange County's leading ballet school in Irvine
www.mapleconservatory.com, 25 Oct 2012 [cached]
Gilma Bustillo DeQuattro, Alaine Haubert, Lisa Johnson, Lorin Johnson, Will Johnston (Jazz), Alexander Kalinin (Character Dance), Zippora Karz, Maria Lazar, Teresina Mosco, Colleen O'Callaghan, Lawrence Pech, Amy Rose, Shawn Stevens
...
Alaine Haubert
Alaine Haubert, a fourth generation Californian, has the unique distinction of having been associated with America's three major companies. She received her training from age fifteen at the School of American Ballet in New York City where she studied with George Balanchine and his illustrious post-Diaghilev faculty. After graduation from high school she performed with San Francisco's Pacific Ballet, and then joined the national touring company of Camelot.
In 1965, after a year on the road with Camelot, Ms. Haubert joined American Ballet Theatre, where she performed corps de ballet, soloist and principal roles. She was coached, during this period by such diverse and exciting choreographers as: Tudor, DeMille, Robbins, Feld, Culberg, Lander, and Tetley, and also danced the classics. In 1969 Ms. Haubert joined The Joffrey Ballet as principal dancer performing leading roles in many ballets including The Green Table, The Dream, Feast of Ashes, The Moor's Pavane, The Still Point, The Three Cornered Hat, Cakewalk and Le Bleu Danube.
After nearly a decade with the Joffrey Ballet, a serious back injury ended Ms. Haubert's performing career, and she began teaching and coaching in such wide-ranging locations as Europe, Japan, Canada, the USA, and the Caribbean. In 1986 Ms. Haubert moved to Hawaii where she was on faculty at the University of Hawaii for seven years. In 1993, Ms. Haubert was invited by Kevin McKenzie to return to New York as Ballet Mistress for American Ballet Theatre, where she instructed, coached, and rehearsed the world's leading dancers for four years.
Ms. Haubert now makes her home in California where she was on faculty at California State, Long Beach for six years. She continues her association with ABT and annually travels the U.S. auditioning dancers for the ABT Summer Intensives. She is currently Artistic Director of the ABT North Carolina Summer Intensive.
In 2002 and again in 2008, Ms. Haubert has had the honor of adjudicating the Pacific Region for Regional Dance America (RDA) and in 2003 was adjudicator for the Southwest Region. Ms. Haubert has most recently served as Artistic Advisor for ABT's new ABT National Training Curriculum. She continues to travel world-wide, offering ABT curriculum training, master classes, workshops and continues to scout for future ballet professionals.
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