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This profile was last updated on 2/14/14  and contains information from public web pages.

Manager

Local Address: Los Angeles, California, United States
Holiday Lights
 
Background

Employment History

Board Memberships and Affiliations

124 Total References
Web References
SACRED FOOLS | SERIAL KILLERS - Memoirs of a Scheissefrau
www.sacredfools.org, 12 Dec 2013 [cached]
Video by Aaron Francis
SUMMARY: The mysterious Dancer is interrupted in his dance. A hooded figure announces to the citizens of the Solar Federation that they have assumed control. Meanwhile, Old Scheissefrau continues to tell us her life story. After acting in one of Warhol's films, she became a dancer at Studio 54.
Sacred Fools Winter Sampler | PLAY7
www.play7.com, 15 May 2010 [cached]
TEN TOPS: Aaron Francis, Producer / Aldrich Allen, Associate Producer
Naked Holidays | PLAY7
www.play7.com, 18 Dec 2002 [cached]
Megan Condit, Padraic Duffy, Aaron Francis, Tom Kiesche, Paul Plunkett and Joe Seely
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Aaron Francis, Kelley Leathers, David LM Mcintyre, Meredith Patt, Paul Plunkett and J Warner
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Producers - Aaron Francis, Gerald McClanahan & Phil Wofford
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Lighting Designer - Aaron FrancisSound Designer - J Warner
SACRED FOOLS | MAINSTAGE 1999 - DEAD LAWYERS
www.sacredfools.org, 17 April 2014 [cached]
Set and light design by Aaron Francis
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Stage Manager - Aaron Francis Asst. Stage Manager -Timbre Henning
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(standing): Tom Roddy, Graham McCann, Desi Doyen, George Larkin, Aaron Francis
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Dominated by a nautical motif (including a giant taxidermied marlin), Aaron Francis' multi-doored set is nicely suited to the action, particularly to Bitterman's well-choreographed fight scene.
SACRED FOOLS | MAINSTAGE 1999 - William Gibson's BURNING CHROME
www.sacredfools.org, 10 April 2014 [cached]
· Lighting Design, Aaron Francis & Norman Gilmore
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· Lighting Design,Aaron Francis & Norman Gilmore
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Set / Light Design by Aaron Francis
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Aaron Francis
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It seems a place not much different from lowlife L.A., really, but with a better soundtrack (by J Warner), imaginative futuristic costumes (Mary Hayes) and a killer lighting design (by Aaron Francis, lighting software by Norman Gilmore).
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As wonderful as designer Aaron Francis' dyspeptic vision of the future is (like today, but junkier, and with fabulous lighting), it's Adam Bitterman in the role of the hardened yet not hopeless romantic Automatic Jack who carries the show.
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Aaron Francis' set and lighting design, Mary Hayes' fetish-inspired costumes, and J Warner's sound are wildly inventive, as are Stan Freitag and Darrin W. Jaques' props and Gene Lushtak's original video, which opens the action.
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